Poe was emphatically influenced by Gothic writing, and “The Cask of Amontillado” (1954) with its mind-set of crawling horror and imminent death in an Italian palazzo, most unquestionably demonstrates those impacts. This and numerous other Poe stories are rich in Gothic themes such as madness, cruelty, perversion, and obsession, and feature a various rationally unequal storytellers; Montresor positively qualifies on this number. Poe, in turn, influenced later Gothic writing, especially Southern Gothic. This strand highlights Poe-like dim diversion and gives careful consideration to mind boggling, agitated, even silly characters and the general public in which they live than to the powerful themes often supported in British Gothic fiction (Poe, Edgar Allan, 2001). "The Cask of Amontillado" refers to a nonexistent container of wine the speaker uses to attract a contender wine expert into a crypt so the narrator can kill him. The name Amontillado sounds similar to the Spanish verb amontonar, which means "to pile up," like Montresor did with a stack of bricks at the story 's climax. (Course Hero, 2016) "The Cask of Amontillado" was first published in the November 1846 issue of Godey 's Lady 's Book, a month to month magazine from Philadelphia that published poems and stories by a portion of the best American authors of the nineteenth century, including Nathaniel Hawthorne, Henry Wadsworth Longfellow, and Harriet Beecher Stowe. The story next showed up in the accumulation Poe 's