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It shows the challenging life of high school football players, struggling to keep their priorities straight when just about everything that highlights their hometown environment makes life seemingly hopeless. Daniel Lindsay and TJ Martin co-directed this 2-hour long film, and won an Academy Award for Best Feature Documentary in 2012 for their hard work (American Film). Taking personal cuts from their filming, and following them up with interviews, the duo was able to create an emotional upbringing of the lives of three african-american football players, and their volunteer white coach.
In order to do this, he incorporates the use of dark humor, creative play with diction, and a structure of dialogue & inner thinking. He combines these stylistic devices in order to target the global issue of culture, identity, and community. By
At the end, he encourages the audience to do what people in his stories have done. His unique way was effective in grabbing the audience and persuading them into a whole new
Perhaps arguably one of the most influential and controversial directors in American Cinema History, Spike Lee's filmography has become woven into the fabric of urban cinema. Like fellow directors such as Martin Scorsese and sometimes rival Quentin Tarantino, Lee's unique style of cinematography has both transcended and placed emphasis on appreciation for his respective cultural aesthetic. Many urban directors can attest that their respective styles in film and even music videos all come from or are inspired by Spike Lee. Aside from his ever creative filmography, it can be said that Lee's personal perspective shines most in his documentary work. Known generally to be outspoken, Lee's documentary work has historically touched on socio-political
This was very American, godd*mn All-American.” (Reynolds and Kiely, 294). Before, Quinn thought he was All-American because of his genetics and how most people thought he was a good kid. However, he soon realized that his family did not make him All-American, it was his actions that made him an All-American boy. Quinn and Rashad have grown into the new interpretation of All-American by standing up for themselves and others, and fighting against injustices that minorities struggle
After establishing a sympathetic tone and a relatable American dream, Makhmudov began to state his input on how Trump should handle the situation with care and reservation, “America is obligated to live up to its promise as a shining city on a hill for aspiring immigrants across the
In his book the Absolutely True Diary of a Part-Time Indian, Sherman Alexie portrays a teenage boy, Arnold Spirit (junior) living in white man’s world, and he must struggle to overcome racism and stereotypes if he must achieve his dreams. In the book, Junior faces a myriad of misfortunes at his former school in ‘the rez’ (reservation), which occurs as he struggles to escape from racial and stereotypical expectations about Indians. For Junior he must weigh between accepting what is expected of him as an Indian or fight against those forces and proof his peers and teachers wrong. Therefore, from the time Junior is in school at reservation up to the time he decides to attend a neighboring school in Rearden, we see a teenager who is facing tough consequences for attempting to go against the racial stereotypes.
If he’d been anything an Indian boy living on the reservation he might have been called a prodigy. But he is an Indian boy living on the reservation and is simply an oddity.” Sherman Alexie
War of the Worlds: WWII and the 1941 Iraqi Coup d’état Sophia Gatsios “I am deeply concerned about Iraq …. I think we should now put definitely, not only to Feisal but to the Constituent Assembly, the position that unless they beg us to stay and to stay on our own terms in regard to efficient control, we shall actually evacuate before the close of the financial year. I would put this issue in the most brutal way, and if they are not prepared to urge us to stay and to co-operate in every manner I would actually clear out….. At present we are paying eight millions a year for the privilege of living on an ungrateful volcano out of which we are in no circumstances to get anything worth having.” Winston Churchill to David Lloyd George on September 1st, 1922
The Woman Warrior is a “memoir of a girlhood among ghosts” in which Maxine Hong Kingston recounts her experiences as a second generation immigrant. She tells the story of her childhood by intertwining Chinese talk-story and personal experience, filling in the gaps in her memory with assumptions. The Woman Warrior dismantles the archetype of the typical mother-daughter relationship by suggesting that diaspora redefines archetypes by combining conflicting societal norms. A mother’s typical role in a mother-daughter relationship is one of guidance and leadership. Parents are responsible for teaching a child right from wrong and good from evil.
At the beginning of his speech, he conveys emotion through telling his own story and putting the audience in his shoes. He states “On the one hand he is born in the shadow of the stars and stripes and he is assured it represents a nation which has never lost a war. He pledges allegiance to that flag which guarantees "liberty and justice for all. " He is part of a country in which anyone can become President, and so forth”. This shows the audience how African American children feel when living in a country made on the premise of equality, but feeling anything but equal to their Caucasian peers.
Imagine yourself caught between two vastly different cultures in America- one you only see at home with your family and the other you see at school and in most other aspects of your life. Would you be able to pick just one culture? You know that choosing one would turn your back against your family, but the other would make you stand out in a crowd. How would you handle this dilemma? Jhumpha Lahiri, author of The Namesake, describes the journey of a Bengali family- mainly focusing on Gogol- who recently moved to America.
Hip hop critics believe that hip hop is a violent subculture and supports crime and violence, but research has shown that there is no direct correlation between the two. One hip-hop artist that goes against this stereotype is Kanye Omari West. Mr. West lyrics allows the listener to understand that you don’t have to rap about having money and cars to get someone’s attention. In Kanye West’s Homecoming, he said, “Reach for the stars, so if you fall you land on the clouds.” This is an influential quote that encourages the listener to reach for their goals, but if you happen to fail on the way it’ll be ok because you have a comfort system to be there for you.
In Thomas King 's autobiographical novel, The Truth About Stories takes a narrative approach in telling the story of the Native American, as well as Thomas King 's. The stories within the book root from the obstacles that the Thomas King had to face during his years in high school and his post-university life. These stories are told in a matter that uses rhetorical devices such as personal anecdotes & comparisons. "You 'll Never Believe What Happened" Is Always a Great Way to Start is about the importance, potential, and dangers of stories, specifically those of creation stories and how they can shape a culture, with the aim to share King 's urgency for social change with his readers King 's informal tone, lighthearted jokes, and effort to make his writing follow the style of native oral tradition as closely as possible, all help the reader understand the type of narrative he believes would be most beneficial for the foundation of a society. His unique style allows for the use of personal anecdotes and requires that he breaks the proverbial fourth wall to communicate with the reader directly, to create the conversational feel of the oral tradition.
After producing a few more films in 1970s such as The Experience (1973), The Traveller (1974) etc he made some short films. His widely accepted Koker trilogy on the life on the village of Koker in northern Iran was released during the period 1987 to 1994. His films like Koker Trilogy (1987-1994), Close-Up (1990), Taste of Cherry (1997) Wind Will Carry Us (1999), Ten (2002), Five (2003), Shirin (2008), Certified Copy (2010), Like Someone in Love (2012) etc enact serious discussions within the narrative structure. He got numerous awards and appreciations for his films including the Palme d’Or at the Cannes Film Festival for his film, Taste of Cherry in 1997.
