An argument that suggests he had established his royal authority was the marriage of convenience between him and Elizabeth of York. The Yorkists were the main opposition to the throne and many of the Yorkists’
This allows Richard to effectively manipulate those who feel remorse for him, exposing the stark contrast between his outward appearance and his inward realities. This is evident through the persistent use of aphorism, that Shakespeare highlights Richard’s inward nature, as “conscience is but a word that cowards use”. His dismissive attitude towards conscience and morality reflects Richard’s distorted views of ethics as a tool for the weak. Richards's manipulations are deeply resonant with the Elizabethan audience, due to their perpetual fear of treachery and potential threats to Queen Elizabeth III’s rule. Richard’s motives are further uncovered as he flatters Anne, "Was ever a woman in this humour woo'd?
In the ever changing world of literature, one play stands the test and that is William Shakespeare's Hamlet. This dramatic, thrilling, tragic play tells the story of a “young prince of Denmark, Hamlet, who is seeking vengeance for his father’s murder.” () The storyline itself is able to grasp the reader, and take them alongside Hamlet as he slowly takes down his enemies and uncovers the secrets, betrayal, and scheming nature of his family. Aside from the storyline, what makes this play great is the monologues, as well as dialogues between characters. Shakespeare incorporates an array of vivid imagery, metaphors, and exquisite vocabulary to make known the passion and heart behind every single character.
These quotes suggest that Tyrell in the play may not align with the historical reality, and Tyrell is truly a mini-monster who is crafted to show the villainy of Richard III. In summary, the analysis of Sir James Tyrell’s character in Shakespeare’s Richard III provides a distinct perspective for understanding the societal norms and political dynamics of the time period. The play, although reflective of the past, still captivates contemporary viewers, prompting us to contemplate the timeless topics of power, ambition, and moral ambiguity. Tyrell’s ability to survive and thrive under a new government contradicts the expectation, showcasing the possibilities of historical individuals being used as “tools” to achieve a goal, in this case, to vilify Richard III and justify the ruler in power. The contrast between how the play depicts events and what actually happened highlights how dominant power dynamics shape storytelling, leading us to reassess and scrutinize our historical knowledge.
William Shakespeare depicts Richard as a deformed and malevolent individual who takes out his bitterness over his own twisted body on the world, serving only his own
Hamlet's insane behavior is a significant part of the story because it is supposedly part of his revenge plan, but also because of the additional problems, it creates. Some have argued that his madness was indeed an act, but rather real madness that he was trying to cover up by telling people
Finally, the noble man deserving of the crown is King of England. A process long overdue was finally accomplished in the coronation of Richard III. The will of England’s elites and noblemen were portrayed in an interview with none other then Henry Stafford, Duke of Buckingham as a reluctant Richard who, “Albeit against [his] conscience and [his] soul,”(3.7.225) accepted the throne. Richard accepted the kingship after being begged and persuaded by people such as our own Sir William Catesby (See, Ask Catesby), Lord Buckingham, himself, Lord Mayor, and several other citizens. According to Buckingham, Richard was interrupted during praying whole heartedly to god to be presented with the idea of becoming King.
Shakespeare was well known to create personality within all of his characters. Also, he developed the plays in a more interesting way giving insight into a royals mind. Royals such as those in Richard II were ones that were depicted as naïve. The play’s plot focuses on Richard II banishing his cousin Henry in order to rid of a threat to his crown. However, after Richard wrongfully claims Henrys belongings as his own, he creates a revolt that results in the fall of Richard.
An overwhelming amount of evidence shows that Hamlet faked his insanity to confuse the king and his accomplices. Often revered for their emotional complexities, William Shakespeare’s tragic characters display various signs of mental illness. Sylvia Morris notes “Hamlet contains Shakespeare’s most fully-developed study of mental illness, and has always intrigued commentators on the play.” (“Shakespeare’s Minds Diseased: Mental Illness and its Treatment”). When looking at the play, one can infer that Shakespeare makes the relationship between sanity and insanity undistinguishable from one another.
Therefore, maybe Gloucester would have applied his bright mind to improve the life of civilians. However, Shakespeare never shows us Richard III out of a stressful situation. We always see him under the pressure of either emotions or hard situations, which makes it hard to make judgments about the true personality of Richard. After making the first step, evilness has started growing like a snowball in Gloucester, until it reached the bottom of the mountain, killing everything on its way. The moral story of the play is that the seed of evil might grow very fast, and cause a great damage to people who have irrigated it.
In William Shakespeare’s play, Hamlet, Hamlet assumes the disguise of a man that has lost his mind. Hamlet uses this madness to masquerade around in such a way as to not draw attention to his true plan, to avenge his murdered father. Many readers debate as to whether Hamlet is truly mad, or whether he is fully aware of his actions and what he is doing. However, both sides of the debate can agree that Hamlet’s apparent madness is a key element of the play, Hamlet. There are many reasons as to why readers debate Hamlet’s madness.
The personality of such characters as Hamlet from William Shakespeare’s play Hamlet is much remarked upon. However, it is even more meaningful to analyze changes in Hamlet’s character throughout the play. As Hamlet becomes more driven in his revenge, his actions lose morality and gain consequences. In fact, Shakespeare uses the relationship between a character’s cruelty and the meaning in the pain they cause to comment on the cyclically destructive nature of cruelty.
In the final scene of Hamlet, Hamlet says “Being thus be-netted round with villainies, -- Ere I could make a prologue to my brains, they had begun the play” (Shakespeare 131). Hamlet ironically thinks to himself as a character in a play because he is so melodramatically self-conscious. By adding this sense of paradoxical exposure, Shakespeare shows his effort to foreground the fact that the audience is watching a play within the play. Since Hamlet is such a rich character, Shakespeare’s work shows how he has something within him goes beyond what a play is capable of representing.
The Garden View within The Tragedy of Richard II Written by William Shakespeare Throughout this play, King Richard II is known to have a delicate and impractical behavior that will eventually lead to his downfall within his kingship role (Bevington, D., 2014). In Act I, we find that the King is mediating the trial between his cousin Henry Bolingbroke and Thomas Mowbray for theft and murder. Although it was King Richard II that gave the order for the assassination of his uncle Duke of Gloucester, the man that Bolingbroke and Mowbray were accusing each other of committing. John of Gaunt, the father of Henry Bolingbroke, felt that his son had received punishment for a crime that he did not commit.
Over the course of Hamlet, many of the main characters engage in role play as a mechanism to achieve their own interests. Prince Hamlet is one of these characters, and his act proves to be one of the most important aspects of the play. Throughout the play, role-play (especially Hamlet’s) significantly affects the plot, and ultimately strains the relationships between several characters. Hamlet is among one of the most important characters to engage in role play. In act one, scene 5, shortly after being told that Claudius killed his father, Hamlet tells Horatio and Marcellus that he plans to feign madness, and he says, “As I, perchance, hereafter shall think meet to put an antic disposition
