I read the book, Bound, written by Donna Jo Napoli. The book is about a young chinese woman, who is bound to her father’s second wife. This is because he passed away and, back in 17th century china, young woman had very little power or say in situations. Also woman were thought to less value of worth then their livestock. Throughout the day’s of dealing with her step mom she, loves to do poetry and calligraphy.
Historical Investigation To what extent were “Rosie the Riveter” and “Bren Gun Girl” important symbols for women? Saamia Ansari Mr. Fink – CHC 2D8 D June 15, 2015 Section A: Plan of Investigation The following question will be investigated: To what extent were “Rosie the Riveter” and “Bren Gun Girl” important symbols for women? This investigation will go on to prove the importance of the role of women during World War II and how they proved to be so much more than they were initially thought of.
Studies show that in 2011, 51.4 percent of black students in the Northeast attended schools where the student population was 90 percent to 100 percent minority? That means that more than half of the percent of black students attend schools that have mostly black students. In Warriors Don’t Cry, by Melba Pattillo Beals, Melba is a strong person because she listens to her elders, trusts in God, and endures physical and mental abuse. Overall, Melba was a strong person throughout the integration. Melba is a strong person, as shown in this quote, “One nigger down, eight to go” (Beals 220).
Tension had been high in the Civil War after the Union suffered surprising defeats. The tension was also high in Mr. March heart as he had to figure out his true love. In March, by Geraldine Brooks, Mr. March struggled to decide between loving Grace, a slave he met in Virginia and being faithful to his wife at home in Concord. Geraldine Brooks, used true historical accounts to emphasize the horror that people of the Civil War time witnesses and experienced.
Ironically, the significance of work has diminished over time. The meaning of work has completely changed since work became something that seemed more of a task rather than something that is valued and relied on due to the fact that people work in order to supply for the ones they love or just to be able to put food on the table. The purpose of work has come along way dating back to the historical aspect of work. Continuously, Questions come and go about if work will be as impactful in the future and how history has shaped the fact whether or not work is valued the same as it was over time. Now Historically, many will bring up the icon named Rosie the Riveter.
Similarly the girl is in that extreme condition that only people pass words but offers no helping hand. Expression of mother The last lines of the poem depict the violation inflicted upon the girl. In those lines it is found out that the violence and miserable condition of the girl is due to the torture done by her mother.
When her only son was going to school , she said; “ I never though a son of mine would choose useless books over the parents that have you life”(Macleod 18). It shows how the mother was putting so much pressure and guilt
At Burns times and even before most women did not go to school, most women did not know how to write or even read. Women would of stayed at home and clean the house or watch the children. Any money that was made by a woman became the property of her husband once she was married. If a husband and wife get divorced, everything that she ever owned will be taken away from her including her children. Burns’s father believed in educating children of
H. P. Lovecraft once said “the oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown”. He is implying that one may fear the thought of change but is tired of one's old way of living. Many people can feel trapped and buried with tradition, emotions, and general way of life. Many people are scared of change but do not feel like it will be a positive change. An individual can be overwhelmed by tradition and may crave for change.
Minerva is trapped in an ongoing cycle, we can clearly see that she cannot break away from and in a form, is not smart or strong enough to stop it from reoccurring. On the other hand, even though this form of oppression she finds condolence in writing her poems. Even if she is, perhaps subjected to hiding her poems in fear of displeasing her husband or being the ridiculed as a result of writing. As a reader, we can conclude that the poems Minerva writes are possibly close to her heart as she reserves them on her physical body throughout the day next to her spare change. The act of writing poetry can also be seen as a form expressing herself through the hardships of Minerva’s life and therefore liberating herself through this form.
“I came to a clear conclusion, and it is a universal one: To live, to struggle, to be in love with life--in love with all life holds, joyful or sorrowful--is fulfillment. The fullness of life is open to all of us” (Betty Smith). Betty Smith, born as Elizabeth Lillian Wehner, grew up in Brooklyn, New York as the daughter of poor German immigrants. At the time, child labor was legal and Smith began work at the young age of fourteen to help support her family. Smith’s life in the slums and her experiences during the Great Depression greatly influenced her writing.
Welter states, “The best refuge for such a delicate creature was the warmth and safety of her home. The true woman’s place was unquestionably her own fireside—as daughter, sister, but most of all as wife and mother, Therefore domesticity was among the virtues most prized by women’s magazines” (Welter 5). Since the woman was confined to the house, without any other options for work or hobbies, the home was more of a prison than a place of comfort. Welter states that the “woman, in the cult of True Womanhood…was the hostage in the home” (Welter 1). The narrator in the short story is seen to suffer from this sort of
Gwen Harwood to a large extend, takes marginalised groups such as women, and privileges their experiences by giving them a voice through poetry. Both ‘Suburban Sonnet’ and ‘Burning Sappho’ express the frustrations of women who feel tapped by motherhood and the expectation that they will conform to domestic roles. Harwood comments on the inability of women to pursue personal happiness as she shows that motherhood can be both rewarding and all consuming. Meaning is therefore drawn from each poem through Harwood's intricate use of stylistic features such as figurative language and imagery, shaping readers to understand that it is often those we love that cause the most intense feelings of resentment and internal frustration.
She addresses her father as “daddy” like a little kid, speaks in a child-like abrupt manner, and begins the poem with “you do not do/you do not do/ anymore black shoe,” lines that resemble the old nursery rhyme “There is an old woman who lived in a shoe”. However, this is not a happy child, but one with frustration and unresolved conflicts with her father, as she calls him “evil” and a “bastard”. Furthermore, the way an adult woman completely turns into her childhood self suggests an obsession and a fixation within the past, a phenomenon commonly associated with psychological deficiencies stemming from unsolved childhood issues. These observations correspond to how the speaker metaphorically refers to her father as a “black shoe” that she had to live in, showing her inability to overcome the shadow of her late father. Thus, by addressing him directly instead of referring to him in the past tense, the speaker confronts her obsession and tries to escape the
Liberation After Death: Akhmatova’s Shifting Tone in “Requiem” Written between 1935 and 1940, Anna Akhmatova’s “Requiem” follows a grieving mother as she endures the Great Purge. Joseph Stalin, the Soviet Union’s General Secretary, unabatedly pursued eliminating dissenters and, consequently, accused or killed hundreds of thousands who allegedly perpetrated political transgressions (“Repression and Terror: Kirov Murder and Purges”). Despite the fifteen-year censorship, Akhmatova avoided physical persecution, though she saw her son jailed for seventeen months (Bailey 324). The first-person speaker in “Requiem,” assumed to be Akhmatova due to the speaker’s identical experience of crying aloud “for seventeen months” (Section 5, Line 1), changes her sentiments towards deaths as reflected in the poem’s tone shifts.
