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Gender And Politics In Virgil's Aeneid

1758 Words8 Pages

Virgil’s Aeneid sets out to tell a history of Rome that conforms to the contemporary political realities of the Roman empire. In doing so, Virgil outlines the theme of politics and the influence people have on it. He presents male political activities as positive whereas female roles are deemed for the most part disruptive. Although he incorporates women, Virgil upholds a patriarchal political system at both the divine and mortal level as a way of appealing to Augustus Caesar, the emperor who commissions him to write the epic. In this essay, I will argue that Virgil presents female figures who submit to their emotions as having an obstructive influence on politics because they are then subject to being ruled by their passions and irrationality. This will be proven …show more content…

As Aeneas’ main antagonist, she is first introduced as embittered by a “sharp / and savage hurt, [that] had not yet left her spirit.” (Book I, 39-40). The goddess hates the Trojans because of the judgment of Paris and Jupiter’s ravishment of Ganymede, and she is determined to stop Aeneas from founding Rome. Virgil’s use of “savage” when presenting Juno reflects the unruliness of her emotions and how they have plagued her spirit and mind. Controlled by her passions, Juno’s first act in the Aeneid is the introduction of an element of disorder that serves as the contrast to politics: “Then- burning, pondering- the goddess reaches / Aeolia…’Hammer your friends to fury / and ruin their swamped ships…” (Book I, 75-101). The imagery of Juno “burning, pondering” brings about a symbolism of her emotions as an uncontrolled fire that pushes her to hinder Rome’s imperial future. Virgil then presents a male force that is able to put out the fire he draws up for Juno as Neptune answers Aeneas’ prayers and calms the storm. This is followed by the

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