“Oranges,” “The Seventieth Year,” and “Avocado Lake,” showcase Soto’s ability to move a reader using an emotional story without the use of rhyme or rhythm. Through Soto’s poetry, he indicates the traits that define Mexican-American community
However, the purpose of the poem may also be to spread the frustrations and hardships that Mexicans
Mexican Americans were often seen as second-class citizens incapable of holding high level occupations. There was nothing the students could do, however, due to the fact that schools failed to provide the necessary education to allow them to attend college. As sought after of a position as a doctor or lawyer was, it was almost guaranteed that, without the necessary education, students would find it impossible to reach a status of that level. For example, in his epic poem, “I am Joaquin”, Mexican American poet and political activist Rodolfo Gonzales recalls the discrimination they faced saying, “My culture has been raped./ I lengthen the line at the welfare door/
La Migra is a poem written by Pat Mora about the Mexican - American immigration issue. It’s purpose is to acknowledge the emotions and sentiments of the Mexican immigrants who try to come to the United States illegally. The denotation of the poem’s title means immigration and the connotation is referring to the police officers standing at the Mexico-United States border. The poem is divided into two stanzas to acknowledge immigration through the different perspectives of the illegal immigrant and also through the eyes of the border police. The first stanza is through the perspective of the male border cop, who thinks his power and nonessential items make his superior to the immigrants.
Many people have dreams of coming to America for a better, more satisfying life. In the poem, “Suicide Of a Puerto Rican Jibaro in Mainland Buffalo” the author (A Puerto Rican immigrant) dreams of coming to America to achieve his version of the American dream, However he soon realizes that America is a country that takes dreams and manifest them into nightmares. "The tropical music that was killed by the new sound of 'salsa.' But they didn't understand, his children didn't understand. " This shows that once you become accustomed to America and its rules; its controlling demeanor will stripe you of your cultural heritage.
Chavez examines the assumptions made by the media and the public by drawing in sources like magazine articles and illustrations to provide the audience with exactly how these accusations are made and shared with the public. Chavez questions what it means and what it takes to be considered an American citizen and how Latinos, particularly Mexicans, have many things stacked up against. There are no doubts that the number of undocumented immigrants has steadily increased each year. Leo R. Chavez argues that because of the rise in the numbers, it makes it easier for the media to assume that undocumented immigrants, particularly Mexicans, are a threat to our nation through an invasion. Chavez’s idea of a Mexican reconquest is developed through something he calls the Quebec model.
These words by poets Aurora and Rosario Morales, Puerto Rican Americans, reveal the struggle of the average Puerto Rican. For example, most islanders do not fully understand who they are or how to present themselves when someone asks, “What is your family’s ancestry like?” or, “Where does Puerto Rico get its unique culture?” These questions spark the idea of a questioning identity. This is because the island of Puerto Rico was formed with the help of many different cultures. Are the people of this island African?
The Back of a Nonexistent Line In the film Documented and The New York Times article “My Life as an Undocumented Immigrant,” Jose Antonio Vargas describes his experience as an undocumented immigrant in the United States and provides a passionate argument for creating a pathway to citizenship for others like Vargas, who are undocumented as well. Although both the film and article give the viewers and readers an insight into Vargas’ difficult journey, a particular scene in the film sends an unspoken message about the United States as a whole. In Documented, the scene in which Jose Antonio Vargas attends a Mitt Romney campaign rally is detrimental to the immigration debate because it demonstrates the need for Americans to be educated about undocumented
Many stories embody the cultural aspects of Mexican-Americans and their struggles with living in a discriminatory society. Stories like With
“The virtual personas of Latino immigrants (represented as a threat to the nation) make the authority that has accumulated for real immigrants in their role as workers and consumers vanish” (Chavez 47). In the public eye Latinos are depicted as noncompliant and dangerous citizens and noncitizens of the United States. “The virtual lives of ‘Mexicans,’ ‘Chicanos,’ ‘illegal aliens,’ and ‘immigrants’ become abstractions and representations that stand in the place of real lives” (Chavez 47). It is depressing to understand that the majority of the United States strictly sees Latinos as these distorted images. At the end of the day each individual’s life matters, we all need to become more compassionate for one another.
Immigration during the 20th century led to to differences and cultural changes in the country spreading diversity. Immigrants have came to this country escaping the government from their country, looking for comfort,or chances and hope for their family. The Latin Deli: An Ars Poetica written by Judith Ortiz Cofer, demonstrates the struggle of how immigrants wanted comfort the feeling of being accepted even as they speak a different language. The Latin Deli: An Ars Poetica captures the struggle of immigrants as they were embedded into a new life a new culture. Take The Tortillas out of your poetry written by Rudolfo Anaya demonstrated how the poets that tried to add their culture into their poetry were rejected for having a different language.
In the essay "Children of Mexico," the author, Richard Rodriguez, achieves the effect of relaying his bittersweet feeling regarding how Mexicans stubbornly hold on to their past and heritage by not only relaying many personal experiences and images, but also by using an effective blend of formal and informal tone and a diction that provides a bittersweet tone. Among the variety of ways this is done, one is through repetitive reference to fog. The word is used many times in the essay, especially in segments relating to Mexican-Americans returning to Mexico for the winter. One of the more potent uses reads as follows: "The fog closes in, condenses, and drips day and night from the bare limbs of trees.
Obviously the text “Barrio Boy” by Ernesto Galarza shows that Ernesto attempts to become a good American without losing his Mexican heritage and he is motivated by his love
In the poem “To live in the Borderlands means you”, the borderlands become a place of change, such as changing from just one culture or race into a diverse culture or race and not-belonging. (Singh, A., & Schmidt, P. 2000). The poem describes how the author’s own background ethnicity people, mixicanas, identifies people like her, chicanas, as “split or mixture that means to betray your word and they deny “Anlo inside you.” (Anzaldua, F. 1987). The poem describes that the borderland is a place of contradiction, such as of home not being a home.
This poem is about a Mexican-American speaker informing the reader about the struggles in which people from different ethnic backgrounds
