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House On Mango Street House

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Recommended: Character development in house on mango street

1. I think they find it necessary to move so often because it has been a dream for the family of six to have a piece of property like the houses shown on TV. The story begins when the family buys a new house on Mango Street. This new house is the first the family has owned and does not fulfill their dream. The house is simply not big enough for the family. Everyone, including Esperanza has to share a room. The smallness of the house, tells us that the family is poor.
2. The family had dreamed of a white house with a big yard with trees around it, a basement with lots of space, and at least three bathrooms, but the house, however, does not have those significant advantages. The narrator, Esperanza describes her family's current housing situation as …show more content…

The tone throughout this story was disappointment and embarrassment. As the reader, I notice the narrator used the word "there" very frequently and added much emphasis on it. “There, I said pointing up to the third floor. You live there? There.” Esperanza narrates in the first-person present tense and her childlike qualities of innocence and confusion gives her audience, me, the reader, a glimpse of what every child does, dream. Esperanza is abstracted by a typical childish fairy tale dream.
5. Giving human characteristics to a nonhuman thing reflects a child's perspective and makes this personification significant. This personification of the house reveals how decisive or critical the concern of the roof over her head is to Esperanza.
6. The nun's immediate reaction disturbed her because in her mind poverty is an embarrassment. The house on mango street represents everything she does not have, which is privilege. She is angry that she must be identified by it.
7. The narrator, Esperanza is telling the reader, her childhood innocence has disappeared and she knows the hard times her family is going through. And she was constantly put in an environment where she was starting to not believe in her parents or in

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In The House on Mango Street, Sandra Cisneros uses imagery to convey themes. In the vignette “Sally” it talks about a new character Sally, especially her social life, in this quote it will provide an insight to sallys life, through imagery:"Sally is the girl with eyes like egypt and nylons the color of smoke"(81). In this quote, it talks about how sally looks, however through close reading we can infer that this conveys a theme of jealousy. By the way that Esperanza describes her, she may be embarrassed when they are compared. This theme of jealousy runs throughout the whole book, it gives us an idea of some of Esperanzas insecurities.

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Esperanza and her family are always moving because they do not have much money, but they finally moved into a house on Mango Street where they “Don’t have to pay rent to anybody, or share the yard with the people downstairs, or be careful not to make too much noise” (703). Although it sounded like a nice place, when a nun from her school saw where Esperanza lived, she said, “You live there?” (703). That made Esperanza feel like nothing and made her realize she needs a real house, one that is really nice. Esperanza wants to change her life and make the best of what she has.

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She knows she is lucky to have a less problematic family to support and her during good choices or bad decisions. Esperanza talks about the relationships of each family on Mango Street until she leaves and finds a better place. The other families on Mango Street also have it hard, but they don’t have the bond of the Esperanza’s

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The House on Mango Street is set in a poor, primarily Hispanic neighborhood. Author Sandra Cisneros creates an atypical, yet easily digestible world for the reader to experience while learning about Esperanza’s childhood. The culture of her environment influences Esperanza’s development as she becomes a young woman, and contributes to the book’s driving theme of self-empowerment. Mango Street is the source of Esperanza’s growth through her childhood, and it hides sadness and longing underneath stereotypes of Hispanic people. The characters that live in the broken-down neighborhood all seem to represent pigeonholed views of Latino individuals.

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Near the end, Esperanza had finished her journey and is now about to move away from Mango street and is reflecting on the type of home she wants for herself. This is where her last opinion of home shows through. The following quote states: “Not an apartment in the back. Not a man’s house. Not a daddy’s.

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The need for a suitable role model as a child developed is key to helping them find themselves. Ideas revolving around this statement are explored in Sandra Cisneros's novella, The House on Mango Street. Cisneros writes through thirteen-year-old Esperanza, as she describes herself trying to discover who she truly is and what she wants to be like in different females. The novella tells about these experiences, and the poverty filled world around Esperanza. Esperanza views female role models in her life with question and curiosity.

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