ipl-logo

Haydn's String Quartet, Op. 33, No. 2 Analysis

812 Words4 Pages

I will review a performance of ‘Haydn’s String Quartet, Op.33, No. 2 “The Joke” IV. Presto’ from you tube. It is performed by University of North-Texas String departmental and the web address is; https://www.youtube.com/watch?v=LDkWBzH6dkE.
I will refer to the music from the score in ‘Norton Anthology of Western Music’, Vol. 2, 7th edition, J. Burkholder & C. Palisca.

Joseph Haydn composed his String Quartet in E-Flat Major in the summer and fall of 1781. It is one of six quartets of Op. 33 which were first premiered in Vienna on the 25th of December, 1981. It is performed by a string quartet, a first and second violin, viola and a cello, which is considered the finest type of chamber music. It is said that Haydn is known as ‘The Father …show more content…

It is played in a homophonic texture with the first violin leading and the other instruments accompanying with the same rhythm. Each instruments remains separate but the first and second violin play parallel thirds, sixths and tenths at time mark ‘0.12’ or bar 9. There are imitative entries present in the piece where the violin melody is taken up by other instruments seen at ‘2.32 to 2.40’, bar 112 to 119. Double stopping is a string technique used in which two notes are played at the same time which can be seen in the ending Adagio section, ‘3.13, bar 149’. In reference to dynamics, this piece starts off with Piano as we are introduced to the theme. Sforzando can be seen marked throughout the piece and emphasises strong beats in phrases. Crescendos and Diminuendo’s can be seen, for example in bar 96, time ‘2.15’ there is a crescendo building frim piano. The Adagio at ‘3.13’, bar 149 starts with a strong forte with quick diminuendo to piano while the joke ends on pianissimo. Throughout the melody we can see articulation with use of short slurs and use of staccato. There are scale and arpeggio patterns best seen in bar 17-21, ‘0.26-0.33’ as well as passing notes, bar 3, ‘0.06’ and grace notes, bar 31, ‘0.42’. Tonic and Dominant chords are used frequently throughout and can be seen in the opening phrase going from Eb to Bb to Eb, Ι to V to Ι. The piece ends in a perfect

Show More
Related

Classical Music Frq Worksheet

509 Words | 3 Pages

Haydn wrote most of his string quarters in sets of six. The third in the set is known as the Emperor because the second movement is based on the hymn he wrote for the Austrian Emperor Franz II. The invasion of Vienna by Napoleonic armies in 1796 raised a spirit of patriotism across Austria, to which Haydn responded with a musical tribute that became the country’s national anthem (God Keep Franz the Emperor). 5. Baroque musical style basically means Music intensifies emotions.

Read More

Audio Production Techniques Report: Billie Jean

1436 Words | 6 Pages

Instruments are introduced at the beginning of new sections, such as the pre-chorus and chorus. Dynamics each verse begins in mp and increases dynamically to mf at the pre-chorus; there is a slow crescendo to f during the transition from pre-chorus to chorus. Tempo the tempo of this song is moderato at approximately 116 bpm, however it feels much slower due to the emphasis being on the 2nd and 4th beats rather than on the 1st and 3rd.

Read More

Orchestra Concert Review Essay

769 Words | 4 Pages

The Appalachian Symphony Orchestra performed, Celebration and Remembrance. The orchestra opened with Fanfare for the Common Man. Which was conducted by Mr. Smith. It was a great way to start off a World War II and Civil War Memorial concert. It was the opening piece and the orchestra was full of energy, and came out loud and with the bang.

Read More

The Raiders March Analysis

746 Words | 3 Pages

The introduction of the piece is the same as that of “The Raiders March”, but with strings playing in the background. The A melody begins with the trumpet as the strings fade out (0:07). The first minute and a half of the song is played the same as that of “The Raiders March”, though due to differing sound equalization, some parts stick out more or less than they do in the original. For example, in the third repetition of the A melody, one can more clearly hear the xylophone accompanying the melody here than in “The Raiders March”. The piece begins to differ more significantly after the break following the third repetition of the A melody when the piece modulates down a half step instead of up like in the original (1:37).

Read More

Mozart Symphony No 29 Analysis

838 Words | 4 Pages

This is then followed by a sing-song like eight-note figure that features a pointed forward momentum. The rhythmic building blocks of the theme is constructed in two bar phrases which then sequences upward by step (Example 1). The accompaniment to the theme is sustained half notes played by the second violins, Violas, and Cellos The home key and the harmonic content of the exposition is also very clear in its presentation. The opening of the movement is in A major and remains primarily diatonic in its harmonic content, with only the occasional passing tone. The primary theme is played twice having a four-bar transition in between each quotation (Example 2).

Read More

Well Tuned Piano

646 Words | 3 Pages

Although this is somewhat long duration compared to other music that listened before, the segment of the piece is played repeatedly so that I used to observe this music. The pinches in this work are unfamiliar to the audiences because they are not standard chromatic scale, which is equal temperament. The unique tuning system and the performance style increase the tension of the

Read More

Houston Symphony Concert Report

974 Words | 4 Pages

This piece consisted of two different movements. The second part of it was a lot more allegro, upbeat, and energized. It symbolized the eternal love that no one, not even a powerful king, could take away. The whole orchestra had more active roles and a polyphonic texture. Together they made a beautiful

Read More

Steve Reich Music For 18 Musicians Analysis

1253 Words | 6 Pages

“Music for 18 Musicians” is an excellent example of pulse music. In terms of structure, instrumentation and harmony are unique, compared to his previous works. The basic material consist of a sequence of eleven chords which are heard at the beginning and the end of the work. These chords, repeated in pulsing and sustained notes for the length of two breaths of the bass clarinetists, are examined one by one over a period of five minutes as the basic harmony over which longer musical periods are later elaborated. The piece has an arch structure:

Read More

Haydn Oxford Symphony Analysis

1807 Words | 8 Pages

1.4) underwent several thematic transformations in this movement, first being treated in rising sequences. The ‘antagonist’ leaping figures (see fig.1.4) outline accents on weak beat, giving the whole section a sense of metrical disruption. The second theme appeared in B-Flat major, followed by a closing

Read More

The Musical Reflection Of The Swan Lake Suite

947 Words | 4 Pages

There were many musical elements heard throughout these pieces and it was interesting to hear how they varied in each song and suite. In Intermezzo, it began with a quieter violin solo melody creating a monophonic texture. Soon after, it became accompanied by the other violins and cellos, then the full ensemble came in creating a moderate, flowing melody at about mezzo forte and switching to a polyphonic texture. Next, there was a harp solo at forte with many crescendos and decrescendos. The full ensemble enters again raising the dynamics to forte before decrescendoing and slowing down to end with a held note and final tone.

Read More

Violin Sonata In A Minor Analysis

877 Words | 4 Pages

The work displayed Beethoven’s middle period compositional style that shows great advance in terms of musical and writing style for the violin. Overall, the 2nd movement was well-proportioned. Occasionally, the piano part is more complex than the violin part however the principal theme is shared between the Violin and Piano. Max Bruch Violin Concerto in G minor

Read More

Schumann Three Romances Analysis

1644 Words | 7 Pages

Marked Nicht schnell (not fast), the first Romance begins with a piano introduction, setting the somber mood for the melancholy theme in the violin in the key of A minor. Throughout, the violin line has a yearning quality, with moments of euphoric ecstasy in the B section that has the violin soaring above the piano accompaniment. The return of the A section brings back the opening theme, and the searching chromatic figures in the violin bring the piece to a soft, forlorn conclusion.

Read More

Richard Strauss Violin Sonata Analysis

782 Words | 4 Pages

This movement begins with a beautiful love song until a turbulent middle sections rudely interrupts its dream-like reverie. The finale, Andante-Allegro, begins with a quiet, introspective introduction in the piano alone which then leads into an exuberant Allegro. At the Allegro, the violin breaks forth with ascending, slashing passages from its lowest to its highest register, creating a sense of drama and importance. However, then comes a playfulness that sneaks into the music almost without notice. And then after a rush of virtuosic passages from both violin and piano, the sonata comes to an explosive end.

Read More

Lohengrin: Prelude By Richard Wagner: Music Analysis

491 Words | 2 Pages

First of all, the piece is quite interesting as a prelude – an introductory piece of music as it start off with dynamic and vibrant sounds that include the whole ensemble. This piece is structured as a three-part or ternary form which consists of ABA’ form. The idea of this piece is mainly act as an introductory of a story because this piece is only an excerpt from a bigger orchestral performance. From what I have heard, the solo performance is mainly comprise of the woodwind instruments in part B that indicated the slight sign of relief and calmness. The piece has a lot of variation where the composer include different timbres and dynamics such as the high dynamic structure during the first and the last part with the associating crashes of cymbals.

Read More

Analysis Of Concertino For Flute And Piano

1266 Words | 6 Pages

It features two main themes, plus many melodic episodes. The structure - in A-B-A form - is clearly identifiable through the themes that mark each of the sections: the lyrical melody that opens the work, the exciting piu animato that ends with a demanding cadenza, and the final recapitulation that is followed by a cheeky and vivacious codetta that brings the work to a dramatic close. Possessing a memorable melodic theme, the piece tests the performer through the unending phrases, virtuosic c and the resultant nimble fingerwork required. It has remained one of the great standards amongst the

Read More

More about Haydn's String Quartet, Op. 33, No. 2 Analysis

Related Topics

Open Document