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Flaws In Antigone And Creon

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Creon and Antigone represent the madness in the world when a certain aspect of life is taken to the extreme. Their thoughts were unchangeable and its only consequence was the destruction of their lives. In Sophocles’ Antigone, a classic Greek tragedy that draws a parallel between claims of state and familial loyalty; both the aspects are brought to life. Where Antigone singles out the private sphere of life, Creon puts weight upon the political sphere. Where Antigone was a devotee of divine law, Creon came across as a supporter of the human law. Beneath Antigone’s beliefs dishonor to family members was intolerable. On the other hand Creon’s life was controlled by what he thought was good for the state and its pride. Through opposing these characters Sophocles digs into the depths of morality and duty. Under the surface, despite their external differences the similitude between them was their ability to …show more content…

Antigone and Creon both display extremist behavior and act rashly. By depicting the adverse consequences showered on both the heroes Sophocles appeals to the emotions of his audience. Creon’s flaws represent the flaws of the society while Antigone’s passionate family loyalty leads her to a dignified path of destruction. However, Sophocles’ personal admiration towards Antigone’s heroism paralleled with portrayal of the ego-driven Creon persuades the audience to show sympathy towards Antigone. Sophocles’ depiction of his approbation for Antigone’s heroic traits indicates that he was inclined towards the family over the cold dictatorship of the king. As the play closes, the chorus says, “Of happiness the chiefest part Is a wise heart: And to defraud the gods in aught With peril's fraught. Swelling words of high-flown might mightily the gods do smite. Chastisement for errors past Wisdom brings to age at last. (Pg.

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In Sophocles Antigone Creon’s fatal flaw is his overabundance of arrogance. Over the course of the play Creon’s own pride distances him from his loved ones, his subjects, and ultimately from his own mind. During the play, Sophocles utilizes varied literary techniques such as exposition and dramatic irony to express his own view of mankind. For example, in Antigone, Sophocles expresses the idea that hubris, or excessive pride is the key element in self destruction. For the duration of the play, Sophocles builds the character of Creon, the tyrannical king of Thebes, who seems to embody this particular flaw.

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The Chorus points out that her fate could have been avoided if she had let go of her pride and passion, and bowed to Creon’s edict, as did the citizens of Thebes. This quotation portrays that play writer, Sophocles, views that one’s blind and obsessive passion can result in negative consequences. The downfall of Antigone derives as a consequence to her obsession in acting against the King’s edict to glorify her brave act of reverence to her family and the gods. When Antigone expresses her defiance to Creon’s

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In the short story titled “Antigone,” the author portrays Creon as a tragic hero by displaying flaws in Creon's character shown throughout the story. Creon’s character contains many flaws which lead to many problems. His decisions end up deciding the fates of his son, his wife, and Antigone. Creon finally realizes that what he has done is sinful to the gods. He has put his own pride over the appreciation of the gods.

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The play Antigone features a deep struggle of power for King Creon. Creon faced several insecurities, during his rule, as king of Thebes. These insecurities, which stemmed from an internal power struggle, went on to, not only affect his rule as king, but his personal relationships, and emotions as well. Other reasons for his actions stem from family matters that have hindered Creon's ability to successfully control and rule by himself.

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The two are bound to two opposing sides of the law with family stances being most prominent reason for their divide. Through the characters of Antigone and Creon, Sophocles and Anouilh prove that duty is bound to family loyalty, regardless of how polarizing the reactions may be. This is shown through Antigone and Creon’s actions and decisions, determination and persistence,

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In Sophocles’ play Antigone, Creon, the king of Thebes, best represents a tragic hero. Creon demonstrates goodness in his intentions for Thebes as well as his fragile state due to the fact that he recently lost several family members. Creon, newly named king, finds himself as highest ranking official around, showing superiority. Creon often acts stubborn and prideful, his tragic flaw. And lastly, he must come to terms with the fact that he caused the death of his wife, son, and niece.

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In “Antigone” by Sophocles, various literary devices are intentionally placed throughout the text in order to create the complex relationship between Creon's fate and death. Analyzing symbolism, diction, and personification in the concluding scene allows one to develop and fully understand the theme that these devices invent. Identifying symbolism gives one the context that is needed to discover the nature of Creon's fate. Again and again death is related with fate through the use of symbols. In the last scene, the messenger recalls how Haemon comes to die.

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Countless times, Creon was implored to change his mind to preserve the safety of others. However, due to his uncompromising and egocentric nature, he repeatedly denied this aid, and therefore caused the tragedies of the deaths of his niece and his son. The events that occurred in the play Antigone accurately represent the characteristics of a tragic flaw and subsequent suffering that define a

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