Shakespeare’s use of tragedy in the play “Hamlet” is uniquely rooted in the plot of his art. Nonetheless, characters in the play portray distinctive qualities that either transpose into their demise or prowess in the plot. This way, the use of tragic flaw exists has numerous challenges in the play. Evidently, one may argue that prince Hamlet’s failure to initiate personal action mechanisms and his continuous reflection on the melancholic events is a tragic flaw within the content (Shakespeare William, 24). Probably, these events might have led to his death in the plot. Therefore, the plot of play presents numerous on concerns on the chain of events that transpired to Hamlet in his own family. However, is it accurate to comprehend the play as a tragic flaw upon the prince’s actions?
This very critical question raises effective concern on the use of plot in plays as a major element of art. Sometimes the individual interpretation of the intentions of the author may not reflect the actual turn of events in the plot. However, by understanding the
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He fails to recognize that his brothers and uncles were egocentric on the leadership war for the kingship. His moral standards raise high the level of his status within the community that he becomes oblivious of the environments around his actions. Sometimes standing for moral rights and rationality may subject individuals to mistreat and failure in their missions in life. The life of Hamlet is a true reflection of a flawed tragedy within a society. His beliefs in historic justice and human dignity according to the culture of the spirit are flawed for the eventful greediness of his people. Notably, these activities portray the plight of a determined hero whose concerns faces off a magnitude of opportunistic society. Moreover, the major concerns on these themes also exploit the search for justice and peace within the