ipl-logo

Get Out Symbolism

986 Words4 Pages

Film Analysis
Introduction
Jordan Peele’s Get Out was produced in 2017. This psychological horror film explores racism through symbolism, music and color. Get Out was a film that captured racism's subtle and nuanced experiences. Peele used a variety of techniques to convey the message of the film. These techniques ranged from the symbolism of a deer being hunted to the use of music to emphasize the tension of certain scenes. The film specifically highlighted the horrors of being a black person in a white-dominated society. With his innovative and effective use of horror in conveying the message of racism in the movie, Peele has created a film that has won a lot of critical acclaim.

Paragraph 1 - The deer
Peele uses symbols to show a variety …show more content…

The sunken place is a metaphor for slavery, as it represents the psychological and physical control that Chris is subjected to. It also serves as a symbol of the powerlessness of African Americans in the face of racism and oppression. Furthermore, it implies that Chris is unable to escape the situation he is in due to the overwhelming power of his oppressors. This powerlessness is further emphasized by the fact that Chris is unable to break free from the psychological, physical, and symbolic chains of oppression that bind him to the sunken place. "Now you're in the sunken place" here, Chris cannot control your own thoughts, decisions, and actions. You are completely powerless and isolated. Trapped in darkness, with no escape in sight. Everything is just black and quiet, with no music and very mild colors. The symbolism of the sunken place in Get Out implies a lack of control and freedom, representing the powerlessness of oppressed individuals. The absence of sound and music further emphasizes this powerlessness, as Chris is unable to break free from the psychological, physical, and symbolic chains of oppression that bind him to the sunken …show more content…

Since Chris is a photographer by trade, according to Jim Hudson (Stephen Root), he has a special talent, an eye for what to capture. “I want your eye, man. [...]”, since Jim is blind, he wants Chris’ ability to take photographs and ‘capture the moment’. The camera flash is a symbol of power and control in the film. It is a tool that Chris uses to take charge of his own destiny and to take back the control that was taken away from him. It is also a symbol of creativity and artistry, as Chris is able to capture meaningful moments and memories with his camera. The camera flash serves to ‘wake up’ the black subject of the photo, as if the light of the flash leads them to ‘see the light’ of what's going on. The camera flash in the film Get Out symbolizes power and control, as well as creativity and artistry, and serves to 'wake up' the black subject of the

Show More
Related

Essay On Transitions In Tom Brennan

1314 Words | 6 Pages

The continued use of imagery in “the tunnel of darkness” as well as the “grubby, shit-coloured walls” describing his cave shows the reluctance of Tom to involve himself in his new community and move on from the accident. "These days my energy was zapped. All I felt like doing was slobbing around and being left alone" are key aspects to Tom's physical feelings. The emotive language demonstrates Tom’s weariness, now that he has transformed from his days on the football field to this point. “It was the most fun that I have had in ages" we see toms transformation occur on the football field this motif of rugby is the catalyst for change as it allows tom to recreate his social and physical life.

Read More

Cinematic Techniques In Dirty Dancing

300 Words | 2 Pages

These different lighting techniques are applied in the movie to help set the tone and mood for the film scene. The

Read More

Examples Of Archetypes In We Were Liars

491 Words | 2 Pages

The maze is often used as a metaphor for the characters’ emotions, as they struggle to find their way through the confusion and pain. The characters are lost in the maze of their emotions, unable to find a way out. They are trapped by their trauma, unable to move on from it.

Read More

Similarities Between Kindred And Get Out

2412 Words | 10 Pages

Peele makes a comment on false and performative allyship and shows its ties to racism. Another way in which Peele uses suspense and plot twists to make a social commentary is at the end of the movie when, as Chris, a black man, is choking Rose, a white woman, a police car shows up. This makes the audience, and Chris, scared, expecting the police to shoot him down without questioning him. This is a comment on police brutality and the racist institution’s prejudices. Finally, Peele makes a comment on the police’s incompetence, in their dismissal and mockery of Rod’s concern for his friend.

Read More

'Satire In Get Out'

1595 Words | 7 Pages

In 2017, comedian Jordan Peele released Get Out, a horror movie that follows Chris Washington, a young black man, meeting his girlfriend’s family for the first time. The conflict arises from the tension created due to the fact that Rose, his girlfriend, and her family, the Armitages, are white. They pride themselves on being liberals who “would’ve voted for Obama a third time” but support black stereotypes (Moiz). Peele writes them to represent white liberalism which is those who identify with the Democrat party but are hypocritical in their actions towards minority groups. Peele portrays the hypocrisy through satirical horror, but unlike traditional horror films “the terror isn’t some usual monster, ghost, or other menace, but it is actually white people and their racism” (Moiz).

Read More

White Fragility In Get Out

1876 Words | 8 Pages

White Fragility is a term coined by Dr. Robin DiAngelo meaning “a state in which even a minimum amount of racial stress becomes intolerable, triggering a range of defensive moves.” DiAngelo believes white people in North America live in a social environment that insulates them from race-based stress, due to their privilege as part of the cultural majority. The idea of white fragility entails that members of the Caucasian race do not struggle as much as minorities and, through their ignorance, they believe they understand and can relate to the struggles minorities endure on a daily basis. Director Jordan Peele demonstrates this concept of white fragility through his thriller suspense film, Get Out. This film to transports the viewer to the perspective of the white dominance in America towards minorities and how powerful their role of control is in the U.S. Through projecting some of his own fears, Peele approach this horrifying reality through dark plot twists and comedic satire.

Read More

Casual Racism In Get Out

1307 Words | 6 Pages

In Get Out, Constraints are used to encourage empathy for his character Chris. Throughout the scene of the sunken place, three camera angles were used: high, low, and eye level. When Chris is falling into the sunken place, the low angle shot is captured to give Mrs. Armitage the sense of superiority over Chris. The high angle shot is captured to show Chris slowly falling into the abyss against his will. The eye level shot allows the audience to both see and feel Chris’s pain.

Read More

Get Out Movie Essay

1484 Words | 6 Pages

Jordan Peele is the director and screenwriter of the horror thriller Get Out. The film was released on February 24, 2017. The movie is about a young successful African American man named Chris, who is dating a wealthy white woman, named Rose. He goes on a weekend trip with his girlfriend to meet her family and it turns out to be a nightmare. The film Get Out reveals the horror of liberal racism in America.

Read More

Stereotypes In The Film 'Get Out'

1244 Words | 5 Pages

“Get Out” is a spin chilling story yet with a touch of comedy, illustrating what it means to be black in America, to summarize, a black photographer called Chris goes on a trip with Rose, his white girlfriend to visit her parents. Worried that Rose’s parents might be racist, he later discovers that the family has several black “servants” who behave oddly, as if they are controlled. He is later unsettled by the visitors at the party who made racially-charged and gauche comments, chuckling over Chris’s built body and announcing, “Black is in fashion!” Chris later realized the chill that he had sensed was right on the mark. The Armitage family turn out not just to be racist, but to be abusing as well as profiting from abducting blacks.

Read More

Analysis Of Tim Burton's Film Style

1071 Words | 5 Pages

Tim Burton 's use of this helps show the contrast of the insider and outsider world. When the viewer is watching they get a sense of suspense and start to second guess whether or not they should trust the outsider. In Edward Scissorhands Burton uses a high-key low-key light contrast when Peg is in her car and sees Edward 's house in her side mirror. When the viewers are watching they get a frightened sense and wonder whether or not Edward or whomever is in the house will

Read More

What Are The Rhetorical Techniques Used In Get Out

430 Words | 2 Pages

Overall, "Get Out" is a masterful work of horror that uses various rhetorical strategies to call attention to the sinister nature of racism and hypocrisy in contemporary American

Read More

Analysis Of Danez Smith's Dinosaurs In The Hood

1302 Words | 6 Pages

As Smith uses his words to create a poetic trailer for this stereotype-free movie, he tells the story of a young African American boy. Rather than being focused on his color, he focuses on his

Read More

Gothic Fiction In 'Where Is Here '?'

745 Words | 3 Pages

This indicates that he had a difficult relationship with his father sometimes; he confides to the new owners, his mother would join him. “If she was in the mood, and we 'd plot together--oh, all forms of fantastical things". These lines suggest that both mother and son and possibly his sister as well were the victims of the masterful father. The basement was not a means of punishment for him as a child but instead a refuge from his abusive father. "A--controlled kind of place" wherever plants on the windowsill never perceived to bloom or maybe forever died”.

Read More

Cinematic Techniques In Edward Scissorhands

793 Words | 4 Pages

To represent this low key lighting is used in Charlie’s home to show that the reality of his life is there living in poverty. This pattern continues in the cult classic Edward Scissorhands. The town that Edward is welcomed into is in high lighting to signify that it is the life that he never had. He wants to be accepted and loved and this is the place that his wish comes true. Unfortunately we know that his fantasy is unrealistic and there is no way he can live normally.

Read More

How Does Jordan Peele Use Cinematic Techniques In Get Out

863 Words | 4 Pages

Jordan Peele, the filmmaker of the movie Get Out, uses a range of cinematic techniques to emphasise the dangers of cultural appropriation, white privilege, and the hidden aspects that constitute contemporary racism. During the auction scene in Get Out, Peele utilizes visual techniques and evokes the brutal legacy of the slave trade and the dehumanization of black people in contemporary society to challenge viewers to confront the ongoing issue of racial discrimination and work toward greater social justice. The way the white individuals talk about the black characters in the auction scenario exemplifies racism since it feeds a widespread perception that black people are inferior and less intellectual than white people. When Chris is being auctioned

Read More

More about Get Out Symbolism

Related Topics

Open Document