“Mary Moon and the stars” written by Janice Galloway is a short story in which the main character Mary is who we “........................” This is due to the techniques the writer has used these include character, setting, language and symbolism. The author has used the appropriate techniques which results in her success. Mary is clearly restless and anxious when we are introduced to her on her first day of primary school. The unnamed narrator struggles to create a friendship with Mary as Mary is brutally judged by those around her, children and adults included.
“Because My Father Always Said He Was the Only Indian Who Saw Jimi Hendrix Play “The Star-Spangled Banner” at Woodstock,” Sherman Alexie, the author, depicts a very rare, but normal image of a Native American family. Victor, the narrator, father beat a National Guard solider during an anti-Vietnam war rally. The incident was documented, seeing that his father a Native American. In result of this incident, Victor’s father was imprisoned for two years. After being released from being imprisoned, the first thing his father did was go back to Woodstock, where he says he was he was the only Indian to see Jimi Hendrix’s famous performance of the “Star-Spangled Banner”.
This is so unique because Leo explains that, “You almost never get [an intense stare such as Stargirl’s] from people,” and this evidently surprised him. This tells us that people in his school prefer to stay fairly contained. I infer that they do not want to stand out that much, because if they did then they would stare at people similar to the way Stargirl did. But, because Leo says that you almost never get this stare from anyone, it shows us that no one in his school is daring to stand out, and that his school’s culture is very shy.
Imagery of the bass, the river, and Sheila Mant One of the main themes of this story is that sacrifice. The narrator of this story is not given a name but he is fourteen year old. The narrator has a major crush on a women- seventeen year old, Sheila Mant. The narrator finally, and I say finally, asks Sheila on a date via the narrator’s boat.
Throughout the seventeenth century, conflict between Europeans and Native Americans was rampant and constant. As more and more Europeans migrated to America, violence became increasingly consistent. This seemingly institutionalized pattern of conflict begs a question: Was conflict between Europeans and Native Americans inevitable? Kevin Kenny and Cynthia J. Van Zandt take opposing sides on the issue. Kevin Kenny asserts that William Penn’s vision for cordial relations with local Native Americans was destined for failure due to European colonists’ demands for privately owned land.
The contrast between these two sub-sets of fiction is controversial among critics and scholars. Neal Stephenson has suggested that while any definition will be simplistic, there is a general cultural difference between literary and genre fiction today. On the one hand literary authors are nowadays are frequently supported by patronage, with employment at a university or similar institutions, and with the continuation of such positions determined not by book sales but, by critical acclaim by other established literary authors and critics. On the other hand, he suggests, genre fiction writers tend to support themselves by book sales. However, in an interview John Updike lamented that "the category of 'literary fiction ' has
Freedom For All! Alice Paul and Carrie Chapman Catt showed very similar objectives to a very similar cause. Both Paul and Catt wanted women’s suffrage, but both had a different point of view. Catt believed in a low-key strategy, but Paul believed in a more public protest ways. Catt showed that even a low-key strategy can prove to be more safe, and just as convincing as protesting was and probably even more.
Furthermore, Pat Boone’s vocal delivery seems quite melodramatic in comparison to Fats Domino, which gets rid of the authenticity and makes it seems as if his cover of the song is more for performance than it is to express feelings about a former lover. Fats Domino’s more easygoing, nearly spoken delivery of the lyrics makes it feel as though he is reading a letter he wrote to a former
In one of her songs, “Sissy Blues”, she uses a slightly insinuating tone to describe a love triangle between herself, a man, and a man who dresses like a woman called ‘Miss Kate’, described as ‘a sissy’. The music is almost frantic and sharp, following the insinuating tone of Ma’s voice. The tale she spins is of her losing her man to someone she did not expect: a man dressed in drag, ‘Miss Kate’, with a ‘jelly roll’ (euphemism for male genitals) who flaunts himself. According to Sandra Lieb, “…”freak shows” and drag shows-evenings set aside for homosexuals, lesbians, and transvestites-were common in many Harlem and Chicago night clubs” (Lieb 123), which testifies for the reasoning and inclusion of this character in “Sissy Blues”. It is a song about sexual jealousy, a common theme in many songs, but Ma Rainey places a twist on it when her man is in love with a ‘sissy’.
The late 19th century was a monumental era for the city of Paris. As the city kept growing and increasing in popularity around the globe, the city itself was being modernized from its dated medieval layout. These modernizations had a direct impact on the culture of the city, the lifestyles of its inhabitants, and the prominence of the city across the world. Paris’ inhabitants were as social as ever, and often enjoyed themselves at cafés and bars. This modernization acted as a perfect catalyst to support the surging wave of capitalism across Western Europe.
In fact, overall, the guitar - high pitched when playing alone, while grave and perfectly following Hendrix 's voice while he sings - sounds as it would like to mutely communicate the melancholy of the lyrics and the meaning of the song . The electric guitar also has one other crucial role in the song: during every verse (0:18-0:52; 1:10-1:43; 2:49-3:23), it fills the voids left by the vocals, which, after every sentence, take a brief pause . The guitar-lyrics alternation feels as though Hendrix is trying to communicate, with music, what words fail to - or cannot - say. The lyrics of the first verse prove exceptionally interesting when analyzed both alone and accompanied by the instruments. In particular, the first verse is the recount of a conversation between a joker and a thief, archetypal of society rejection, where the joker argues that "there must be some kind of way outta here" (verse 1).
What the cock is that shit? But maybe it’s like Take Back the Night. Maybe it’s like how bleeding hearts grow old and swing to the right. Maybe it’s like when a faggot calls himself a faggot.” Silverman sings the entire tune grinning, the contradiction between the endearing upbeat melody and lyrical content creates an amusing sense
“What the three ladies infer about Lily Daw” In the story “Lily Daw and the Three Ladies”, we are introduced to our three ladies who are: Mrs. Carson, Mrs. Watts and Aimee. These three ladies speak about a young girl who seems to have some sort of disability or as mentioned in the story was “feebleminded”, this young girl goes by name of Lily Daw. I assume that Lily has a disability not only because the three ladies are trying to send her to this mental institute for the “feebleminded” but because the author portrays Lily’s character with a very special tone of voice and her character is also not able to make-out correct full sentences like the rest of the characters in the story.
Upon listening and analyzing further, however, one will find that this song has a hidden meaning to which everyone can relate. As the lyrics begin, Springsteen sings, “The screen door slams, Mary's dress waves / Like a vision she dances across the porch
From beginning to end, I am captivated by the music. Each element brings a unique character to the overall piece. The music takes the listener on a suspenseful journey. The arrangement of the song gives me a visual of someone stumbling upon a dark forest and begins to hear the fast-approaching movement of something behind them. The pairing of several melodic phrases throughout the composition adds to the sense of chaos and turbulence.
