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Hip Hop By Jane Morgan Analysis

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Jane Morgan's primary claim is to see how Hip-Hop has gone from venerating ladies to totally obliterating ladies. We, as women need to uncover further and discover the family history behind their disagreeable murderous words. The men in our group should be the column we use as support in our general public. She likewise expresses that we have to make sense of what we are doing as ladies to support and outset their perspectives of black women. Morgan says that hip-hop is one of the spots black men feel that they can unreservedly communicate and their own agony and by listening precisely as opposed to judging and censuring we will have the capacity to do what we need to do as a group to help them. I certainly concur with the majority of Morgan's
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Since Hip-hop music was created in 1973 by Clive Campbell it has been a field most dominated by men and not women. Hip-hop music has displayed not only memos of what it is like to live in certain areas, but also the individuality of men and women. Pamela Hollander composes an academic essay concerning female identity and how the character of women in music has altered from decade to decade in the Hip-hop atmosphere. The theme of women identity is prevalent throughout the essay and the associations Hollander makes her points evident through her analysis of intimacy, nurturing, love and spiritual growth in Hip-Hop songs.

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Commercial hip hop is too blindsided by making profit to assist in the rallies for Black justice the same way that hip-hop proper is doing. #BLM has liberated rap from its default setting today, and is beginning to break the white stereotype that hip hop is defined as a consumer market where “rhyming negro gentleman callers and ballers sold vernacular song and dance to an adoringly vicarious and increasingly whiter public” (para.6). Tate concludes with stating that #BLM’s “reclamation of hip-hop proper has brought complexity and revolutionary street cred back to the race conversation in commercial rap. The public can no longer be sold the noxious and recherché notion that 21st-century rap culture is only about trap-happy nigras getting paid for getting dumb, or coldstoopidwackretarded, even. Thanks to #BlackLivesMatter, the beautiful struggle against racialized injustice once again matters where rap and hip-hop proper live” (para

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Hip hop has a message that reveals the social inequalities of our nations. In addition, McBride wants people to keep an open mind about hip hop and new thing that they may not be used to. In conclusion, he declares hip

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Women’s Blues music in the 1920s and early 1930s served as liberation for the sexual and cultural politics of female sexuality in black women’s dissertation. Hazel V. Carby explores the ideology of the white feminist theory in her deposition, "It Jus Be 's Dat Way Sometime: The Sexual Politics of Women 's Blues", and critiques its views by focusing on the representation of feminism, sexuality, and power in black women’s blues music. She analyzes the sexual and cultural politics of black women who constructed themselves as sexual subjects through songs in blues music and explains how the representation of black female sexuality in black women’s fiction and in women’s blues differ from one another. Carby claims that these black women

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“Beyond Beats and Rhymes” Summary This movie was a broad discussion about hip-hop music (or more specifically gangster rap) and what kind of social issues the music not only showcases but seems to promote. The producer of this film, Byron Hunt, interviewed people involved in all aspects of the hip-hop industry, including famous rappers, to try to get to the bottom of this. Some of the most prominent issues discussed in the film were the over-sexualization of women, gun violence, and anti- homophobic attitudes. Hunt would ask those involved in the industry about why they think these themes are so prevalent.

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Hip Hop is seen as something inspiring, but most people see it as a way to speak out the truth about a problem. As in “Hip Hop planet” being able say the truth can sometimes worsen any situation because sometimes what we say can promote violence and whatever happens after is not in our control. The essay is about how hip hop has changed into speaking out the issues that need to be taken care of in order to maintain a proper society. McBride talked about how rappers use violent lyrics to degrade women and gays and because of this it shows how the music has evolved into something entirely different that no one would have ever expected to have changed. In James McBride's essay “Hip Hop Planet,” he argues that hip hop has a negative influence on American Culture despite people thinking of it as inspirational and how people live through different experiences in life despite of your race.

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In this essay, I will talk about how J. Cole goes about empowering women through exceptional lyrics, broad metaphors, and positive tone. Incorporated throughout the entire song are exceptional lyrics. The song is about flaws, a “Crooked smile” for example, and how those flaws do not limit any

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Hip-hop culture has been the topic of various academic, social, and political discourses. Rap music, in particular, has made its way to mainstream media which is evident in the numerous films and movies that centers on what was once a part of an underground culture. Scholars explain that the popularity of hip-hop in both music and films are partly due to its potential to disseminate information, address an issue, and promote social change. Tinson and McBride (2013), for example, note that hip-hop is a “…form of critical education at the intersection of, and inseparable from political engagement” (1). Scholars further note that hip-hop’s current state “…requires frequent accounting of its engagement with the social, political, and cultural climate

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In her essay “hip hop’s betrayal of black women,” Jennifer McLune implies that “(h)ip-hop owes its success to the ideology of women-hating” (193). She does not agree with Kevin Powell’s article that hip-hop does not mean to “offend” black women, but instead artists are only letting out their temper throughout their music. McLune feels infuriated that many artists in hip hop (including black men) rap about their community and downgrade their own women. In the hip-hop genre, sexism is mainly used, not only by black men but also by many other race hip-hop artists. Artists assume that women-hating in their rap songs will be accepted by women, but do not realize that it is affecting all women.

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Through Django Jane, Janelle Monae is able to provide commentary on today’s current climate of gender and sexuality while Black Panther provides a utopian view of these topics. Through Cindi Mayweather, her imagined android alter ego, Janelle Monae is able to explore such topics in artistic freedom (Anderson and Jones 91). In studying the lyrical and visual elements of these works, one is able to gain a better understanding of controlling images, images that perpetuate stereotypes based on the matrix of domination (i.e. white and black, rich and poor, etc.) and what it means to confront and transcend them. Django Jane lyrically and visually highlights the dynamic between men and women in the Black community, and her messages can even be applied to all men and

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Music and colored celebrities are there mentor guide as they transition to young adults. Jenee gives you an impression of a lost girl trying to find herself through music. Battling the everyday life of her color. Rapper Tupac lyric kept her going in her culture and stay to forever remembered where she came from, not just a privilege suburb girl, but a Black and proud interracial black girl holding on to her black

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Nowadays, everyone wears the identity with pride. The genre was a testament to triumphing over hardships, to having enough confidence in oneself not to let the world drag you down, and to rising above the struggle, even when things seem hopeless. Violence in rap did not begin as an affective agent that threatened to harm America 's youth; rather, it was the outcry of an already-existing problem from youth whose world views have been shaped by the inequalities and prejudice they have experienced. The relentless wave of heroic new rappers arriving on the scene formed the golden age of hip hop in the 1980s, a newfound voice which rose from the impoverished ghettos during the 1980s and inspiring a generation of black youth to fight the police brutality they faced on a daily basis.

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Hip Hop was the wildfire that started in the South Bronx and whose flames leapt up around the world crying out for change. James McBride’s Hip Hop Planet focuses on his personal interactions with the development of Hip Hop culture and his changing interpretations of the world wide movement. Many of his encounters and mentions in the text concern young black males and his writing follows an evolution in the representation of this specific social group. He initially portrays them as arrogant, poor, and uneducated but eventually develops their image to include the positive effects of their culture in an attempt to negate their historical misrepresentation.

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¨If Hip Hop has the ability to corrupt minds, it also has the ability to uplift them.¨ Hip hop music, also called rap music, is a music genre developed in the United States by African Americans consisting of a stylized rhythmic music that commonly accompanies rapping, a rhythmic and rhyming speech that is chanted. Mainstream hip hop culture is also filled with misogyny and negative images of women. These artists are unaware that sexism has been forced onto them through the brainwashing from the media, which is controlled by a patriarchal society. Conversely, feminism is the belief that both genders should have equal power.

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Along with the creation of music videos, hip-hop’s popularity has soared and changed in many ways. Men and women are depicted in distinct and vivid ways in the media – particularly music videos – that may subconsciously affect our views of the norms of today’s society. That is, catchy songs and glamorous music videos that society thinks are harmless entertainment actually shape our worldview and can cause people to accept false impressions of women (Shrum & Lee, 2012). For example, as Sarnavka (2003) posits, women are victims of violence in society, as well as victims of violence in media (as cited in Bretthauer, Zimmerman, and Banning, 2007).

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