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Horror In Frankenstein

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Ogre. Wretch. Demon. Monster. The words ring in his ears as he cries, “I was benevolent; my soul glowed with love and humanity; but am I not alone, miserably alone?” Through the gruesome tragedy of Victor Frankenstein and his creation, author Mary Shelley strikes us directly with the ugly reality the world has been fleeing from. By birth, Frankenstein’s creature was not anything close to a monster; he was hideous and physically deformed, but he was beautiful inside, an attribute difficult to obtain. Instead of breaking the barrier of fear to seek the critter’s benevolence, however, mankind bruised him with stones and harsh names, slowly and painfully transforming him into a fiend that murdered mankind to avenge his own misery. Unlike its horrific tale, the message behind “Frankenstein” is heartbreaking. Today’s world is a gigantic factory filled with monster-creators, Victor Frankensteins. The behemoths seen everyday are not eight-foot tall with hastily stitched skin, for we don’t use a combination of dead bodies to build them; instead, our selfishness and fear of difference drives our own kind towards present-day monstrosity because of ethnicity, sexual orientation, religion, disabilities, or other factors that must take a certain shape in order to avoid deformity. In the place of yellow eyes, statuses generate terror in …show more content…

We leave our kin to hide, ashamed of characteristics that deserve respect, not shame. The difficulty to face divergence is understandable, and mankind may be good deep down. Nonetheless, it takes more than just a good heart to enjoy diversity: we must set aside our fear and step outside the comfort zone to embrace it. In a sense, Shelley’s work is a warning to all of mankind. In the end, the problems we shoved under the carpet will come back to us, just like Frankenstein’s creature murdered Frankenstein’s

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Frankenstein explores peoples’ lack of forgiveness and compassion toward the unknown. Shelly demonstrates this lack of understanding in three distinct ways: Victor Frankenstein’s blatant disgust/hatred of his creation, the cottagers’ aggressive reaction to seeing the creature, and Victor’s refusal to attempt to understand him. When the monster was created, he had no idea of the harsh world into which he was being thrust. This lack of preparation and guidance turned him into a cold, unforgiving monster; he lost his innocence and became this horrible, dangerous monster. Frankenstein perfectly exemplifies humans’ lack of compassion and the long lasting effects it

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Society is well-known for pushing those who are outsiders or strange away from society. This is prevalent to the examples in Mary Shelley’s novel, Frankenstein. The monster who was created by Victor Frankenstein who wanted to be the first to create life was appalled by the sights of the his creation. Frankenstein’s monster is judged based on his appearances and is often ostracized by society, just as anyone in modern day society can be shunned or pushed away due to their looks or how they think. The most outstanding example of ostracism that occurred throughout the novel is based on the monster’s physical features and structure.

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Mary Shelley’s purpose in her novel, Frankenstein, was to create a tone of absolute horror she accomplishes this through the use of diction. Victor first describes the creature’s “features as beautiful” then changes his perspective to “demoniacal corpse” as the creature is brought to life. Although, the creature did have beauty such as hair being “lustrous…and flowing” with “teeth of a pearly whiteness” his less beautiful features stood out more to Victor leading to a higher degree of dread. He presents the creature as a horrific scene to gaze upon, using the words, “watery eyes,” “shriveled complexion,” and “straight black lips” it initiates a sense of pure horror. Upon seeing his creation come to life Victor immediately abandons it out of

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In the book “The Devil You Know”, British author Mike Carey famously writes, “We make our own monsters, then fear for what they show us about ourselves.” This notion suggests that monsters are not just fictional characters but can also represent the darker aspects of human nature. In literature, a monster is characterized as evil, frightening and grotesque in appearance or behaviour. A human could also be called a monster judging by their actions and what they have done. Mary Shelley’s novel Frankenstein refers to Victor's creation as “the monster”, however, the true monster is Dr. Victor Frankenstein who abandons his creation and demonstrates monstrous qualities himself.

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Mary Shelley’s Frankenstein presents important social criticism. Shelly focuses, in particular, on importance of forgiveness, betrayal, acceptance in society. Learning to forgive yourself and others is an important thing to know how to do or you’ll be holding on to useless hatred and pain all of your life; the same way the monster, Frankenstein, was doing. “Forgive me. Everywhere I go, they hate me”.

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Duality is shown in Mary Shelly’s Frankenstein, a gothic tale of a scientist whom looks to advance the life-giving qualities of mother nature. Through this novel, Shelley proves that good and evil in human nature is not always simple to define, and that everyone has both of these qualities within them. The duality of human nature is shown through the characters of Victor Frankenstein and his monster, who are both heroes in the novel while simultaneously displaying anti-hero qualities. Shelley forces the reader to sympathize with them both but also creates gruesome ideas of the two. Frankenstein’s creature places himself in a submissive position when he begs his creator to have mercy on him and asking the creator to “create a female for [him] with whom [he] can live in the interchange of those sympathies necessary for [his] being.”

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The monster’s soul, designed to be human-like, corrupts as his acts of kindness are treated with hate and malice. In Mary Shelley’s novel Frankenstein, the monster causes suffering and harm to others due to the injustice and harm inflicted upon the monster’s well intentioned actions. Since the monster’s creation, he isn’t guided through what is right or wrong, and his appearances prevent him from establishing rapport with other humans. When the monster tells Victor about his first feelings upon being created, he states “I saw, felt, heard, and smelt at the same time; and it was, indeed, a long time before I learned to distinguish between the operations of my various senses” (Shelley 70). The monster is similar to a child since

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Frankenstein by Mary Shelley is a gothic novel that tells the story of scientist, Victor Frankenstein, and his obsession with creating human life. This leads him to creating a gruesome monster made of body-parts stolen from grave yards, whom upon discovering his hideousness, the monster seeks revenge against his creator, causing Victor to regret the creation of his monster for the rest of his life. Shelley uses the literary elements of personification, imagery, and similes to give a vivid sense and visualization of Victor Frankenstein’s thoughts and feelings as well as to allow us to delve deeper into the monster’s actions and emotions. Throughout the novel, Shelley uses personification of various forces and objects to reflect the effect in Victor’s actions.

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The gothic fiction novel Frankenstein by Mary Shelley centralizes on humanity and the qualifications that make someone human. The content of the novel Frankenstein depicts a monster displaying human traits that his creator Victor does not possess: empathy, a need for companionship, and a will to learn and fit in. Throughout the novel Shelley emphasizes empathy as a critical humanistic trait. The monster displays his ability to empathize with people even though they are strangers. On the other hand Victor, fails to show empathy throughout the novel even when it relates to his own family and friends.

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