There are numerous similarities and differences on the two dictators’ effect of the culture, people, and country, but the question is: which dictator was the worst? Adolf Hitler is one of the world’s most known dictators who was Führer of Germany from 1934
Yanek Gruener is a ten year old boy living in Krakow, Poland in 1939. He is also a jew, a very dangerous thing to be at the time. In his spare time he dreams of going to America and becoming a movie star. The start of the war Krakow was invaded. Germans flooded the streets and a wall was built around his jewish neighborhood, now called the ghetto.
Mise-en-scéne is crucial to classical Hollywood as it defined an era ‘that in its primary sense and effect, shows us something; it is a means of display. ' (Martin 2014, p.XV). Billy Wilder 's Sunset Boulevard (Wilder 1950) will be analysed and explored with its techniques and styles of mise-en-scéne and how this aspect of filmmaking establishes together as a cohesive whole with the narrative themes as classical Hollywood storytelling. Features of the film 's sense of space and time, setting, motifs, characters, and character goals will be explored and how they affect the characterisation, structure, and three-act organisation.
The film 13th directed by Ava DuVernay targets an intended audience of the Media and the three branches of the United States government with an emphasis that mass incarceration is an extension of slavery. It is intended to inform viewers about the criminalization of African Americans and the United States prison boom. 13th uses rhetorical devices in its claim to persuade the viewers by using exemplum in the opening seconds of the film. President Barack Obama presents statistics, saying “the United States is home to 5% of the world’s population but is home to 25% of the world’s prisoners.” Also the film uses a hyperbole in talking about the movie Birth of a Nation produced in 1915 which portrays a black man as a violent savage who will kill white women.
Cinematography is critical to the success of any movie. Cinematography uses composition, lighting, depth of field, and camera angles to determine what the audience sees. Casablanca’s cinematography directs the audience’s attention, shapes the audiences feelings, and reveals the theme of the movie. Cinematography directs the audience’s attention and acts as the viewer’s eyes. The cinematography highlights Casablanca as a dangerous place filled with deception.
The Abolitionists Growing up as a Christian I never could understand how people claimed to be saved or god’s servant but yet can discriminate against skin color. I was taught God is of love regardless of skin color, size or how the person looks. Such as Caucasians with African Americans and even so how could they attend church but yet have slave servants in their home? As shown in the documentary most of the film was a conflict about slavery and the few whites that was against it. Such as “Angelina Grimké” a Caucasians female Christian who despised slavery and watch her parents live with it with no moral or self-respected.
Fritz Lang’s M is a combination of a social film and a murder mystery—directed in 1931, in the midst of the Nazi movement’s takeover of German goverment, the film chronicles the public’s congregation to catch an infamous serial killer. Beckert, the child murder himself is presented to the audience several times throughout the film; he is shown to be involved with a constant internal struggle between allowing the darkest parts of his mind to overcome him and remaining sane. However, this film is, in some respects, making a statement less about murder and more about society at the time in which the film was released. More specifically, the film warns against and even mocks the competency and ability of the police to perform their jobs. There is a scene within the film involving an organization of beggars with the common goal of catching the child murderer.
Those that believe Casablanca is not film noir usually perceive Film Noir as a genre. Noir is not a genre; Noir transcends genres and behaves more accurately as a style of cinema. As styles go, there can be variations of them as we see now with Post-Noir and Neo Noir, noir elements in a different time period of film technology which makes these films slightly different than the style of classic film noir. Themes of cynicism, impending doom, loss, jeopardy of life accompanied by visuals dominated by shadows, strong lines, and overall darkness to the image make up film noir’s style. Noir is not absolute, the beauty of this style is its vulnerability to variation, which is why Michael Curtiz’s Classic Casablanca is film noir.
Film analysis of Casablanca (1942) One of the most debated topics in recent history questions if Casablanca is the best film of all time. The film was originally released in New York in late 1942, and then nationally in early 1943. Given the time period and the plot, many found this film to be controversial, yet informative, as the movie follows the story of a group of refugees during World War II. With any discussion, criteria must be set to determine this answer.
Kylie Mawn Professor Rodais CINE 121 Midterm 4 March 2018 Question 1: Citizen Kane (Orson Welles, 1941) is a film that is well known for pushing cinematic boundaries in many ways. One commonly recognized technique in Welles’ film is deep focus photography. Deep focus photography is used in films to allow everything in a shot to be in focus at once. Typical, only specific characters or objects are in focus in any given frame in order to guide the audience’s attention in a scene, but deep focus can bring a new level of sophistication to a shot.
The show Band of Brothers was produced by Steven Spielberg and Tom Hanks who, at the time, recently had success with a World War II film entitled Saving Private Ryan. Spielberg and Hanks used their expertise on war films to craft the exceptional television series Band of Brothers which originally aired on HBO in 2001. The show follows “Easy” Company, 2nd Battalion, 506th Parachute Infantry Regiment, of the 101st Airborne Division, from the moment they begin their training to the moment their deployment ends. Throughout the show we see the men of “Easy” Company mature a thousand times over. The men experience love, loss, and death at rate that is inconceivable to someone that has never experienced the theatre of war.
In the film 12 Years a Slave the editor, Joe Walker, makes use of a couple of techniques and styles that adds to the film in its own way. Long shots – Joe kept the long shots as long as he thought was necessary to add to the subject matter and the feeling he wanted to bind with the story. At the end of the film there’s this extremely long shot where Solomon is practically staring at the camera for about a minute and a half. The timing of that shot is so perfect because it’s not too short so you don’t have enough time to think about what just happened or too much time to overthink the situation. Closer to the end of the shot he lets the sound fade slowly and rapidly gives you a wakeup call when the next shot starts off where Solomon and the rest of the slaves are busy working in the field.
Judgment at Nuremberg is a movie which was directed by Stanley Kramer and was written by Abby Mann based on a true story of a tribunal that happened in Nuremberg, Germany in 1948 until 1949. The film with 179 minutes duration shows us the tribunal to trial four NAZI judges who were very famous in the NAZI era. They were Dr. Ernst Janning, (Burt Lancaster), Emil Hahn (Werner Klemperer), Warner Lampe (Torben Meyer) and Friedrich Hofstetter (Martin Brand). The judges who were presiding in the tribunal were Judge Dan Haywood (Spencer Tracy) with two other judges who were American judge and arrived in Nuremberg in 1948.
This is at a time when the mass migration of Eastern Jews to Germany, led them to be used as scapegoats by the rightwing press for the disastrous defeat in World War 1. They were described by papers such as Der Sturmer as the parasite that infects the Volkisch movement’s ideal of the purity of the German people. At one point Nosferatu exclaims ‘Your precious blood’, when Hutter cuts his hand, bringing to mind the old accusation of Blood Libel (that Jews ritually sacrifice Christians for blood for
ARTS1501 Abigail Natnat March 30, 2016 N01100811 Film Essay Assignment The first sequence is the last scene from Apocalypse Now (1979) which was directed by Francis Ford Coppola. This scene is popularly known as “The Horror” and is a hybrid of classical paradigm and formalist style. It is a classical paradigm because the sequence is actually going about with a story which means that some of the parts are continually edited revealed to be in one setting which is the jungle where Captain Willard takes on with his assigned mission to deal with Colonel Kurtz. On the other hand, the scene is also a formalist style which particularly touches on each of the montage types.
