Poets and other writers often express life through their works and characters. Some poems convey a depressing, gloomy attitude towards life, while others show the world as a joyful and simple place. Two skilled creative writers, Edgar Lee Masters and Edwin Arlington Robinson, wrote detailed poems describing the lives of characters with extremely different perspectives on life. Many obvious differences can be identified between the lives of Robinson’s Miniver Cheevy and Masters’s Lucinda Matlock. Edwin Arlington Robinson’s poem about Miniver Cheevy paints life as miserable and useless.
This proves that Jack is confident about poetry because he is being inspired by other poetics and he is now starting to write his own poems. Throughout the book, Jack’s thoughts about poetry have grow from timid, then he changed to reluctant and enthusiastic, and now he is confident about poetry because he is now starting to enjoy poetry more and write his own
Hence, I agree with some reservation that the poems display the truth behind the idea of ‘perfection’ that is adopted by society, by proving the flimsiness of its pretenses. Society’s perception of privileges as something attainable for anyone is seen to undermine those who are less fortunate and unable to live as luxuriously as others. This ideal status of being wealthy is propagated throughout society, with the use of advertisements like those seen in ‘Essential Beauty’ and ‘Sunny Prestatyn’. The former poem uses various juxtapositions to display the stark contrast between the ideality of life as opposed to the reality of it by stating that
I. Introductory Paragraph and Thesis Statement Phillis Wheatley has changed the world of the literature and poetry for the better with her groundbreaking advancements for women and African Americans alike, despite the many challenges she faced. By being a voice for those who can not speak for themselves, Phillis Wheatley has given life to a new era of literature for all to create and enjoy. Without Wheatley’s ingenious writing based off of her grueling and sorrowful life, many poets and writers of today’s culture may not exist. Despite all of the odds stacked against her, Phillis Wheatley prevailed and made a difference in the world that would shape the world of writing and poetry for the better. II.
Readers pity the author John Keats because he knows he is going to die, and because he doesn’t have time to complete his life’s work. What makes Keats’ poem so gloomy is that he understands death and how his disease will run its course, but he wants to do so much more, like in the lines “and think that I may never live to trace their shadows, with the magic hand of chance.” “The Death of the Ball Turret Gunner” evokes pity because it tells the real story of how catastrophic war can be on the human psyche, because war makes you realize how near death could
Society, for centuries, has revered poetry for its beauty, philosophy, and unique capability to reveal truth to the individual. One of the most prominent time periods that display society’s acclaim for poetry was within the Romantic period. Romanticism, according to the New World Encyclopedia, was “an artistic and intellectual movement that ran from the late eighteenth century through the nineteenth century. It stressed strong emotion as a source of aesthetic experience” (New World Encyclopedia, 2015). Romanticism glorified art, poetry, music, and nature.
In his essay “Here,” Philip Larkin uses many literary devices to convey the speaker’s attitude toward the places he describes. Larkin utilizes imagery and strong diction to depict these feelings of both a large city and the isolated beach surrounding it. In the beginning of the passage, the speaker describes a large town that he passes through while on a train. The people in the town intrigue him, but he is not impressed by the inner-city life.
“The Grauballe Man” is an allegorical poem that conveys the political crisis and regional warfare happened in Northern Ireland. During this time period known as “The Troubles”, violent and animosity erupted and spilled over like an active volcano. Noticing the brutality and adversary, Seamus Heaney figuratively utilises the context of The Troubles and elicits his message towards the act of brutality. The context of the atrocious event inspired the poet to voice his opinions and utilise poetry skills to convey his message. The poet employs multiple literary devices as well as alludes to certain historical events in order to emphasise his understanding and his vision towards the society.
Herman Melville’s background had a great impact in writing Moby Dick, specifically using events that happened in that period of time. Melville was born in New York City in 1819. Initially, his family was wealthy for some time until one year after Melville was born, they had to move to Albany trying to regain their fortune. Consequently, of so much work, his father, Allan Melville dies. When this occurs Melville needed to do a lot of changes in his life.
Human oppression can be defined as the feeling of being heavily burdened, mentally or physically by troubles and adverse conditions ("Dictionary.com"). There are many forms of human oppression and we will take a closer look at all of those. We will also, take a closer look at some real life examples. Furthermore, sexism can be defined as unfair treatment of people based on their sex ("Merriam-Webster.com").
The poem Two Lorries was written by Seamus Heaney an Irish poet born in Northern Ireland, precisely in County Derry, on April 13, 1939. He was one of the most remarkable authors of that time, which dealt with topics of violence and social issues as well as nature and Ireland history, which demonstrates the variety of his work. Heaney was awarded with a Nobel Prize in the field of literature, by 1995 since his work was of lyrical beauty and ethical depth, which exalt everyday miracles and the living past. Seamus marked study on the role of sorrow in Ireland’s political atmosphere during the Troubles; a meditation on the personal effect of the Troubles on the citizen population, and should be read as the physical death of human life, the death of Ireland’s pastoral innocence, and the death of childhood to the abrupt nature of violence. By the time he was 74 he died on the 30 of August in Dublin.
Besides the author and the reader, there is the ‘I’ of the lyrical hero or of the fictitious storyteller and the ‘you’ or ‘thou’ of the alleged addressee of dramatic monologues, supplications and epistles. Empson said that: „The machinations of ambiguity are among the very roots of poetry”(Surdulescu, Stefanescu, 30). The ambiguous intellectual attitude deconstructs both the heroic commitement to a cause in tragedy and the didactic confinement to a class in comedy; its unstable allegiance permits Keats’s exemplary poet (the „camelion poet”, more of an ideal projection than a description of Keats actual practice) to derive equal delight conceiving a lago or an Imogen. This perplexing situation is achieved through a histrionic strategy of „showing how”, rather than „telling about it” (Stefanescu, 173 ).
Modernist poetry refers to poetry written, mainly in Europe and North America, between 1890 and 1950 in the tradition of modernist literature. It is characterized by a self-conscious break with traditional styles of poetry and verse. Modernists experimented with literary expression and form, stick to Ezra Pound 's maxim to “Make it new”. This paper examines different methods that Ezra Pound used to break the boundaries of traditional poetry and the techniques he used to pave the way for later poets. To
Writers reacted to this question by turning toward Modernist emotion. Modernist fiction spoke of the inner self and consciousness. Instead of progress, the Modernist writer saw a decline of civilization. Instead of new technology, the Modernist writer saw cold machinery and increased capitalism, which alienated the individual and led to loneliness. In fact, Modernism evolved as an artistic reaction to dramatic changes in politics, culture, society, and technology.
Modern poetry is in open form and free verse. It is pessimistic in tone, portraying loss in faith and psychological struggle which is quite different from the fixed forms and meters of traditional poetry. Secondly, modern poetry is fragmented in nature, containing juxtaposition, inter-textuality and allusion. It has no proper beginning, middle or end. Thirdly, modern poetry is predominantly intellectual in its appeal, rather than emotive.
