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Film Analysis: The Third Man

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In Carol Reed’s film-noir mystery The Third Man, character Holly Martin (Joseph Cotten) has a sense of confusion throughout the film created by the use of a canted/Dutch angle camera shots which is tilting the camera to present a state of mind or to add a dramatic uneasy mystery thriller sense for the audience to engage in. When Holly Martin (Joseph Cotten) comes to post-war Vienna to meet his friend Harry Lime’s (Orson Welles), only to find out that his friend is killed in a freak car accident that sounds suspicious. In fact, Holly Martin (Joseph Cotten) doesn’t believe the story and starts to talk to witnesses such as, 'Baron ' Kurtz (Ernst Deutsch) in the close-up canted/Dutch angle camera shot of his face presents a sense that he is
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Under their Thumb Questioning the credibility of the Queensland Police Force is unheard of, but when an Aboriginal man is found dead in his cell, who is held responsible? Director Tony Krawitz uncovers this tragedy in his documentary, The Tall Man writes Paige Smith. On November 19th, 2004 at 10:20 am Cameron Francis Doomadgee was taken into police custody and forty-five minutes later was found dead in his cell. Senior Sergeant Christopher Hurley was the arresting officer. This occurred in an established Aboriginal community off the coast of North Queensland on Palm Island.

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Bad Day at Black Rock Kathryn Abbott October 29 2015 DRAMA 3030 The unexpected arrival of a stranger to a small, Midwestern town creates a feeling of scepticism and suspicion, and through this the explicit meaning is revealed: Fear of the unknown and the moral and physical deterioration of a town left to its own devices. The film exemplifies these concepts through the use of mise-en-scène, and vivid cinematographic elements. The blood red coloured train stands out against a muted background.

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481 Words | 2 Pages

One of the massive aspects of movie making is the movement and angles at which the camera is held. One film that does a great job of creating this form of cinematography is Raising Arizona, directed and produced by the Coen brothers. This fast paced crime comedy does an excellent job of capturing the audience’s attention by making them feel as though they are actually a part of the action. An example of the great camera movement is when the camera bobs up and down as it gets closer to the Arizona’s house, this creates the effect that the viewer is actually the person who is approaching the house.

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Introduction 13th is Avan DuVernary’s documentary produced in 2016 which explores intersection of justice, race and mass incarceration in the United States. It is named after slavery was prohibited and the slaves freed through the thirteenth Amendment of the United States constitution which was resolved by the house of the representative and the senate in the Congress assembly. The amendment stated that, “neither slavery nor involuntary servitude, except as a punishment for a crime whereof the party shall have been duly convicted, shall exist within the United States, or any place subject to their jurisdictions.” The video starts by showing an African man imprisoned and others being arrested for imprisonment by the police. It shows how racism

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When most people feel like they are close to God; they usually make good moral decisions. In Doubt by John Patrick Shanley; Sister Aloysius tells Sister James that “In the pursuit of wrongdoing, one steps away from God. Of course, there’s a price.” When stepping away from God someone is committing sins and they are doing things that are usually not accepted. As the main characters stepped away from God, they had to pay the price of making wrong choices and the price of being pressured by those choices.

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873 Words | 4 Pages

Rear Window Argues that people should mind their own business. Do you agree? Rear Window, a 1954 romance/murder-mystery by the renowned golden age director Alfred Hitchcock, is a film that explores a multitude of themes and genres through the voyeuristic gaze of protagonist L.B. Jefferies. Jefferies, or ‘Jeff’ as he commonly known throughout the film, is a middle-aged bachelor recently hospitalised due to his high-risk career as a photojournalist. This hindered condition serves as an important foundation on which the movie is built upon as Jeff’s forced lifestyle being in a wheelchair causes an abrupt stop in his usual high intensity way of life and causes him to quench his boredom in other ways, predominantly watching the other residents in his apartment complex through the ‘rear window’ of his apartment.

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O Brother Where Art Thou? is a film that will take you on a perilous journey with Ulysses Everett McGill and his simpleminded cohorts. This film may be set amidst the early 1930’s Great Depression era, but it still has a Homer’s Odyssey feel to it. Down in the dusty and highly racial south, Everett recruits a couple of dimwitted convicts, Pete Hogwallop and Delmar O’Donnell, to help him retrieve his lost treasure and make it back home before his wife marries another suitor.

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The film 13th directed by Ava DuVernay targets an intended audience of the Media and the three branches of the United States government with an emphasis that mass incarceration is an extension of slavery. It is intended to inform viewers about the criminalization of African Americans and the United States prison boom. 13th uses rhetorical devices in its claim to persuade the viewers by using exemplum in the opening seconds of the film. President Barack Obama presents statistics, saying “the United States is home to 5% of the world’s population but is home to 25% of the world’s prisoners.” Also the film uses a hyperbole in talking about the movie Birth of a Nation produced in 1915 which portrays a black man as a violent savage who will kill white women.

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With Rear Window (1954), Alfred Hitchcock proved himself to be one of the best directors of suspense thrillers filled with mystery and humour. He himself called the film his most cinematic one because it was told only in visual terms (Morrow), but it was also a challenging “editing experiment” as the entire film was shot from one place, Jeff’s apartment that overlooked his backyard. The Film follows L.B. Jeffries “Jeff” (James Stewart), a photographer confined to a wheelchair in his apartment after breaking his leg at work. He spends his days watching his neighbours and eventually suspects that one of them killed his wife. His caretaker, his girlfriend Lisa and his detective friend, at first unconvinced of his suspicion, eventually join him in his voyeurism and help him to solve the crime.

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INTRODUCTION “We conclude that in the field of public education the doctrine of ‘separate but equal’ has no place.” -Chief Justice Earl Warren Separate But Equal, directed by George Stevens Jr, is an American made-for-television movie that is based on the landmark Brown v. Board of Directors case of the U.S. Supreme court which established that segregation of primary schools based on race, as dictated by the ‘Separate but Equal’ doctrine, was unconstitutional based on the reinterpretation of the 14th amendment and thus, put an end to state-sponsored segregation in the US. Aims and Objectives:

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She argues that the act of moviegoing satisfies these voyeuristic desires in people. She writes, “The mass of mainstream film portray a hermetically sealed world which unwinds magically, indifferent to the presence of the audience, producing for them a sense of separation and playing on their voyeuristic fantasy,” (pg. 186). In this essay, I will further discuss her viewpoints on cinema and voyeurism, and how it connects to the film Rear Window by Alfred Hitchcock. Rear Window is a film that follows the

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1207 Words | 5 Pages

The use of lighting and filters for colours is not just used for simple illumination but it is more meaningful. It helps to understand the characters and focus our attention on certain objects and actions. The colour can be used as a motif, an occurring manifestation in which the shades themselves become an important part of the story, reflecting emotions, altering situations and underlining scenes. (Bordwell, Thompson and Smith, n.d.)

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Death of a Salesman has been extremely influential in regards to theatrical performance and it has been performed by multiple different theatre groups. It has also been made into a movie, which has actors such as Dustin Hoffman as Willy Loman, John Malkovich as Biff Loman, and Kate Reid as Linda Loman. All of these actors’ performances were true to the character and were extremely realistic. It was easy for the audience to get caught up in the characters that these actors portrayed. Throughout the movie, Dustin Hoffman, John Malkovich, and Kate Reid all provided an outstanding performance by ensuring that their facial expressions, body language, and emotions always shined through all the while they were creating realistic characters that were easily believable by the audience.

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The show Band of Brothers was produced by Steven Spielberg and Tom Hanks who, at the time, recently had success with a World War II film entitled Saving Private Ryan. Spielberg and Hanks used their expertise on war films to craft the exceptional television series Band of Brothers which originally aired on HBO in 2001. The show follows “Easy” Company, 2nd Battalion, 506th Parachute Infantry Regiment, of the 101st Airborne Division, from the moment they begin their training to the moment their deployment ends. Throughout the show we see the men of “Easy” Company mature a thousand times over. The men experience love, loss, and death at rate that is inconceivable to someone that has never experienced the theatre of war.

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1. In the film, Birdman directed by Alejandro González Iñárritu is about a man named Riggan, whose well known as the “Birdman.” In the film we witness Riggan struggling who is making his mark in the world using broadway. When he achieved his fame as “Birdman”, he isolated himself from the screen as he battled with his inner voices which later caused him to commit suicide. His inner voices in the beginning of the film weren’t as powerful as it was towards the end.

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