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Gender Roles In The Jacobean Era

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Shakespeare’s Macbeth has had a significant relevance throughout modern contemporary society. Macbeth is still relevant to today’s audiences moderately due to human nature being similar to that of the Elizabethan, Jacobean era. The play’s themes still relate to modern society for example: guilt, anxiety, hierarchy, ambition, power and gender. Over time Disney films have become well known for the concept of Gender roles both male and female, the female being the weaker sex. Disney princesses have usually been shown through a traditional fairy tale concept, the damsel-in-distress in need of help and to be back but in line. These films represent the ideologies of gender which originated from the play Macbeth. However Frozen both challenges and reinforces the traits of a typical …show more content…

Jennifer Lee and Chris Bucks Frozen, astutely represent the theme of gender by both reinforcing and challenging the concept through the use of aesthetic features and characters.

The representations of gender and the expectations of women throughout the Jacobean era have had an influence on contemporary modern society represented through film and Tv. Being truthful, all-encompassing free is something that human beings crave but are actually extremely terrified of, think about it what is the one thing as females hold us back, the chains of social conditioning, and the unpleasant hierarchy of gender roles. This can be seen with the character of Lady Macbeth, her expectations as a wife are tested when her own values and beliefs begin to surface with her masculine principles taking over. In relation to Frozen, Elsa the older sister, can be identify in the same manner as Lady Macbeth. Challenging her expectations of a female queen, when her supernatural influences begin to become uncontrollable where she releases from the pressures and allows herself the freedom to make mistakes and live how she chooses. Elsa’s struggle to accept her tremendous powers

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Rhetorical Analysis Cinderella, Snow White, Sleeping Beauty and many other Disney movies all have one thing in common, they feature a female lead who need a male figure to save them. However, things started to change after the release of Mulan 1988. It changed from only having those female leads who always needed to rely on someone, to females who were able to show off their more masculine side. In the article “Post-Princess Models of Gender: The New Man in Pixar/Disney,” Ken Gillam and Shannon R. Wooden explored the idea that Pixar movies were starting to show male characters who weren 't afraid to show their emotions and feminine attributes, to promote the “New Man” model.

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Societal Expectations are not Barriers Two inspiring pieces of literature called Macbeth by William Shakespeare and “The Yellow Wallpaper” written by Charlotte Perkings Gilman share one eminent theme, which is the suppression of the female gender. Societies often place barbaric labels on those who seem unworthy rather than fight the judgments that are concrete and see for themselves. Social ideas during the two diverse time periods demonstrate how women are not seen as powerful figures and insanity progress within those who are stereotyped. Women are seen as creatures that are ineligible to think for themselves in.

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Women have always been portrayed as the weaker sex compared to men. It has been demonstrated in history itself and throughout literary works. Shakespeare’s Macbeth and Homer’s The Odyssey, however, portray women to be more powerful than men, even when their society thought otherwise and underestimated them because of their gender. Lady Macbeth, The Three Witches, Queen Arête and Penelope demonstrate the astute, charming, and ambitious side of women that was overlooked by men when it came to having power and making decisions.

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From its onset with its first feature-length animated film, Snow White and the Seven Dwarfs in 1937, Disney has grown to become a worldwide phenomenon today. But over the years, various parent groups, scholars and film critics have accused Disney for creating shallow, stereotypical princesses whose ultimate aim was to find her 'prince charming ' and live happily ever after. In her article, “What’s Wrong With Cinderella?” in the New York Times, Peggy Orenstein expresses her concern over the effect of princess figures like Cinderella on young girls ' perceptions of themselves and how they should behave (“What’s Wrong With Cinderella?”).

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Moreover, with this new process working for the Walt Disney Animated productions, the lines between good and evil, once distinctly drawn and separated, begin to blur. In this case, a non-heteronormative narrative is openly embraced and accepted as the act of true love is in the form of a hug between two sisters. The story focuses on the relationship between Elsa and Anna, and foregrounds the maturation of their relationship, despite seemingly impossible barriers. It is a story of selfless love as the beauty of Frozen is found in Anna’s selfless pursuit of her sister. Anna is willing to give up whatever it takes to seek reconciliation and even sets aside her own romantic dreams and aspirations.

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Shakespeare, like any other man in the 16th and 17th century, saw ambitious and dominant women as evil and even disturbing or disturbed. From Macbeth, we can see Shakespeare feels women should be challenged and punished because they are trying to change society. Nowadays these ambitious and dominant women are regarded as brave and respected because of their ambition, such as Lady Macbeth’s ambition to become Queen. Shakespeare presents Lady Macbeth as mentally disturbed.

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This study will focus on the way in which Shakespeare crafts his play and uses dramatic devices in his portrayal of Lady Macbeth in order to confront the gender stereotypes of the time, femininity and the natural order of society. During the early 17th century there was a substantial fear that if women were liberated from their domestic, maternal roles, the historically patriarchal society would unravel. With prevailing challenges of gender such as “When you durst do it, then you were a man” Shakespeare uses the character of Lady Macbeth to transgress the natural limits concomitant with her sex. In order to be able to answer the research question, it is vital to concretely establish the contemporary gender roles and the context of the play.

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Men were supposed to act as strong fighters, while women were locked in the domestic sphere. These gender roles are prominent in the character developments of Macbeth and Lady Macbeth. At first, Macbeth is a strong, heroic solider that shows unbounded courage in battle and loyalty to his king. As the play progresses, he becomes cold, ruthless, and miserable. Lady Macbeth takes on a “manly” role, which is surprising because of how patriarchal the society is.

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In the beginning Shakespeare’s Macbeth, Lady Macbeth was a ruthless and masculine woman. She showed the audience that, mentally and emotionally, she was stronger than Macbeth. Although as the story started to continue the audience began to see that she was becoming mentally insane. Throughout the story there was also evidence of shakespeare showing the more masculinity you had the more cuel you became.

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There is a strong correlation between violence and masculinity. In the play, Macbeth by Shakespeare, Macbeth and Lady Macbeth constantly battle the challenges of manhood. This can be supported by Lady Macbeth and her “unsex me speech” (Act 1.5.47-61). During the play Macbeth, characters tend to dwell on issues of gender and their roles in society.

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Lady Macbeth and Medea are therefore considered tragic heros because they put their loyalty above their own self-worth. Ultimately, this ideal encompasses how femininity is controlled by men, because the actions of the Macbeth and Jason were the cause for Lady Macbeth and Medea’s

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In conclusion, the author has proven to the reader the differences and similarities between the Disney movie Frozen and the original story “The Snow Queen” by comparing and contrasting the two. Although it took Disney almost 70 years to reconstruct the story “The Snow Queen,” they kept a lot of similar character parts but rearranged it differently in the movie to make the children today enjoy

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In William Shakespeare’s tragedy, Macbeth, the protagonist desperately tries to live up to the image of a man that his society portrays. The search for his manhood leads him to violent acts that inevitably get him killed. In this tragedy, male and female roles are constantly discussed and defined. Both Macbeth and Lady Macbeth equate masculinity to violence and aggression. They both believe that in order to be a real man, then a man must perform violent acts when necessary.

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Queen Elsa The Disney movie, Frozen is the story of two sisters, one of whom was born with magical powers of ice and snow, trying to save their kingdom. Like with most fictional Disney characters, Queen Elsa’s, powers are both a gift and a curse, and they are the epitome of Elsa’s being; without her “gift” she would not be the character that represents the overall theme of overcoming such intrapersonal turmoil. Of the six domains of knowledge discussed in personality psychology, Elsa’s personality in the first half of the film (until she runs away to the mountains) can best be described in terms of dispositions which remain consistent, and social/cultural adaptations from living in Arendelle, Norway in the mid-19th century. Queen Elsa’s

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The women in Macbeth are presented by Shakespeare to be powerful and ambitious which was unlike the typical views during Jacobean times. The playwright portrays Lady Macbeth and the witches to be highly influential to male characters in the play, which again contrasts the contemporary views to that time. Their ambition and power are demonstrated through the perversion of nature. This highlights the evil and immoral side, they possess. Shakespeare, however, presented Lady Macbeth and the witches to be manipulative and cunning, rather than violent like Macbeth was during the play.

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