Appearance Vs Reality
Claudius, the king, appears to be a loving ruler, but in reality, he is a murderer who has taken the throne by killing his own brother, King Hamlet. Claudius presents himself as a caring stepfather and king, but in reality, he is consumed by guilt and fear. He states "O, my offence is rank, it smells to heaven; / It hath the primal eldest curse upon't" (3.3.36-37), revealing his conscience is tormenting him and his guilt is so grave that it even has a smell that can reach the heavens.
Polonius also presents a false image of himself as a wise and loyal counselor to the king, but in reality, he is a meddling and deceitful courtier. He uses disguise and deception to spy on his own son and daughter, ultimately leading to
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This passage highlights Hamlet's struggle to understand how to act and shows his skepticism towards the authenticity of emotions in others.
Hamlet's indecision and contemplation on how to act is further demonstrated in Act 3, Scene 2, when he says "Thus conscience does make cowards of us all" (3.1.83) This passage shows how Hamlet's conscience is preventing him from taking action and how it is making him feel like a coward. He is questioning the morality of taking revenge, and the consequences of his actions.
In Act 3, Scene 3, Hamlet finally takes action by killing Polonius, mistaking him for Claudius, but he is still not satisfied. He says "O, from this time forth, / My thoughts be bloody, or be nothing worth!" (3.2.366-367) showing that he is now fully committed to his plan of revenge, and he will not rest until it is
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One example of the universality of the play is the theme of revenge. The play's central plot revolves around Prince Hamlet seeking revenge for his father's murder, a theme that resonates with people across different cultures and eras. The play also explores the theme of appearance versus reality, as Hamlet feigns madness to conceal his true intentions, and the theme of the corrupting nature of power, as seen in the actions of Claudius, Hamlet's uncle who murdered his father and seized the throne.
Another example of the timelessness of the play is the portrayal of the human condition. Hamlet is a complex and nuanced character who struggles with existential questions and grapples with the nature of humanity. This is evident in the famous soliloquy "To be or not to be" (Act 3, Scene 1), in which Hamlet meditates on the pain and suffering of life and the possibility of