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The Epilogue Sparknotes

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The epilogue starts out by telling us what happen at the trial. All of the people who knew Raskolnikov said that the murders were out of character for him. Raskolnikov told the judge or magistrate a minute by the minute retelling of what happened. He told them about how he did not intend to kill Lizaveta. He talked about the fake pledge he made and where he hid the purse with the money he stole. Raskolnikov's sentence was determent by the fact that he did not spend what he stole, that he did not intend to kill Liz. More importantly the fact that he turned himself in among other thing leads to his sentence being more merciful then it may have been for other people. He was sent to a penal servitude in the second class for no more than eight years. Sonya went with Raskolnikov to Siberia and sent back updates to the people in St.Petersburg. We also learn that at the beginning of the trial Raskolnikov's mother feel ill. We also learn that Dunya and Razumikhin found a way the get the mother out of town so she would not find out about Raskolnikov. At the end of the first chapter of the epilogue we learn that Dunya and Razumikin got married with the blessing of …show more content…

Raskolnikov is content with the conditions of the prison he is in. The other prisoners do not care much or Raskolnikov, but they love Sonya. Raskolnikov is ill and in a fever-induced dream, he sees that everyone has gotten a virus that makes them think they are the only person who knows the truth. The people cannot get along and they destroy each other. Sonya comes to the prison often and sits outside so that R can see her out his window. One day she meets him outside and they sit together holding hands as they have before. Only this time it is different and R breaks down and cries in Sonya's lap as they both realize his love for Sonya. Later as R thinks of Sonya and pulls out the copies of the New Testament she gave him and he starts to

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After lighting Sasha on fire, he rethinks his decision and his life choices. While on trial, after rethinking her decision, Sasha wants Richard to succeed in life. After being sentenced to jail Richards starts to exceed in finding a job and becomes a highly ranked inmate. He starts to forget his past and thinks about his future. Before meeting Richard,

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After committing his crime, Raskolnikov instantly feels “horror and loathing of what he had done… He … [does not go] to the box or even into the room for anything,” (Dostoevsky, 108) instead Raskolnikov immediately begins to, “[wash] his hands and the axe” (109). This presents his mental suffering through his immediate reaction of guilt. As Raskolnikov physically washes his “axe with the blade in the water, and his hands in the bucket …” (109) he is metaphorically cleansing himself from his sin as if participating in a baptism. This presents Raskolnikov’s immediate suffering for his crime as he seems very eager to remove all traces of the blood.

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Fyodor Dostoevsky's 19th century novel Crime and Punishment explores the psychological torture and moral dilemmas that the main character Rodion Romanovitch Raskolnikov faces after he murders a pawnbroker and her sister. All of the characters in the novel face troubles and suffer as a result of them, however all characters do not respond to their difficulties in the same manner. Through the use of foils, which is a literary device in which one character is contrasted with another in order to emphasis particular qualities in the other, Dostoevsky explores character's various responses to difficult situations.

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Meanwhile, Raskolnikov is afflicted by the drama of his sister’s engagement to an atrocious wealthy man in order to financially support their family. As Raskolnikov shifts between guilt, pride, and indifference, his already distraught mental state is disconcerted by the opinions of those who surround him. Not only do his mother and sister complicate his mental state, he is overshadowed by his well natured best friend, Razumihin, who acts admirably considering he is equally as

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In the beginning of Act 3 Scene 2. Hamlet is speaking to the actors of the play that is about to be performed before Claudius, Gertrude, and the rest of the royal court. His style of speech is different than when he is being watched by Polonius and/or Claudius because he is speaking in clear prose, making sure he’s understood by the players. Because of this shift it’s clear that Hamlet hasn’t actually become mad because of his encounter with the ghost, but rather he’s been acting as he said. In the first lines of the scene it’s reaffirmed that Hamlet is a skilled actor, showing that he’d have the ability to convince everyone that he’s crazy.

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Luzhin is an absolute douchebag who treats Donya like nothing but a piece of trash, only wanting her so he can have control over her. Raskolnikov tries to keep convincing her to leave him because he will never be any good for her, but she doesn’t listen. She keeps wanting to marry this

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Raskolnikov’s accumulating debt owed to his landlord prevents him from moving outside of Saint Petersburg and causes massive emotional damage. Each time he leaves his apartment, he fears seeing his landlady, The stress and anxiety arising from the debt he owes to his landlord causes him to become unruly and he had, “fallen into a state of nervous depression akin to hypochondria,” feeding into his detachment from society. Not only does Raskolnikov’s living situation seem grim, but his room itself furthers his emotional detachment from society. Raskolnikov’s room allows him to dehumanize himself.

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