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Character analysis of the picture of dorian gray
Analysis ending the picture of dorian gray
Analysis ending the picture of dorian gray
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Chunk # 1 Chapters: 1 - 2 Set in Basil’s Home, Dorian and Henry first meet - Basil paints a portrait of Dorian and shows it to Henry - When Dorian arrives, the two meet (Henry and Dorian), and Henry speaks of his ideology - Fascinated, Dorian decides to go to the theatre with him, despite Basil’s objections – Basil objects, knowing that Dorian is quite naïve, and could easily be influenced by Henry’s cynicism Chunk # 2 Chapters: 3 - 4 Dorian and Henry’s relationship tightens, and Dorian falls in love - Henry visits his uncle to learn of Dorian’s past (Dead mother, father, raised by tyrant, the whole nine) - Goes, along with Dorian, to his aunt’s home at a small gathering, and he rants on about the hedonistic lifestyle - Dorian, being charmed by Henry’s ideals and way of
After explaining to Dorian how important these feelings are, Lord Henry uses his ability to exploit others' emotions and makes Dorian agree with this philosophy, as Dorian had something that he never had, youth. After Lord Henry’s initial influence, this began to grow on Dorian. The feeling of having so much beauty in his life satisfied his pleasure. Opening an opportunity for Dorian to fulfill his satisfaction of pleasure through all the materialistic and events within his control. Wilde writes, “Between two of the windows stood a large Florentine cabinet, made out of ebony and inlaid with ivory and blue lapis.”
Throughout The Picture of Dorian Gray, Oscar Wilde illustrates the dichotomy of Dorian Gray revealing the corruption of his soul and the reflection of that corruption in the appearance of his portrait. At the beginning of the novel, Dorian is the epitome of youth and beauty: his appearance and innocence enable him to be well-liked among everyone. However, Dorian begins his descent into evil and sin when he pledges his soul to remain youthful while his portrait ages. To illustrate, Wilde repeatedly draws a parallel between Dorian’s corruption and the physical appearance of the portrait. Furthermore, Dorian’s murder of Basil reveals the extent of the irreversible corruption of his soul.
Dorian Gray abandons parts of himself to please the devil figure, Lord Henry, and for his own greed for beauty and youth. In a discussion with Lord Henry about marriage, Dorian reaffirms Lord Henry’s belief and “[puts] it into practice” (34). Lord Henry has such an influence on Dorian Gray that Dorian states “I do everything you say” (34). There are several personality traits of a devil archetype: clever, charming, the ability to lie and manipulate, heartless, and mercifulness (Archetypes). Certainly Dorian Gray has his own morals, however, whenever Lord Henry is around he seems to surrenders his own to learn the corrupted perspective.
Dorian Gray falls into the temptation of Henry to blindly pursue the pleasures of human
They also talk about Dorian's total perfection (besides of being an innocent and a good man, he's the most perfect model they have ever seen). Lord Henry wants to meet this model, but Basil disagrees, he does not want Dorian to be influenced by the hedonistic ideology of Lord Henry. But, unfortunately, young Dorian meets him at that same afternoon, he is swayed by this philosophy and begins to live the life of a libertine in the constant search for pleasure. The conflicts are the most internal than external, because the main character is betraying himself. The setting is in London in the 1800s, better known as the Victorian
Right at the start of the story Basil Hallward, who is somewhat obsessive over the young and beautiful Dorian Gray, decides to paint a portrait in his praise. Unbeknownst to Basil, Dorian had been speaking to Lord
Dorian definitely now enters the other world while also creating the “spark of a transformation”, all from the influence of Lord Henry. Dorian’s attitude and
Dorian is responsible for ruining the lives of others around hime, however it is at the fault of Lord Henry, who was the one ruin Dorians life in the first place. Manipulation is a key theme in this story. Though the influence of Lord Henry, Dorian then becomes a manipulator. Dorian manipulates his close friend Alan Campbell and blackmails him into covering
With this book, Dorian comes “to his senses” about the
These three main characters had different personality that made the story more interesting. Dorian Gray was full of himself wishing to remain in youth, in return, he was willing to sacrifice his own soul and unfortunately his wish came true. Thus, this makes Dorian Gray commit all the sins he wants and only the portrait got affected as he become immortal and not aging, not a single wrinkle in his face. Second character is Lord Henry which was Basil’s friend when Dorian Gray first met him. Lord Henry enthralled Dorian Gray with his world view, which was an extreme hedonism form as he assumed that the only worthwhile life of a person spent was by pursuing beauty and satisfaction for the senses.
At the end of the book, he has lost all of his innocence and gained cruelty. Bad company and objects are what causes Dorian Gray 's corruption. Basil Hallward is a painter who wants to paint Dorian 's picture. He is a quiet and unchangeable man. When he first meets Dorian, they talk about how it was destiny for them to meet.
Dorian Gray is a handsome, narcissistic young man enthralled by Lord Henry 's new enjoyment. He satisfies in every pleasure of moral and immoral life ultimately heads to death. Henry tells
As soon as Dorian enters in Chapter 2 of The Picture of Dorian Gray, Oscar Wildes’ one and only novel, its is evident that there will be a battle between who will have the most influence on his pure, untouched soul. Basil Hallward, a painter and worshipper of art is an optimist and sees only the good in even the wickedest of people, such as Lord Henry. Lord Henry is a charming, self-indulgent aristocrat that shapes and molds Dorian to lead a life devoted to pleasure. Both Basil and Lord Henry represent two important opposing forces in the novel, good and evil. The greatest struggle in The Picture of Dorian Gray is inside Dorian; he himself embodies both pure good and pure evil.
Lord Henry’s painting showed Dorian the reality of life and all the sins he had committed. With the picture, Dorian destroyed it plus his own life because he could not bear the fact that his beauty was going to fade. In addition, Henry influences Dorian by manipulating him because; he carries on with his idea of remaining youthful. This is evident when he says, "To get back to my youth, I would do anything in the world, except take exercise, get up early, or be respectable" (Liebman 300). Lord Henry had everything to do with Dorian’s obsession of wanting to remain young especially with the picture and his philosophy.
