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Political analysis of the handmaids tale
The handmaid's tale literary criticism
Literary analysis on the handmaid's tale
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The question provided in the prompt asks how the tale explores the wives “overreaching ambition”- if you could even call it ambition! The Oxford dictionary defines ambition as a strong desire to achieve something, typically requiring lots of determination and hard work. In the tale, the wife becomes the Pope by doing no more than telling her husband to go make her wishes happen. Rather than discussing her overreaching ambition, I will interpret her unquenchable, terrible, greed. Right off the bat, the tale is very dreary and melancholic: “Once upon a time there were a fisherman and his wife who lived together in a filthy shack near the sea”.
In Margaret Atwood’s book, The Handmaid’s Tale, the basis on which Gilead rises is that of utilitarianism, with every person supposedly living to serve the greater good. The Republic of Gilead uses religious extremism to objectify women and oppress the women with archaic traditions. The duties of the ruling class are performed solely by men. Commanders are at the very top of the hierarchical pyramid and have the power to make every decision in Gilead. Women are second-class citizens in Gilead and, with the exception of the Wives and Daughters of the Commanders, have the role of serving the ruling class.
I want to be here, with Nick, where I can get at him” (Atwood 338). This demonstrates how tangled her feelings are and the true internal conflict she faces. Deciding between Nick and Luke deeply conflicts Offred, however it allows her to move on from her past with Luke and move forward potentially with Nick. Throughout the novel, Offred’s inner thoughts about Gilead go back and forth from rebelling against society and giving in to the society. At a low point for Offred, she thinks, “I used to think of my body as an instrument, of pleasure, or a means of transportation, or an implement for the accomplishment of my will…..
Strength is the word that comes to my mind when describing the book, The Handmaid’s Tale. This theme is seen throughout the book which is seen in Offred the majority of the time. In Gilead strength is what pushes her through each day. I believe that Offred is not the only one who shows strength, but many other women in the story do as well. Offred has an enormous amount of strength when she is forced to have sex with the commander.
It is narrated by the protagonist, Offred who is a handmaid forced into sexual servitude. Facing a plunging birth rate, the fundamentalist regime treats women as property of the state. Handmaids are the few of the remaining fertile women and their sole purpose is to help the government into re-populating their society, where a lot of people are left sterile. The Handmaid’s Tale deals with the theme of women in subjugation to misogyny in a patriarchal society, primarily. It shows the struggle that women have to go through in that society, as a Handmaid or as not being able to be one.
Offred initially feels a sense of loss due to her position as a fertile woman since the independence and individuality she once enjoyed has since been stripped from her by the Republic of Gilead. It is only through rebellion that Offred is able to slowly regain her sense of self and reject the role that Gilead forces her into. By rebellion, however, it is often more dangerous for the perpetrators than to the government’s grip on the people. Offred’s societal role as a handmaid in Gilead forces her to first obey, then causes her to question, which finally allows her to realize her
Rebellion; the action or process of resisting authority, control, or convention. The Handmaid’s Tale written by Margaret Atwood is a novel. The novel takes place in Gilead a dystopian society. Everyone in Gilead has an important role to play within the society, however, it seems as if none of the characters seem content with their role, due to the restrictions they face. In the novel, the lack of freedom leads to rebellion as shown by the characterization, interior dialogue, flashbacks, and foreshadowing.
In the novel The Handmaid’s Tale by Margaret Atwood, Offred has a continuous search for justice for her daughter, in a society in which her idea of justice is starts as one concept and changes to one that she never expected. Margaret Atwood writes Offred as a character who was at once strong-willed, and who would stop at nothing to get what she wanted. Her strength is dimmed at first, when her daughter and husband are first taken from her. Her strength, however comes back in full force when she finds the opportunity to get justice for her daughter. Offred uses the motivation of her daughter to spur a rebellious side of her that disappeared when the new leaders came into power.
There are two ways people will react to when their freedom is taken away. They will either accept it or rebel against it, which is what a lot of the female characters in Margaret Atwood’s novel, The Handmaid’s Tale accomplished. Shown through Offred’s repetition of certain events, Moira’s tone of being a fighter, and Serena Joy’s desperation, the reader can see that lack of freedom leads to rebellion. Offred, the novel’s narrator, now lives in a world where women are powerless. She has had her freedom taken away, and at times follows the rules, but ends up rebelling in many powerful ways.
Throughout the novel, Moira’s use of informal language and slang is apparent. This is significant because Moira’s crude vocabulary is dramatically different from how the Handmaids are taught to speak, marking her as a dissenter under the restrictive rule of Gilead. For instance, Moira scoffs that the Red Centre is “a loony bin” in Chapter 13. The use of the colloquial noun ‘loony’ to describe the Red Centre establishes a conversational, almost childish tone of voice. This contrasts from the rather mechanic and automated voice Offred has when she becomes a Handmaid, replying with contrived phrases such as “praise be” to other Handmaids.
No one will see you. I'll sit here." Offred has been given a command by Serena Joy to meet Nick late at night which breaks the law. She has to follow Serena’s step by step procedure, however she also needs to listen to the laws that were made by the government. As a lower class citizen she will be severely punished, since her only job is to be a tool for sexual reproduction.
At the same time, the Historical Notes reveal that other records of those who lived in Gilead also exist (346). Though Offred has never participated in a coordinated regime subversive activity, her story, along with those of other survivors, now form a polyphony of resistance. Storytelling in The Handmaid’s Tale performs various functions: it is Offred’s way of resistance, her survival strategy, her intellectual pastime, and a testimony to the future. By telling herself stories she escapes into memories, shape and change her experience, and substitute the lacking communication. She uses storytelling to preserve herself, to validate her existence, to prove her life matters.
According to Merriam-Webster Dictionary, power is defined as “possession of control, authority, or influence over others. ”Although it is customary to see power in straightforward terms such as government or parenting, in The Handmaid’s Tale, Margaret Atwood explores the different limitations and locations of power in society. From the perspective of Offred, a handmaid, the novel tells of a dystopian society called the Gilead, where the people are defined by labels according to designated power and fertility. Atwood is able to expose the diverse range of power through the system of government created, the dynamic of members of a household, and the social interactions between people.
Despite being stripped of her identity and forced into a subservient role as a Handmaid, Offred remains determined to survive and find her daughter. This is evident when Offred says, "I'll say anything they like, I'll incriminate anyone. Just don't send me to the colonies. I'll do anything," (Atwood 72). This willingness to do whatever it takes to survive demonstrates Offred's resilience in the face of Gilead's oppressive conditions.
In the 1980s, United States was experiencing the rise of conservatism. Under the presidency of Ronald Reagan, conservative religious groups were gaining popularity. In response to the social and political landscape, Canadian author Margaret Atwood published a fictional novel The Handmaid’s Tale in 1986; a genre of dystopian novels. The storyline projects an imaginary futuristic world where society lives under oppression and illusion of a utopian society maintained through totalitarian control. Dystopian novels often focus on current social government trends and show an exaggeration of what happens if the trends are taken too far.
