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Frankenstein Rhetorical Analysis Essay

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Frankenstein Rhetorical Analysis Essay An abandoned life from society and that doesn’t follow normal activities could make you a romantic hero. In Mary Shelly’s Frankenstein, she portrays the main character, Victor, as a man that is intent of learning more about nature. Victor begins to make mistakes which causes him to be full of sorrow and exiled from society. Victor begins to possess some traits from Byronic list of traits that romantic heroes possess. Rejection from community and social norms, persistent loneliness. He is also similar to the Greek God, Prometheus, who saved mankind but, only after stealing fire and ignoring Zeus’ orders. She creates this perception by using strong word choice and diction. Victor feels …show more content…

Victor didn't create another creature for the monster. This race could have destroyed mankind overtime. Zeus refuses to give Prometheus fire which cause Prometheus to face danger by bringing people fire. Victor refuses his responsibilities “Unable to endure the aspect of the being I had created, I rushed out of the room”(Shelly pg.79). Mary Shelly uses vivid detail in this scene to describe the creature appearance. She makes him seem like the most hideous thing ever seen by human eyes. She describes it as “I saw the dull yellow eye of the creature open; it breathed hard, and a convulsive motion agitated its limbs”(Shelly pg.79). She makes the reader feel bad for Victor because the reader knows he works hard on the creature. However, know reader should feel remorse for Victor leaves his creature. In conclusion, Mary Shelly uses her great words and flow of her sentences to show how Victor has changed throughout the book. Victor at first seems happy and has a love of nature. In contrast, when the monster completes his revenge Victor is isolated from society and this causes him to have loneliness. Mary Shelly compares Victor to a romantic hero. He has some specific traits that apply both to the romantic hero and himself. Mary Shelly uses complex diction with strong word choice to create an image to a reader of what she is trying to get

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All humans find themselves obsessively determined to succeed in gaining something, whether it be knowledge, a promotion, or someone’s love, only to find out that what they thought they were going to get is not what they actually wanted at all. In her novel Frankenstein, Mary Shelley describes this phenomena occurring within Victor Frankenstein’s internal narrative. He is obsessed and determined to discover the secret of life, and once he does he realizes its effects on not only his life, but others’ as well. Throughout the passage found on pages 30-31, Mary Shelley reveals the attitudes of curiosity, wonder, and determination through descriptive characterization of Victor Frankenstein and his thoughts, effectively bringing her own attitudes to fruition through language, symbols, and sentence structure.

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The first component of the rhetorical triangle is the rational appeal, where the writer uses logical reasoning to persuade their audience. The character who uses the rational appeal in narration is Victor Frankenstein. Frankenstein tells his personal story about his encounters with the Creature. He does not base his narration on how the actions made him feel, but the actions themself. He tells the story of the action and let them speak for themself.

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Throughout the well-known novel, Frankenstein, written by Mary Shelley, the protagonist, Victor Frankenstein is characterized as being a very selfish man. Contrary to this idea, Victor tells his father, “A thousand times would I have shed my own blood, drop by drop, to have saved their lives. . .” (184 Frankenstein). It is ironic that Victor makes this comment, as it is evident throughout the novel that he does not truly mean this. In other words, Victor did not sacrifice his life for his friends and family at any point over the course of the story.

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He initiates the hostile relationship, threatening the creation, “We are enemies. Begone, or let us try our strength in a fight in which one must fall” (103). Just as Victor abandons the creation from the day he creates him, Victor demands for the creation to leave him. Victor’s first instinct is to escape, avoiding his creature, and the responsibility he has to him as the creator. He rejects love in the relationship, while the creation seeks it from his estranged author.

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Perhaps the emphasis Shelly puts on the childhood emotions of the characters emphasizes the importance of that phase in a person's life. Victor explains near the end of the story: "From my infancy I was imbued with high hopes and a lofty ambition; but how am I sunk". By contrasting Victor's core tendencies and emotions against those of his family and friends, Shelly also emphasizes how they can control the character's fate. For instance, Elizabeth and Henry, the similar contrasts for Victor's personality, shared the same fatal ending at the hands of the monster that is the product of Victor's

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Victor selfishly creates the Creature to gain prestige, pretentiously claiming himself as a human god when he succeeds and saying it was for the sake of humanity. In reality, he creates a grotesque being and abandons it the moment his illusions shatter, making the creature a victim because he denies the responsibility of raising it causing hardships for it. Victor also believes the creature is a reprobative individual since it kills his brother and foists Justine’s execution, thus he acts inimical towards it throughout the whole novel as he invectively exclaims, “Abhorred monster! Fiend that thou art! The tortures of hell are too mild a vengeance for thy crimes” (93).

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In reality, he is disgusted by the sight of his creation so he abandons it leaving it all alone in the world without any guidance and runs away to the next room. Victor himself suffered from being a social outcast and now he bestowed the same feeling onto the creature by abandoning him. By treating the creature as an outcast, “he will become wicked … divide him, a social being, from society, and you impose upon him the irresistible obligations—malevolence and selfishness” (Caldwell). Not only is Victor selfish for abandoning his creature but he is shallow as well. Instead of realizing that he achieved his goal of bringing life to an inanimate body he runs way because of how hideous it is.

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The gothic fiction novel Frankenstein by Mary Shelley centralizes on humanity and the qualifications that make someone human. The content of the novel Frankenstein depicts a monster displaying human traits that his creator Victor does not possess: empathy, a need for companionship, and a will to learn and fit in. Throughout the novel Shelley emphasizes empathy as a critical humanistic trait. The monster displays his ability to empathize with people even though they are strangers. On the other hand Victor, fails to show empathy throughout the novel even when it relates to his own family and friends.

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