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House on mango street literary devices
Essays on the house on mango street
Essays on the house on mango street
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The two characters, Esperanza and Marin, from the book, “The House on Mango Street”, both want more in life, but must face many obstacles to get that. The main character, Esperanza, has moved from many different houses with her family for years. She is currently living in the house on Mango street. Even though Mango street is a much better house than the houses she has lived in the past she wants more.
Esperanza and her family live in the house on Mango Street. Esperanza said, "The house on Mango Street is ours, and we don’t have to pay rent to anybody." (3) This quote shows that Esperanza and her family are proud to own a house of their own, but the reality of her situation is that she is still very poor and the house is not expensive to own. Towards the end of the book, Esperanza says, "Not a flat. Not an apartment in back.
The selected symbol of trees and the quotes related to it are relevant in the entirety of The House on Mango Street since Esperanza repeatedly shows her respect and admiration of trees throughout the book. In “Meme Ortiz”, she mentions how in Meme’s backyard a towering tree is the most memorable sight there. She mentions how the tree has very big branches, the many squirrels living on it, and how it has bloomed even more than the trees in front of her house. Esperanza states how Meme’s tree most likely started as elms and have become this mighty tree, making Esperanza believe she will be like those elms and flourish in her own growth. Furthermore, in “Four Skinny Trees”, she describes four trees in front of her house that are out of place and how they seem they should not be there.
Esperanza and her family dream of owning a house for themselves, but the house on Mango street is far from their dream home. During her time on Mango Street,
In the the book The House on Mango Street Esperanza is shown to become a dynamic character throughout the story. This is shown by how she is at the beginning when she changes and why. In the beginning Esperanza cares about popularity her appearance and boys. This is all shown in the chapter “Chanclas”. Her mom buys her everything for the party she is going
The House on Mango Street by Sandra Cisneros is a story of a young Mexican girl growing up in the United States. Her name is Esperanza, and the novel takes the reader into her mind and heart as she reminisces about her childhood and what she hoped for in her future. Throughout the novel, Cisneros uses various symbols to highlight the inner conflicts within Esperanza. One of those symbols is shoes. Cisneros uses shoes symbolically throughout the novel to represent parts of Esperanza’s thoughts, emotions, and dreams as she undergoes a transformation from childhood innocence to the realities of adulthood.
In House On Mango Street, Esperanza is surrounded by many characters. Her family, her friends, and the other residents of Mango Street (and beyond). She learns a little bit about life from each of them and she matures quickly in this new neighborhood. The majority of lessons she learns aren’t from her mother or father, or really anybody in her family, she learns her most valuable lessons from people she meets in Mango Street.
Those Who Don’t “Those Who Don’t” is a short vignette in Sandra Cisneros's novella, The House on Mango Street, although short, it carries an important theme that allows a more thorough understanding of others - Don’t judge something or someone based on the current info, things can be surprisingly different than you imagined. Esperanza lives in a neighborhood where people see them as dangerous people because of the area. Cisnero develops this theme by using a family who, accidentally, stumbles into Esperanza’s neighborhood. She reinforces the theme by using descriptive words and Esperanza’s own perspective.
Esperanza the protagonist of the novel. In the neighborhood where she lives, many people that does not know the place are afraid to get there. The fact that they would think it is a neighborhood full of criminals. "They think we are dangerous. They think they will attack them with shiny knives.
Writing sets Esperanza apart from her neighborhood and those in it because she uses it to escape her current situation: a life she would have been trapped in had she not pursued her dreams. By pursuing her dreams and becoming a writer, Esperanza was able to leave Mango Street a place she desired to leave. Through writing, Esperanza has also come to better understand herself. She has to come to terms with the events that have occurred in her life while living on Mango Street, and is now able to reflect on them from a different prospect. Through writing, Esperanza has learned to become a part of the neighborhood she so strongly wanted to get away
The House on Mango Street is set in a poor, primarily Hispanic neighborhood. Author Sandra Cisneros creates an atypical, yet easily digestible world for the reader to experience while learning about Esperanza’s childhood. The culture of her environment influences Esperanza’s development as she becomes a young woman, and contributes to the book’s driving theme of self-empowerment. Mango Street is the source of Esperanza’s growth through her childhood, and it hides sadness and longing underneath stereotypes of Hispanic people. The characters that live in the broken-down neighborhood all seem to represent pigeonholed views of Latino individuals.
Esperanza wants to be strong no matter what circumstances fly her way. She wants to reach her goals and never forget to keep reaching. She wants to have purpose in her life and live outside of her comfort zone. This way of thinking is Esperanza’s story. Her story of how she fought the battles of life and how she kept trying despite the rough situations.
Esperanza’s interest is writing poem, appears in many of the chapters where it explains a way of bonding with her community by sharing poems with one another. Because Esperanza has become a writer her observations strengthen throughout the novel. One example of how she matures through writing is in the beginning of the book she told stories that were obviously meant for a younger audiences but through the middle of the book she started to use more observation based upon what she saw which helped develop the story more for the reader. This change shows that she is becoming an artist, and also that she is starting to distance herself from her community, since she focuses more on capturing experiences than living through them, she starts to further her self from interaction and focuses more on observation of the people around her. By the end of The House on Mango Street, she knows that she underwent a huge transformation and her relationship with mango st is starting to weaken.
As a child, Esperanza wants only escape from mango Street. Her dream of independents and "self-definition" also means leaving her family behind without any responsibilities to her family. Throughout the book, her has also faced some situation where is feels ashamed to be part of the Mango Street community and in some instances refuses to admit she has anything to do with mango street. At the beginning of the book near the earlier chapters, Esperanza feels very insecure about herself in general along with the house that she lives in. As mentioned before, she doesn’t want to discuss her name nor where she lives.
The reaction to this small house affects her to dream of living in a house of her own (Cisneros 4). Esperanza isn’t all that wealthy; this is evident when they can’t afford lunch meats so she makes a rice Maggard 3 sandwich (Cisneros 44). Overall Esperanza learns to cope with her living situation just talking to people and she also works really hard in school and at home and eventually moves away. These three characters have proved to all be very unique and different.
