The film Glory, is a true story based on the diaries of Robert Gould Shaw. The movie is about the Massachusetts 54th Regiment. The first black regiment to fight in the Civil War. The army was made up of black soldiers both free men and escaped slaves. Men that did not have to fight volunteered to fight for many reasons.
Mise-en-scéne is crucial to classical Hollywood as it defined an era ‘that in its primary sense and effect, shows us something; it is a means of display. ' (Martin 2014, p.XV). Billy Wilder 's Sunset Boulevard (Wilder 1950) will be analysed and explored with its techniques and styles of mise-en-scéne and how this aspect of filmmaking establishes together as a cohesive whole with the narrative themes as classical Hollywood storytelling. Features of the film 's sense of space and time, setting, motifs, characters, and character goals will be explored and how they affect the characterisation, structure, and three-act organisation.
The Creed by Ryan Coogler is a movie about a person who want to find his memories through the death of his father. His name is Donnie. The film is mostly a story of Donnie on the way become a champion of World Heavyweight by the support of Rocky; who was his father friend and rival. Ryan created a Donnie character who is a strongest boy with wonderful dream and overcome challenges. However, it relates to a speech on Tedtalk by McKelley about “Unmasking Masculinity”.
Glory: Directed by Edward Zwick, Columbia TriStar Motion Picture Group, 1989. 122 Minutes Reviewed by Mike Edward Zwick’s Glory is a movie in which the balance between entertainment and history was perfectly managed. He uses the letters sent by contemporary Col. Robert G. Shaw to his wealthy family back in Massachusetts as the historical foundation of the movie while imagining conversations between characters. Through Col. Shaw’s eye, we are able to uncover the birth, the development, and the end of the 54th Massachusetts Regiment, the first colored regiment fought in Civil War. Just like any other war movie, Glory has several battle scenes that were unpleasantly bloody, yet they managed to stay authentic.
The movie teaches us to never give up on our dreams. These elements in the Hero’s Journey and Bend it Like Beckham directly impact what I will be talking about. In the Hero’s Journey, the hero must deal with
Metropolis is a 1927 German expressionistic science fiction film, directed by Fritz Lang. Much of the plot is established following influences of the first world war, and the culture of the Weimar Republic in Germany. Although criticised for its allusions to communism in the resolution of the film, Lang explores mostly themes of industrialisation and mass production, which, coincidentally, were two developments that provided a large influence in the First World War. Lang also explores themes of the Weimer view of American modernity, communism and fascist rule. Politically, this film was shot after WWI, meaning many of its influences were extracted from the horrors of the First World War.
The Life of Farmworks The movie, The Harvest, reveals the hardships that farm workers go through in the perspective of three teenagers. The main characters of this movie is the three teenagers, whose names are Zulema, Perla, and Victor. Within this movie, we get to see an insight of what is their day to day life, their struggles, and what they want to do. Even though, they are all similar in a way they are also different from one another.
The critically acclaimed film, Goodfellas, is a gangster crime drama that features an incredible amount of talent. Household names such as: Robert De Niro (Jimmy Conway), Joe Pesci (Tommy DeVito), Paul Sorvino (Paul Cicero), and promising stars like Ray Liotta (Henry Hill) and Lorraine Bracco (Karen Hill), attracted numerous Oscar and Golden Globe nominations. That type of cast power, linked with the signature talent of Martin Scorsese as a director, made for cinematic gold. Unquestionably, the actors and actresses did an excellent job augmenting the verisimilitude of this film and compelling audiences to empathize with their characters. But the cinematography in this film plays just as large a role in having audiences feel what the characters
The film ‘Good Will Hunting’ directed by Gus Van Sant is a movie which follows the life of Will Hunting who is gifted with astonishing skills for maths but whom suffered with a fear of abandonment. He developed a defense mechanism which affected his ability to create long lasting relationships. An important extract from the movie is the scene ‘ It’s not your fault’. This scene conveyed the impact of childhood traumas, the effects of suppressed emotions and the idea of soulmates. These ideas were manifested through the use of various film techniques, such as camera shots and movements, music and dialogue.
Death of a Salesman has been extremely influential in regards to theatrical performance and it has been performed by multiple different theatre groups. It has also been made into a movie, which has actors such as Dustin Hoffman as Willy Loman, John Malkovich as Biff Loman, and Kate Reid as Linda Loman. All of these actors’ performances were true to the character and were extremely realistic. It was easy for the audience to get caught up in the characters that these actors portrayed. Throughout the movie, Dustin Hoffman, John Malkovich, and Kate Reid all provided an outstanding performance by ensuring that their facial expressions, body language, and emotions always shined through all the while they were creating realistic characters that were easily believable by the audience.
Even where they appear as entirely nonpolitical, movies tend to inevitably have political messages. However, the notably evident aspect in numerous films is their tendencies to integrate liberal ideas. Using the film, Independence Day directed by Roland Emmerich, the current essay examines the themes related to conditions under which liberal ideals can influence elite policy-makers in achieving rational foreign policy decision-making. Several relevant themes are likely to emerge in films pointing towards the liberal tendencies or otherwise among elite policy-makers that contribute in promoting greater international experience. Even though in an indirect manner, it is common for American films to exhibit liberal ideals that are likely to provide
The philosophical beliefs of Socrates are easily noted as the basis for all of sociological advancements in ancient philosophy. Deviating from his early upbringing, Socrates valued the idea of materialism, and soon fell into the field of education, where he was able to bestow upon his students his wisdom and knowledge on topes that were otherwise unheard of. With the help of his pupil Plato, the philosophies of the teacher were soon spread out into the world for all to admire and study. It was not until after his death, however, that his theories were published, and soon after he was gone did the outbreak of philosophical advancements occur. Aristotle, an aspiring philosopher, was lucky enough to study the works of the phenomenon, and carried
Throughout the course of one’s life, there is a constant search for some form of happiness. We may not always realize we are on the quest for it, but it’s part of human nature. In “Silver Linings Playbook” we see this happen throughout with Pat and Tiffany, who are both searching for happiness. The film is relatable to us all in that many times we go looking for happiness only to come up empty-handed.
Vicky has recently moved from Keelung to Taipei, where she works doing PR in a nightclub. She has an overly jealous boyfriend, Hao Hao, who tracks her every movement, including her bank accounts, her telephone bills, even her smell. Her days pass by working, taking drugs and constantly fighting with him, at least when they do not have sex. However, she is tired of her situation and finds solace in Jack, a kind-hearted gangster, who also owns a bar. Gradually, she gets more and more comfortable with him while he is in serious trouble, due to his tendency to offer help to whoever needs it.
Wall Street “Greed, for lack of a better word, is good. Greed is right, greed works, greed clarifies—cuts through and captures the essence of the evolutionary spirit. Greed, in all its forms—greed for life, for money, for love, knowledge—has marked the upward surge of mankind” (O. Stone). In 1987 the by Oliver Stone directed movie Wall Street was released, starring Michael Douglas and Charlie Sheen.
