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How Did Richard Rogers Influence Musical Theatre

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Richard Rogers had composed over 900 songs and 43 Broadway musical. He also produced and directed music for television and films too. He was born in New York City on June 28, 1902. Richard had help with music, broadways, and films too. His production was in 1920 called “ Poor Little Ritz Girl”. Straight out of college he work for a director name Lew Fields. Lew Fields was an American actor, comedian, vaudeville star, theatre manger, and producer. He also best know for working with Lorenz Hart, excluding Oscar Hammerstein ll. Rogers and Hart worked together and composed 28 stage musicals and more than 5000 songs until Hart death. Rogers was the first person ever to win a award in the following: top show business award in television, recording, …show more content…

Both created a string of popular Broadway musicals in the 1940s and 1950s, initiating what to be considered the “golden age” of musical theatre. Rodgers was composing the music and Hammerstein was writing the lyrics, five of their Broadway shows, “ Oklahoma!, Carousel, South Pacific, The King and I, and The Sound of Music, were outstanding successes, as was the television broadcast of Cinderella. “ The King and I” opened on Broadway on March 29, 1951. The idea of the Broadway came from a film in 1956 with Brynner re-creating his role opposite Deborah Kerr. “ The Sound of Music” were Rodgers and Hammerstein las work together, the play told the story of the von Trapp family. It first premier of November 16, 1959, garnering much praise and numerous awards. People did the “ The Sound of Music” a different and revised way. “ The Sound of Music” won five Oscars, including Best Picture and Best Director. “ The Sound of Music” was some of Rodgers and Hammerstein best work ever created. Oscar Hammerstein died before the film was made. Rodgers had to created two new songs for the film. “ The sound of Music” contains more hit songs than any other Rodgers and Hammerstein musical, partly because the film version was the most financially successful film adaption of a Broadway musical ever made. “ Edelweiss” as the last song that Rodgers and Hammerstein wrote together.

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However, his legacy would live on forever as they dimmed the lights on Broadway that is arguably the highest honor in all of musical theater. If it weren’t for Rodgers and Hammerstein, musicals may have always been something that just focused on the songs, which are important, but they helped to change it so that the story being told was just as important as the songs. The songs are just one of the reasons that these men will be remembered as two of the most influential men in musical theater to have ever lived. Rodgers and Hammerstein are still a significant force in musical theater because even many years after their death they continue to make hundreds of millions of dollars from their

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A lot of developments were being made in the 1942-1945 time period. The US started to really get involved with World War ll, and race wars were breaking out in a number of major cities. Even with all of this madness going on Richard Rodgers & Oscar Hammerstein ll were able to create two beautiful shows, Oklahoma! and Carousel. These two amazing pieces of theatre have some dynamic characters that shed light on the rural American economic, social, and sexual complexities of that time.

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Shel Silverstein was born September 25,1930 in Chicago,IL. He had many different professions. His professions were poet, author, songwriter, illustrator. He wrote many books and novels. Also, he was awarded for writing his books.

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In a huge big world many people are born and be a regular person but some people stand out from the others, the odd one out, and be known for many decades. Fred Rogers. Born in Pennsylvania on March 20, 1928, Rogers grew up during the stock market crash/Great Depression. He would live through WWII and many other wars as well. Even during these times he would still become one of the most well known people in his time.

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The dialogue and lyrics are straightforward and full of ironic elements, which bring a lot of fun to enjoy. The transition from lines into a song is pretty smooth. For example, when Shrek is “hurt” by what Fiona says and his anger reaches a climax, he naturally starts to sing to express his emotion. In addition, the music, which embraces several styles such as pop, rock and jazz, also add dynamics into the show. So in sum, the writing of the show is appealing.

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The Wizard of Oz and Wicked are both very successful and well-known broadway musicals. Both of these musicals are based off of the same story, but each give a slightly different meaning to it. While they are both based on a similar tale, these two broadway musicals have many characteristics that are similar and differ from each other. This paper will compare and contrast the characters, theme, and plot.

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Andrew Lloyd Webber has become a household name throughout the entire world. Not only do people flock to see his shows, but the pure fact that people outside of the theatre world know the composer of certain musicals is an accomplishment in itself. He has changed the musical theatre world. Some call him a “Broadway master” because his musical Phantom of the Opera surpassed his own record for the musical Cats to now hold the record for the longest running musical on Broadway as well as London’s West End ( Snelson 1).

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Into the Woods is a broadway musical that was first performed on December 4, 1986 with music and lyrics written by Stephen Sondheim. I 've performed in dozens of musicals, but this one is by far my favorite. The story line intertwines fairytales, and shows how they helped and fought each other in gruesome conditions. The main family in this show is the baker and his wife who must locate items from different fairytales in order to lift a curse placed on them by a witch. The curse has prevented the family from bearing any children, but they prevail in their quest and the baker 's wife has her baby in the second act. "

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He works with Disney Legends Ward Kimball and Milt Kahl for Disney in 1934. They worked together on a classic Disney shorts which include The Band Concert, Music Land and Elmer Elephant and Reitherman worked on various Disney

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The Secret Life of the American Musical is a wonderful book by Jack Viertel that lays out a fantastic road map of what can really help to make a musical great. I haven't read it personally, but Ive been lucky enough to have a fantastic educator give me the memorable bullet points. The gist I've gathered is that the songs in most good pieces of modern American musical theatre tend of adhere to a structured order of mood and intention. Each of these of categories of song are given elegant titles and descriptions. The goal of this paper is to argue that Disney's stage musical version of Beauty and the Beast fulfills the majority of the necessary song categories in order to qualify as what Viertel would consider a good musical.

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Musical scoring is an essential element to the enhancement and heightened stake when it comes to emotion in film and on stage. The use of song helps the story travel along but also keeps audiences intrigued. Specifically looking at the work of composers: Stephen Schwartz and Alan Menken, we can discuss what similarities they both have within their music and what differences both composers present. Alan Menken and Stephen Schwartz are two of the most famous composers of musical theatre in the world today. They are famous for writing some of the biggest hits on Broadway and have been responsible for some of the most popular musicals in history.

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Two songs that I would argue stood out to me the most within the musical A Chorus Line were “I Can Do That” and “Dance Ten, Looks Three”. “I Can Do That” to me describes how anyone that is in the industry of theatre essentially got their start. Without trying to generalize, it often seems that there was a pivotal moment that showed to a person or a character

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Stephen Sondheim V.S. Sir Andrew Lloyd Webber is an interesting debate. According to Geoffrey Block, the author of Enchanted Evenings: The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber, Sondheim was a “Critical Success” while Lloyd Webber was “Broadway’s Champion.” Block’s reasoning behind this has to do with popularity versus critical acclaim. Considering the category of popularity, Andrew Lloyd Webber is certainly the winner in that category. While Sondheim’s show's longest Broadway run (A Funny Thing Happened on the Way to the Forum) was 964 performances, Webber’s show, The Phantom of the Opera, closed after 13,981 performances and ran for over thirty years.

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Shakespeare was a famous author and poet that wrote extremely well-known texts, such as “Romeo and Juliet” and “Hamlet.” Shakespeare lived during the Renaissance when art and science advanced and he was one of the major contributors to this historical period. “Shakespeare Influences the way we speak now” by Hephzibah Anderson, “William Shakespeare’s Impact on Theatre” by Octane, and “How Outrage Built Over a Shakespearean Depiction of Trump” by Sara Krulwich suggest that Shakespeare had a great influence on many aspects of society, such as the phrases we use, style of theater, and is a figure of inspiration to many people. Shakespeare has contributed to many well-known phrases that are still used to this day, showing his significance in history.

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In The Sound of Music, Rodgers and Hammerstein created fourteen pieces tailored to the various scenes: The Hills Are Alive - The Sound of Music, Overture, Morning Hymn, Maria, I Have Confidence, Sixteen Going on Seventeen, My Favorite Things, The Lonely Goatherd, Do-Re-Mi, Something Good, Processional, Edelweiss, So Long Farwell, and Climb Every Mountain. While I won’t deal with each of these individually, as it could take years to properly analyze each piece of music in the movie, my point of focus will be directed towards the opening piece, “The Hills Are Alive – The Sound of Music”. The movie’s opening visual, which happens to be one of the most iconic scenes, sets a positive and carefree mood showing Maria Von Trapp (Julie Andrews) innocently dancing on top of a majestic mountaintop with breathtaking views behind her, and the sun glowing on her face. The song, which happens to be named after the film, compliments this image well, as it too, sounds innocent, positive and playful. The piece has a high pitch and a strong melody, setting an upbeat and positive mood, creating excitement and intrigue to continue watching.

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