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Impression Of Women Exposed In The Yellow Wallpaper

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“The Yellow Wallpaper” by Gillman focuses on feminism. The writer amalgamated fiction and feminism topic in an amazing way. The writer talks about the suppression of female and her confinement in domestic life. the story revolves around a woman who was diagnosed incorrectly by her own husband. The treatment he suggested was rest therapy which made the matter even worse. The women listen to her husband shifts to a new house even though she did not believe in the treatment her husband has suggested for her. This paper would bring forth a concerning topic regarding gender suppression that was common during Gilman’s time.
Gilman talks about the gender discrimination and dominance of male due to the norms created by the society. The narrator’s husband imposed his own thinking on his wife without even considering to take his wife wishes and opinion into account. This tells the readers about the imprisonment women had to face and the effort they require to attain the freedom of thought …show more content…

This was symbolic to the narrator’s confinement within her own home by her husband. She clearly told John that this room is not good for her but he never listened. Due to this reason, the narrator does not feel like sharing the things that trouble her. Her condition was getting worse by the passing with but she didn’t mention it to her husband because according to him it’s just in her head.
“I cry at nothing and cry most of the time. Of course, I don't when John is here” (4)
Even though she sees something unreal and didn’t mention her husband. She starts seeing women in the wallpaper with time she started to feel her presence all-around the house. She did not tell anybody due to the communication

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She talks to him and tells him of things that have been happening. The, out of nowhere, she says to him, “John, it come to naught that I should forgive you, if you’ll not forgive yourself” (Miller 1227). She is saying I shouldn’t forgive you if you cannot forgive yourself. She continues on though saying, “I have sins of my own count” (Miller 1227). She forgave him and she was telling him he should forgive himself before he comes to his death.

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She is faced with helping her husband make the biggest and most final choice in his life so far. Since they have been apart for a while, separated by prison, it would be incredibly easy for her to say that he should live and give up his good name just so she can still have her husband and her kids have their father. It would be incredibly difficult for her to see John for a few minutes after a long time apart and say he can sacrifice himself for the greater good. However, she sees the situation as that: him sacrificing himself for the greater good. She is also strong enough to admit part of the blame is her own, that she has a hand in the guilt he feels about their relationship.

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In the nineteenth century, woman had no power over men in society. They were limited in their freedom, as their lives were controlled by their husbands. Some women did not mind this lifestyle, and remained obedient, while some rebelled and demanded their rights. “The Yellow Wallpaper” by Charlotte Perkins Gilman, and “The Birthmark” by Nathaniel Hawthorne, are short stories that exposes the lifestyle women lived in the nineteenth century. The protagonists from both stories, Jane and Georgiana, similarly lived a male dominated lifestyle.

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She refers to her house as being kept cold, meaning that the vibe was bitter and uncomforting, which didn’t allow for improvement. Not to mention, she continues to beg for John’s forgiveness by saying “Forgive me, forgive me, John—I never knew such goodness in the world” (Miller). She shows her transformation by displaying true emotion and recognizing her husband’s pure intentions. Rather than indirectly seeking an apology from John, she is quick to beg for his forgiveness instead. Conclusively,

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He hovers, he quietly controls, and furthermore, portrays a narrow mind, to the point of extreme. “John is a physician, and PERHAPS—(I would not say it to a living soul, of course, but this is dead paper and a great relief to my mind)—PERHAPS that is one reason I do not get well faster.” (376) “You see he does not believe I am sick!” (376) as her self-awareness develops she becomes mindful of yet another symbol of John’s control and narrow mindedness. He has just enough arrogance to the point of telling his wife, how she should feel based on his own merits and limited knowledge of a female’s internal workings.

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Therefore, John represents the bars of the wallpaper which confines the woman and doesn 't allow her to be free. First, we can observe the descriptions or feelings that the narrator expresses when speaking about John. Although these descriptions or feelings may seem positive at times, they slowly become more negative and judgmental throughout the story as she realizes that John doesn’t

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