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Homosexuality In Hip Hop Essay

363 Words2 Pages

The gay topic in hip hop is not trying to destroy hip hop. Cashun is a gay rapper, who challenged the homophobia with enough dignity. “Disidentification resists an unproductive turn toward good dog/bad dog criticism and instead leads to an identification that is both meditated and immediate, a disidentification that enables politics.” Black gay folks who are in the middle of different dominances find the practice of disidentificacion more seductive and enabling than major subjects. Black queer subjects in black, presumed heterosexual or gay (mostly whites) contexts find that an identification with larger groups is more a liberatory exit for survival than those people who identify themselves with dominant ideologies. “Gay rappers disidentifying with the heteronormative conditions of the hip hop nation must often employ the very premises intended to badger them.” Deep Dickollective recontextualizes a popular term in a song that said “in a circle of faggots your name is mentioned”, giving this term another meaning: …show more content…

In hip hop culture and in our society there is a profound prejudice with gay artists. Deejay Mister Maker, founder of national hip hop site gayhiphop.com said that he has played in clubs and rocked the spot but he asks himself how people feel if they know that they are listening to a gay deejay. In 2004, there was a notable increase of gay hip hop artists. Now, they debate who is best “keepin’ it real” or representing as a gay artist. There are queers even at the borders of the gay hip hop movement. In order to build a new hip hop nation, many challenges need to be faced as sexism and homophobia (synonymous with mainstream rap music) and the policy that keeps gays marginalized for so long. I think that the desire for a free creative expression (an important element since hip hop’s origins) has been lost and the borders created to keep the mic and breath have

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As anything connected with femininity becomes devalued, men who appear to relinquish their superior position in the gender order are also subject to ridicule” (2009). The homophobia found in gangsta rap also finds correlation in other spaces, including black institutions and the mainstream middle class, though N.W.A. and other hip hop acts are often the main targets in mainstream culture ("Gangsta Rap and American Culture,” p. 416, 2004). Because N.W.A. were main targets, their criticisms from the LGBT community would seem like a main conflict in Straight Outta Compton. But like the criticism faced by women on their misogynist lyrics, the issue again goes

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In “Azealia Banks” author James McNally analyzes arising rapper Azealia Banks in order to discuss post-racial politics where political elements of hip-hop and the systemic racial inequalities they address, have become gradually ostracized in favor of “color-blind” conceptions of United States society and pop culture. To do so McNally argues that Banks’ music video for “212” and her public rhetoric rearticulates ideas of the mainstream black female identity in hip-hop and confronts the white gaze. In “212” Azealia Banks raps about growing up in Manhattan and her reactions to the situations that she experienced and declares her dominance over all of her rival, while establishing her extensive “technical skill and stylistic versatility as a rapper (61).” Banks combines multiple hip-hop tropes, while infusing her own character in as well to

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160 Words | 1 Pages

The article “Hip Hop Planet” by James McBride is about how hip hop is not his favorite type of music but, it needs to be heard. McBride shows us this by explaining that he avoided hip hop most of his life. In the article McBride says that he basically ignored “the most important cultural event in my lifetime.” James informs us that hip hop has influenced the world globally and that it has become a phenomenon. Furthermore, McBride made clear that he eventually realized that hip hop is much more than just music, it has a message.

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1922 Words | 8 Pages

In the American music industry, record companies stuff the pockets of the lowest common denominator. Celebrity singers drop their integrity at the door as they enter the studio, recording tracks that discourage free, radical thought. In this empty-headed industry, few successful artists have a meaningful message to deliver unto their audience, with one exception—Kendrick Lamar, a young, conscious rapper from Compton, California. In his album, To Pimp a Butterfly, Lamar poignantly delivers a controversial message that most African American hip-hop fans would initially reject. To do so, he deliberately frames all eighteen tracks of the album in such a way that builds his own credibility as a leader on top of a powerful emotional connection with his

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This article focuses on the color-blind ideology that allows white people to participate in and appropriate hip-hop culture. Rodriquez notes that they do so by using the guise of inclusivity of all races to justify their participation in hip hop and to adapt characteristics of the culture without respecting Black identity. He uses his own interviews of several white audience members of hip hop concerts who identified as participants of hip hop culture. Rodriquez identifies two groups resulting from social collectivity to reinforce his argument: consciously collective white groups, who actively reinforce racial segregation and passively collective white groups, who unknowingly unite and reinforce systematic racism through their adherence to color-blind ideology. The participants of his research are part of the latter, who unconsciously reinforce systematic racism through treating cultural objects, namely aspects of hip hop culture, as shareable products and experiences.

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“Beyond Beats and Rhymes” Summary This movie was a broad discussion about hip-hop music (or more specifically gangster rap) and what kind of social issues the music not only showcases but seems to promote. The producer of this film, Byron Hunt, interviewed people involved in all aspects of the hip-hop industry, including famous rappers, to try to get to the bottom of this. Some of the most prominent issues discussed in the film were the over-sexualization of women, gun violence, and anti- homophobic attitudes. Hunt would ask those involved in the industry about why they think these themes are so prevalent.

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944 Words | 4 Pages

Throughout The Odyssey there is a constant thread of learning and growing as the books progress. This development does not come easy, however, as emphasized through the long, dramatic tale and recounting done by Odysseus. But despite the struggle, Odysseus does indeed become a better man in numerous ways. By persevering throughout a multitude of heroic and tragic tasks from which few others could survive, Odysseus, ultimately finds a way to thrive. Odysseus is most definitely a hero—this is clear from the beginning of the epic—but he truly earns this title well after the Trojan War ends and his long, misguided travels begin.

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Hip Hop is seen as something inspiring, but most people see it as a way to speak out the truth about a problem. As in “Hip Hop planet” being able say the truth can sometimes worsen any situation because sometimes what we say can promote violence and whatever happens after is not in our control. The essay is about how hip hop has changed into speaking out the issues that need to be taken care of in order to maintain a proper society. McBride talked about how rappers use violent lyrics to degrade women and gays and because of this it shows how the music has evolved into something entirely different that no one would have ever expected to have changed. In James McBride's essay “Hip Hop Planet,” he argues that hip hop has a negative influence on American Culture despite people thinking of it as inspirational and how people live through different experiences in life despite of your race.

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1882 Words | 8 Pages

Hip-hop culture has been the topic of various academic, social, and political discourses. Rap music, in particular, has made its way to mainstream media which is evident in the numerous films and movies that centers on what was once a part of an underground culture. Scholars explain that the popularity of hip-hop in both music and films are partly due to its potential to disseminate information, address an issue, and promote social change. Tinson and McBride (2013), for example, note that hip-hop is a “…form of critical education at the intersection of, and inseparable from political engagement” (1). Scholars further note that hip-hop’s current state “…requires frequent accounting of its engagement with the social, political, and cultural climate

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633 Words | 3 Pages

In her essay “hip hop’s betrayal of black women,” Jennifer McLune implies that “(h)ip-hop owes its success to the ideology of women-hating” (193). She does not agree with Kevin Powell’s article that hip-hop does not mean to “offend” black women, but instead artists are only letting out their temper throughout their music. McLune feels infuriated that many artists in hip hop (including black men) rap about their community and downgrade their own women. In the hip-hop genre, sexism is mainly used, not only by black men but also by many other race hip-hop artists. Artists assume that women-hating in their rap songs will be accepted by women, but do not realize that it is affecting all women.

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946 Words | 4 Pages

Nowadays, everyone wears the identity with pride. The genre was a testament to triumphing over hardships, to having enough confidence in oneself not to let the world drag you down, and to rising above the struggle, even when things seem hopeless. Violence in rap did not begin as an affective agent that threatened to harm America 's youth; rather, it was the outcry of an already-existing problem from youth whose world views have been shaped by the inequalities and prejudice they have experienced. The relentless wave of heroic new rappers arriving on the scene formed the golden age of hip hop in the 1980s, a newfound voice which rose from the impoverished ghettos during the 1980s and inspiring a generation of black youth to fight the police brutality they faced on a daily basis.

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921 Words | 4 Pages

Hip Hop was the wildfire that started in the South Bronx and whose flames leapt up around the world crying out for change. James McBride’s Hip Hop Planet focuses on his personal interactions with the development of Hip Hop culture and his changing interpretations of the world wide movement. Many of his encounters and mentions in the text concern young black males and his writing follows an evolution in the representation of this specific social group. He initially portrays them as arrogant, poor, and uneducated but eventually develops their image to include the positive effects of their culture in an attempt to negate their historical misrepresentation.

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1006 Words | 5 Pages

The Impact of Hip-Hop Ever since its birth in the 1970s in West Bronx, Hip Hop has been known as “Gangsta” music and most commonly associated with black culture. Since its creation it has become a fast growing genre of music and has growing fame all over the world. The popularity of it has increased to all races, age and gender. However the growing popularity of hip hop has come with several controversies among scholars. Some scholars argue that the growing popularity of the genre is very helpful to low income families who can use this as their outlet into going to Universities, on the other side some believe associating the genre to black culture is bad for the culture as a whole and they should not be associated together.

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1797 Words | 8 Pages

The block parties, graffiti art, rapping, disc jockeying and diverse forms of dancing built Hip Hop by the black youth. They expressed their feelings, thoughts, but most importantly the problems they had to face, which were related to their race, gender and social positions. The rights that were given to black people during and after the Civil Rights Movement left the following generations at a lack of how to continue the fight for black rights. Hip Hop gave them this platform and with the usage of black nationalism, Hip Hop can explore the challenges that confront American-Americans in the post-Civil Rights Movement era. In the 1990’s Hip Hop lived its prime, sub genres started to appear and famous groups, MCs led the whole community, providing a voice to a group of people trying to deliver their message.

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¨If Hip Hop has the ability to corrupt minds, it also has the ability to uplift them.¨ Hip hop music, also called rap music, is a music genre developed in the United States by African Americans consisting of a stylized rhythmic music that commonly accompanies rapping, a rhythmic and rhyming speech that is chanted. Mainstream hip hop culture is also filled with misogyny and negative images of women. These artists are unaware that sexism has been forced onto them through the brainwashing from the media, which is controlled by a patriarchal society. Conversely, feminism is the belief that both genders should have equal power.

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