Polizer Prize-winning journalist, Donald M. Murray, in his essay for The Boston Globe, “The Stranger in the Photo Is Me”, argues that innocence changes overtime through photos. He supports this claim by first alluding to an artist’s painting. Then he speaks on himself in third-person, and finally reflect on the loss of innocence. Murray’s purpose is to describe his experiences in order to inform people. He adopts a nostalgic tone for people over the age of sixty.
Within accordance to Kenneth Robert Jenkens’s novel, The Wilmington Ten, Khalil Gibran Muhammad’s Introduction in The Condemnation of Blackness, Stanley Nelson 's The Black Panthers: Vanguard of the Revolution and Damon Davis and Sabaah Folayan Whose Streets?, the interpretation of African Americans being treated unfairly within the court system is clearly portrayed. From the aspects of having an unfair trial, to police brutality, to even murder, racism is a problem that has been going on for various years, that just continues to happen. The Wilmington Ten were a group of teenagers who were wrongly incarcerated in 1971.
Tim’s Vermeer Tim’s Vermeer is a documentary film. It is about the struggle of a man to recreate a painting of Vermeer by seeing a rebuilding of the studio of Vermeer through a mirror arrangement. Tim Jenison got the encouragement from David Hockney’s theory that painters used visual strategies to accomplish their fascinating quality and established a double-mirror version of the camera lucida. He spent approximately 130 days to create a perfect and flawless imitation of Vermeer’s music lesson. He finally reached to the conclusion that the double mirror technique is a practical clarification for the distinctively lifelike painting style of Vermeer (Howard).
Not long ago, a close friend of mine, Sierra, invited me to go to a retro ice cream parlor in Oakland with her family. In fact, her family has been going to this creamery since she was three years old. Sierra’s family would drive out to Oakland to go to the famous Fentons Creamery once a year. Opened in 1894, Fentons is a family-owned world famous establishment ("Fentons Creamery and Restaurant”). Stepping into the parlor was like a blast from the past; I was instantly hypnotized by the artisans making the ice cream from scratch.
In many instances, Pilar’s voice serves to question the clarity of the lens with which we see the world. Beginning as a child, Pilar seeks to discover a truth that goes beyond the superficial. She broaches the subject of image in the context of advertisements, saying, “I read somewhere that the woman who posed for it was three months pregnant at the time and that it was shaving cream, not whipped cream, she was suggestively dipping into her mouth” (197). Through the irony of this event, Garcia brings to light the fiction of image, and the way the realities we accept at face value, are often only shadows of what truly exists. The fiction of image, and of memory is something that Celia ponders as well.
At some point of your life you meet very special people that carry very similar interests. This creates bonds that can be a very powerful and important part of your life. Some may say that bonds are created between a series of negative events that leads up to friendship. However, this is not true because in The Way, the main characters come together to walk the same path. Each character motivates each other to achieve the overall reason of why they wanted to walk The Camino De Santiago.
It is often only after a person’s death that their notebooks hold any significance for others. Notes to self, grocery and to-do lists, movie ticket stubs, all of these help for form a picture of an individual and a historical moment. But what is the value of these jottings to the individual that makes them, beyond knowing which groceries to buy? What can looking over past notebooks show and individual about themselves? In “On Keeping a Notebook,” Joan Didion uses immersive, conversational diction along with a self-deprecating tone to explore how writing shapes memory and by extension, identity.
The film opens with a close up shot of Alex dressed in white with gray suspenders showcasing his false eyelashes on his right eye and with the brim of his pork pie hat tilted slightly downward. His ominous blue eyes peering right through you as if you did not even exist. Slowly the camera pulls back as Alex takes a sip of drug laced milk revealing the type of company he keeps. His “droogs” as Alex called them were seated next to him on a bench in the Korova Milk Bar. The Korova Milk Bar was decorated with nude figures of women posed as if they had fallen backwards and they attempted to catch themselves by putting their arms behind them.
In a photo of her mother, Joan Nutzhorn, dated 1927, she captures a quiet, resigned beauty of a woman who seems to have seen so much, yet still has hope in the good of people. A woman with an iron will such as what Lange developed during her teens and twenties would not have been possible without such an example. She found this same sense of quiet strength in one of her most widely used and recognized photos titled Migrant Mother. A photo of a Native American 'Okie ' who had relocated with her six children and extended family to California in the 1930 's was within Lange 's portrait wheelhouse. She felt drawn back to the place where this woman lived with her total of eleven children, all on the verge of starvation and death due to work and food shortages and set about taking a series of photos that led to the final version of Migrant Mother.
In “Everyday Use,” two sisters portray their views on heritage and what they consider it to be. One sister defines heritage through everyday usage while the other prefers to display it. By the end of the story, Ms. Johnson is confronted with a challenging decision in regards to which one of her daughters should rightfully obtain the family quilts. Alice Walker stresses the importance of mother-daughter relationships through the three main characters (finish thesis).
The documentary, Merchants of cool, describes an evolving relationship between the vast teenage population and corporate America. The film provides an in-depth look at the marketing strategies and communication between these groups. Adolescents are shown as learners and adapters of the fast-paced world; they’re constantly exposed to fashions and trends. These young adults have a lot of disposable income and are willing to spend it, in order to gain social popularity. In other words, they are chasing ‘cool’.
This status of cultural invisibility has been one of the essential components of my research and the catalyst for developing my thesis on the elderly. Understanding aging, its representational erasure, and where it is culturally situated fueled my desire to highlight the lived experience of our elderly population. As a photographer, I am especially interested in the media and its ability to influence cultural views, in this case rendering aging as an unacceptable part of life. Other photographers, one being Cindy Sherman, have considered this same subject with respect to her own age and work. Best known for her black and white images that portray her as various female characters, Cindy Sherman’s work consistently examines truths about identity,
The "Apology" by Plato is a story about Socrates, who defended himself against accusers. Socrates was one of the greatest thinkers in ancient Greece and one of the few whose wisdom was noticed. From this story we can learn who Socrates was and what kind of life he had lived. To understand why Socrates deserved to be executed, we should have a view of times before execution. I will provide a brief opening statement.
For many people the ideal meal is inexpensive, fast, and tastes good. When purchasing these quick and inexpensive meals we put very little thought into how that food was actually produced. Food Inc is a documentary produced by filmmaker Robert Kenner and Eric Schlosser, author of Fast Food Nation, to bring awareness to Americans about the industrial side of food production. Kenner wants us to question how much we really know about the food we have been feeding to our families and to ourselves. He interviews various experts such as food advocates, farmers and authors who have written books about the food industry.
Don’t let the movie title, Milk, fool you. The movie’s title has nothing to do with the milk beverage. Sorry milk enthusiast. On the other hand, for those who love politics then this is the movie for you. This movie is solely focused on American Democracy.
