The Facade of Gatsby’s Parties The figurative language and syntax on page 41 conveys the fallacy of the people at Gatsby's parties. Page 41 begins to describe one of Gatsby’s parties using many forms of figurative language. People arrive with their “hair shorn in strange new ways, and shawls beyond the dreams of Castile,” decked out in their fancy clothes, desperate to be the center of attention.
In William Shakespeare’s “Othello”, Othello is a Venetian General who sails to Cyprus to fight the Turkish fleet. Before Othello goes to Cyprus, he secretly marries Desdemona, a young and beautiful Venetian girl by telling his war stories. Due to fate and Shakespeare’s use of assonance, it results in all the characters traveling to Cyprus. Othello and Desdemona leave Venice with the excitement of being a newlywed couple and plan to have their honeymoon in Cyprus. Othello’s love for Desdemona fails as his hamartia of jealousy and skepticalness causes his trust for Desdemona to break, as she is an inexperienced and young youth.
Then once Montano comes to intervene the fight Cassio turns to fight Montano. This ruckus awakes Othello and Othello requires Iago to tell the story. Iago says it's basically all Cassio’s fault, so Othello takes Cassio’s position as lieutenant. Later on, Cassio pleads to Desdemona to tell Othello to give him his job back. The pleads Desdemona gives to Othello makes Othello think Cassio and Desdemona are having an affair.
In Othello, Cassio, Iago, Desdemona, Roderigo, Emilia, and Othello have just arrived in Cyprus, and they find out the Turkish fleet has
On the other hand (and what I prefer to view it as), the Turkish fleets could represent Othello himself and the violence he enacts in the final act. After Othello learns the truth of Desdemona and Cassio’s relationship, which is that there never existed such a relationship, his jealousy is replaced with extreme sorrow and ultimately causes him to commit suicide. The water engulfing the boats and overall destroying them is equivalent to the truth leading to Othello’s
In the last scene of Act I, we learned that Othello, Desdemona, Iago, and Roderigo were all travelling to Cyprus. William Shakespeare opened this scene near the docks of the harbor of Cyprus as they meet Montano and two other gentlemen who are waiting for the arrival of the Venetian fleet and starts chatting about the terrible storm out at sea. As with all of Shakespeare's atmospheric effects, the storm is a symbol of unrest and the discord to come. The storm represents the end of the peaceful part of the play, a signal that Iago's mischief is about to begin. The storm is also a great example of Shakespeare's depth use of language.
Othello’s Demise Othello, the lead character in William Shakespeare’s play Othello, is done in by the same character attributes, which propelled him to become a great military leader. He has accomplished great victories in battle to the likes, of no others. He is held in high regard throughout the nations as one of the greatest military leaders and is called upon to fight in the most challenging battles successfully. There is no deterrence, by Othello even though his is not of the same race or from the same country, whom he defends.
Through The Tempest, the author tells the story of Prospero’s revenge on the men who took his dukedom away and left him and his daughter to die. Throughout the book Prospero tortures and manipulates them until he has complete control over them. In Act 5, Prospero’s chooses to forgive them and in the meantime abandons his art which can be a sign of change in character. However, through triumph, not change, the author uses Prospero’s choices to reveal that his desires are for power and superiority.
Othello starts to believe Iago’s lies about his friends and wife, leading Othello to change his behavior towards his closest allies. Iago instigates a fight between Cassio and Montano, and Othello must take charge of his soldiers, he says: Thy honesty and love doth mince this matter, Making it light to Cassio. Cassio, I love thee But never more be officer of mine. (2.3.210-213) Othello makes the decision to fire Cassio, and things get worse when Iago makes his wife, Emilia, steal Desdemona 's handkerchief.
The job is complete in terms of getting Cassio relieved, but he continues to strategize. “For whiles this honest fool/ Plies Desdemona to repair his fortune, / And she for him pleads strongly to the Moor, / I’ll pour this pestilence in his ear” (2.3.341-4). Iago has set the trap for Cassio to ask Desdemona to possibly try to change Othello’s mind which will lead to Othello believing that they are having an affair. From this point on, the ultimate plan has begun and the pace speeds up.
As a scheming villain, Iago begins to ensnare Othello into his trap of vengeance by echoing in Othello’s mind prospect of an affair between Cassio and Desdemona. Iago begins his insinuations by reminding Othello that Cassio served as their go-between during their courtship through a rhetorical
Desdemona, daughter to senator Brabantio has spurned the advances of eligible young Venetian men, but is captivated by Othello chiefly because of his harsh experiences. We first come
Iago uses Roderigo to inform Brabantio about the relationship his precious daughter Desdemona has with a moor Othello. Iago’s initial intention is the downfall of Othello and get the position, as a lieutenant, he wants. Throughout the play, Iago continuously manipulates Othello by showing him false proofs and telling him rumors about Desdemona and Cassio. “I know not that, but such a handkerchief - I am sure it was your wife’s -
The Tempest can be seen as a play about reconciliation, forgiveness, and mercy. However, while it is clear that the theme of forgiveness is at the heart of the drama, it is unclear to what extent mercy is given. An examination of Caliban and Ariel and their representations of Prospero’s struggle illustrates that there is little, if any, true forgiveness and reconciliation in The Tempest. Prospero’s actions from the beginning of the play seem to contradict his ultimate aim to forgive those of have wronged him. Prospero seizes the opportunity for revenge with the help of his magic and good fortune.
He gets so angry that he smothers Desdemona, he soon realizes that this was a mistake. This is a very weak point for Othello, because he has let the world get between he and his love. He was not strong enough to carry the both of them
