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Hamlet Act 3 Scene 3

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It could say that Act III, Scene 3 is one of turning scene of Hamlet, because the revenge might be ended or not depends on Hamlet's decision "kill or not kill Claudius". According to Hamlet's rationale, he does not want to kill Claudius when Claudius is confessing his sins to God because he think it could be the good way to let Claudius's soul go straight to heaven. He does not want to give bloodshedder King Hamlet an easy way to die, but he wants the murder to be suffered in Hell. It could be seem a reasonable excuse for Hamlet's deferral of revenge because praying is the right way to be released from sins with Christian. However, through Hamlet's deferment, we could also learn Shakespeare's intent for building up Hamlet's character. For instance,
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Act 4 scene 4 sees a much developed character of Hamlet following his introspective and self-loathing characterisation in the earlier scenes. The rash slaughter of Polonius and his reaction following that proved to be a turning point for Hamlet allowing him to embody the conventional trajic hero foreshadowing that his downfall would be partly related to his hubris. In this soliloquy, Shakespeare harnesses Hamlet's language to convey the character's pivotal position between the changing world and ideas about revenge and honour and his conflict within himself about carrying out revenge and complications surrounding taking lives to further one's cause. Religious implications are also mentioned as Hamlet's own Christianity plays a major role once

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In act 3 scene 3 the climax is when hamlet stabs polonius through the arras which he committed himself to an overtly violent action. Which brings unforgettable conflict with the king. While at the end of scene 4 another another possible climax is when hamlet resolves to commit a fully violent revenge. These two scenes in act 3 says a lot with the climax, it could be either one. But at the end there can only be one climax of the story.

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Hamlet Act Three Essay Question 5 What defines a rat is the fact that these creatures are subtle, reprehensible, and deceitful. In Shakespeare’s tragedy, Hamlet, no other characters define this description quite as well as Polonius. Being the main advisor to King Claudius, Polonius is in a high position of power and has a right to deploy any means to find what he wants from people, however, born from a lust for power, Polonius relies upon deceit to arrive at the truth. This use of deceit has been used as message by Shakespeare to convey several distinct themes about people who use these tactics.

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Act 1 Scene 5 Line 14-48: Ghost Hamlet tells Hamlet the cause of his death Hamlet anxiously asks the ghost to reveal the truth as the sunrise starts to emerge from the darkness. I am the spirit of your father. Unfortunately, I am only allowed to make an appearance at night. And during the daytime, I have to suffer in hell until all the sins I have committed are burnt away. But, I am forbid to tell you the secrets of hells.

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In act three, scene three Hamlet has just discovered that Claudius killed his father. Before this scene Hamlet sets a trap for Claudius by asking the players to perform “The Murder of Gonzago.” While the performance is going on Hamlet watches him to see if he will show any sign of remorse. After the play Claudius goes to pray. He confesses to killing his brother and that he is sorry for all that he has done.

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The illusion of death has wondered and astonished many for years. This doesn 't exclude the fantastic author Shakespeare. Throughout the play, Shakespeare focuses on death and how society glorifies it. He often uses metaphor and analogy in order to make death seem more welcoming. Turmoil and confusion can internally destroy any country.

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One of the beauties of Hamlet’s Act III, scene i, the famous Nunnery Scene, is that it provides a thorough insight into Hamlet’s persona and his relationship with other characters. Furthermore, because it is so open to interpretation, there are a multitude of ways to enact it while still doing justice to the play. As a director, my challenge would be to dramatize the scene in such a way that it remains true to life while adding depth to character’s words and actions. My first move as the Nunnery Scene’s director would be to have it set in the court’s chapel.

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In act 3, scene 3, Shakespeare reveals Claudius’s intentions and reflection on his deeds through his soliloquy. Claudius confesses that he has killed his brother, King Hamlet. His strong guilt causes him feelings of confusion. He prays to ask for forgiveness, but he is unwilling to give up the crown and the queen due to his ambitions. Through the use of imagery, allusion and rhetorical questions, Shakespeare illustrates Claudius's ambition overpowering his guilt.

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