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How did hamlet deal with his fathers death
How did hamlet deal with his fathers death
Hamlet's reaction to the death of his father
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Due to unfortunate circumstances in one’s life, individuals often engage in self-harm. The novel Cracked by M.K Walton, shows this through the characters - Victor and Bull – by their emotional state being disrupted by a of series of events. The two main characters in the novel both try to commit suicide due to them feeling neglected from family and friends and have experienced bulling or abuse. After reaching a state of mind where they want to give up on life, they are given an opportunity to wish to live again. K.M Walton demonstrates throughout her novel how a series of tragic events will drive someone to commit suicide or find a “cure” for themselves through her characters.
He has a choice to make, so he has to decide if living is worth living and if it is how he will deal with the situation that he has. Hamlet was conflicted he didn 't understand the value of his life in that exact moment. In Hamlets soliloquy the was thinking about the pro and cons of wether to end his life or deal with the problem that his dead father brought to him. He was starting to come to a decision when he’s thoughts were interrupted. This soliloquy brought to light the peoples that most people go through or think about.
In the speech, Hamlet interrogates himself with questions that sane people would not be able to answer themselves. Hamlet has been overwhelmed with the conflicts that have been occurring around him. The conflicts escort him to becoming easily pressured and desperate in finding a solution about the death of his father. He is very impatient to seek vengeance for his father and wants to kill King Claudius by any means at all. "To die, to sleep" is where Hamlet is discussing about his thoughts of suicide.
He expresses his feeling in his “heart, for I must hold my tongue” (1.2.160). This is an important quote because it is important to understand because it allows to the reader to see that Hamlet cannot speak to anyone about how he feels. As an effect to his decision of not speaking out, this allowed for rage and discomfort to grow inside him which will be one of the main reasons as to why he is legitimately going insane. With these various stressors in his life, it gives more evidence and reasoning to why he often experienced constant signs of depression and suicidal thoughts. The signs of distress he showed throughout the play are highlighted tremendously since he experienced major signs of depression.
In his first soliloquy, he expresses his intense grief and inner conflict of wanting to commit suicide but not wanting to be punished by God. From this the audience can infer one of Hamlet’s fatal flaws; he is indecisive. He is constantly searching for certainty, since he is unable to make decisions without it. Although Hamlet is wary of the story given to the public to explain the King’s sudden death, it is not until the ghost confirms his suspicions and he uncovers the truth that he vows to “Remember thee!”. He suspects foul play was involved, yet he never acts on this uncertainty until certainty is provided for him.
Throughout the play, Hamlet has various points where he is confronted with suicidal thoughts or attempts. Throughout Hamlet’s first soliloquy “Oh, that this too, too sullied flesh would melt, / Thaw resolve itself into a dew, / Or that the Everlasting had not fixed/ His canon ‘gainst self-slaughter! Oh God, God!”
His depression is so great that he has thought of suicide, a huge cultural sin, as he knows. Hamlet’s thoughtfulness is also conveyed, taking six lines to delve into his emotions.
In the Tragedy of Hamlet, by William Shakespeare, some of the most significant events are mental or psychological events that make the audience feel and have an emotional connection with the characters. These significant events can be awakenings, discoveries, and changes in consciousness that set off a mental or psychological effect to the readers. The author, Shakespeare, gives these internal events to characters such as Ophelia, Gertrude, and Hamlet throughout the play to give the sense of excitement, suspense, and climax usually associated with external action. Ophelia is the daughter of Polonius and the sister of Laertes who both tell her to stop seeing Hamlet. To Polonius, Ophelia is an eternal virgin who is going to be a dutiful
He is depressed and suicidal as indicated in his infamous quote, “To be, or not to be: that is the question.” (3.1.57). However, while many may choose to carry on after the death of a loved one, Hamlet chose to hold on to his sorrow and pretended to be mad so he can know the truth behind his father’s death. Hamlet’s tragic life is not the cause for his madness. Hamlet drives himself to the brink of insanity
Death is one of the most prominent themes in Hamlet, appearing in different forms. Shakespeare displays death through the suicide of Ophelia, Hamlet’s own thoughts and eventual suicide, and the murder of King Hamlet and Polonius. Hamlet displays suicidal tendencies throughout the play through his soliloquies. The first time that Hamlet contemplates committing suicide is when Gertrude and Claudius tell him that he has to stay in Denmark in Act one. “Oh, that this too, too sullied flesh would melt, thaw, and resolve itself into a dew, or that the Everlasting had not fixed his canon ‘gainst self-slaughter!
In the “To be or not to be” soliloquy, Hamlet says, “To die, to sleep/ No more—and by a sleep to say we end/ The heartache and the thousand natural shocks/ That flesh/ is heir to—’tis a consummation/ Devoutly to be wished!”(3.1 61-64) Proving that he is so distraught about taking action against his uncle that he believes that death would be an easier alterative to losing his purity and innocence. He ultimately decides that suicide is not the answer, “With this regard their currents turn awry/ And lose the name of action,” (3.1 88-89) because he cannot take the uncertainty of the afterlife. This entire soliloquy also highlights Hamlets delayed action to his problems.
As it shows in the “To be, or not to be” soliloquy (III.i.56–88), it is the most famous soliloquy among others. It is said to be the most powerful and logical examination of the moral legitimacy of suicide as it touches on not only the suicide theme but also other several themes in Hamlet. “To be, or not to be” simply means to live or not to live as Hamlet is talking about the concept of living and dying. He wonders that is it nobler to choose to suffer during life rather than commiting suicide. Hamlet continues to give use his logic mind by comparing death to sleep and thinks of the stop to the suffer and pain and to the uncertainty it might show up, “the heartache, and the thousand natural shocks /
Hamlet’s ability to overthink situations or decisions makes him conclude that committing suicide might be the easy way out of his indecisiveness. Hamlet overthinks every problem that is happening. He overthinks so much that he cannot make up his decision about what to do with the problem. The cluelessness that is going on within his mind makes him lose his mental status, life and the love of his life. Hamlets actions are hypnotized by his thoughts: “Thus Conscience does make cowards of us all, And thus the native hue of resolution Is sicklied o’er with the pale cast of thought, And enterprises of great pitch and moment, With this regard their currents turn awry, And lose the name of action” (3.1.85-90).
In his soliloquy, he is asking himself whether it is better to live or to die, which he is considering to commit suicide. Also, in the soliloquy, Hamlet states that “Who would fardels bear, To grunt and sweat under a weary life, But that the dread of something after death, The undiscovered country from whose bourn No traveler returns, puzzles the will And makes us rather bear those ills we have Than fly to others that we know not of?” (3.1.84-90). He explains that no one would like to live in an exhausting life, unless they don’t know what is going to happen after they die because they are afraid of what their after life is going to be. Both these quotes prove that the death symbol is always surrounded by Hamlet and he has a hard time to choose between life and
Because of how closely religion and moral was tied together, suicide was considered morally wrong due to its classification as a sin. Hamlet himself claims in the «O´ that this too, too solid flesh would melt» soliloquy that he would commit suicide had it not been deemed wrong by the church. In other words, the play Hamlet treats suicide as a
