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How Does Batman Use Cinematic Techniques In The Dark Knight

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In the 2008 superhero film co-written, directed, and produced by Christopher Nolan, The Dark Knight, brought an action-packed, inspirational, and comic-inspired movie to the theaters around the world. Alternatively, as many would say the bundle of joy Warner Bros. brought to the big screens. The movie features major actors such as Christian Bale, Heath Ledger, Gary Oldman, Morgan Freeman, and more.

The story’s plot begins with Batman gambling with his war against crime by eradicating the mob that wreaks havoc on the streets of Gotham City. The police lieutenant James Gordon and the newly elected district attorney Harvey Dent assist Batman in his war. However, the situation becomes unstable when the mob lures Batman into a battle with a criminal psychopath dressed as a clown known as "The Joker.” The Joker turns Gotham into his own little playground of chaos and forces Batman to cross the fine line between being a hero and a vigilante. …show more content…

Christopher Nolan uses cinematic techniques in The Dark Knight to get his message across to the audience. He does this by using the technology of IMAX. During the filming of the movie, he had to adjust the IMAX's camera magnified scope. With a 35mm IMAX camera focus, the audience would not see much of the ceiling and floor in the film. In addition, they would rarely see both at the same time. However, with a 70mm IMAX camera focus, the detail is immense. For example in the movie, they showed the scene of Harvey Dent’s partially burnt off face and the level of detail was incredible from fabrics of his suit to the flesh of his skin on one side of his

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Throughout the novel, he puts himself in danger to protect innocent people and stop the Nightwalker's plans. He willingly endures physical and emotional pain, understanding that his own well-being is secondary to the greater good. This selflessness is a defining characteristic of a hero, and it reinforces Batman's sense of purpose as a protector of Gotham's citizens. Another hero archetype seen in Batman: Nightwalker is the "mentor." In the novel, we see a young Bruce Wayne seeking guidance from his trusted butler, Alfred, as well as the city's chief of police, Captain Gordon.

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This paper describes three particular scenes throughout The Dark Knight and elaborates on those scenes in terms of three specific psychological principles. The psychological principles discussed in this paper is Kohlberg 's theory of postconventional morality, the social trap theory, and antisocial personality disorder. One scene that illustrates Kohlberg 's postconventional morality is Batman 's rather rough interrogation of the Joker. In this scene, Batman is interrogating the Joker in order to receive directions regarding where Harvey Dent and Rachel were (they were strapped up to chairs surrounded by bombs in different locations).

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and she died at the end of the movie. Jim Gordan, the commissioner, worked together with Harvey Dent and Batman in controlling the crime cases that happens in the city until The Joker shows up. Alfred is the guardian of Bruce Wayne (Batman) after his parents died. Lucius Fox is one of the employees in Wayne Enterprises who is supporting Batman by providing Batman the equipment. 2.

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However, the most intriguing topic concerning Batman’s mental stability was the evaluation of Batman’s love life. Batman has fallen in love but he lives a life of mystery and interacts with a false identity. To keep Gotham citizens unaware that Batman is Bruce Wayne, Bruce wears a bat-suit which is a dark outfit that includes a night bat-like mask while fighting crime. To further conceal his identity from the world, Bruce gave his real name an alter-ego that has the personality of a wealthy playboy while he acts out his true identity as Batman. Thus, Batman is unable to maintain a romantic relationship with anyone due to intimacy and his alter-ego, regardless if Batman wants a love life or not.

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In the 1989 Batman film, Tim burton uses a mix of medium shots to show the hand-to-hand combat scenes and close-up shots to show the emotion on Batman’s face. An example would be when the Joker was first introduced to the audience, the Joker turns around where his face was very close to the camera to show the bad condition his face was in. Another example would be in the movie Edward Scissorhands Tim Burton uses a long shot when Peg is standing on the edge of the castle where the roof was torn off. This shows the vulnerability of Peg, it makes her look weak and small.

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Throughout his life in making films, Tim Burton has shown his unique talent and vision. He proceeds taking advantage of the cinematic techniques; lighting, sound, and camera movements creating a certain mood/tone. These three techniques are used numerous of times for the duration of each film. Although, many various emotions are constructed, there are feelings that anyone may connect to. Tim Burton is a successful filmmaker and has inspired many with the use of his cinematic techniques.

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By using a long shot, the audience can see both how many people there are, and their angry, almost crazed body language. When these two things are shown together in one shot, one can understand the gravity of the situation, and begins to fear for Edward’s life. Throughout all his films, director Tim Burton uses many film techniques and cinematic elements. However, when Burton wants to control the audiences’ emotions, and twist the mood of the scene, he uses lighting, non-diegetic music, and framing

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Symbolism is the mere thought that a person or inanimate object can represent a larger idea or emotion. For example, if on is given the image of a bear; such things come to mind like bravery, courage, and ruggedness. Some may even think about either the state of California or the U.S.S.R in World War II. This is one of the few aspects in literature, that allows it to be interpreted in many different ways. In similar ways, authors use this tool as an indirect way of communication to the reader.

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Be that as it may, I will look at Batman to decide the kind of psychological

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The director conveys good vs evil through the use of mise-en-scene. The scene begins with a long shot in low key lighting of the Commissioner walking into interrogate the Joker, after Commissioner sits down the scene gets shot with side lighting slowly zooming into his face close up. After Commissioner leaves in changes to high key lighting with a low angle shot of batman slamming Jokers head on the table with diegetic sounds of a bang and the Joker saying “Never start with the head the victim gets all fuzzy, he can’t feel the next.” When Batman grabs Joker and shoves him against the wall there is a diegetic sound of a bang with a two-shot side on close up, then going to a close up with more diegetic sounds of bangs and then glass shattering. After glass has shattered it changes to a low angle shot of Batman’s face and a high angle shot of Jokers face with nondiegetic sound of intense

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The joker kidnaps Harvey and Rachel, giving batman the choice of whom he wants to save. Batman saves Harvey just before the explosion, but half of Harvey’s face melted. At the hospital, the loss of Rachel becomes too much for Harvey, and after a small talk with the joker, he turns into the insane villain Two-Face. He now hunts the people who he feels is to blame for Rachel’s death, using his coin (that is now black on the one side) to decide whether people are going to die

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During his dates out he buys random hotels. He is constantly seen smiling and appears to be a selfish and spoiled person. He goes as far as saying in public, “ a guy who dresses up like a bat clearly has issues” (Movie Citation), even though he is talking about himself. Yet, it is made even more clear in the film that in reality Bruce is the facade and that Batman is the real Bruce, when the character Rachel Dawes, who is a love interest to Bruce, says, “Your real face is the one that criminals now fear.” (Movie Citation).

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1508 Words | 7 Pages

“I believe whatever doesn’t kill you simply makes you stranger” (The Dark Knight, 2008), this is the stand out sentence that the main antagonist, The Joker (Heath Ledger) speaks in the opening scene of the movie. Not only does this line set up the suspense for the rest of the movie but it also sets up the suspense for the opening scene of the movie. ‘The Dark Knight’ is a film directed by Christopher Nolan that builds suspense and intrigue throughout the movie, the director uses mise-en-scene, mise-en-shot and editing to put a seed of meaning for the viewer to draw from. This essay will analyse the opening scene of ‘The Dark Knight” mainly focusing on mise-en-scene, mise-en-shot and editing, where meaning can be taken away from the movie. This can definitely be seen in the opening scene of the movie, it has all the components to make it the perfect scene and the viewer will be able

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Christopher Nolan’s Dark Knight Trilogy constitutes a rather contemporary manifestation of an extensive body of artifacts in media culture. Media culture, Henry Giroux holds, “has become a substantial, if not the primary educational force in regulating the meanings, values, and tastes that set the norms, that offer up and legitimate particular subject positions – what it means to claim an identity as male, female, white, black, citizen, noncitizen” (2-3). Being the most popular remediation of the Batman over the past two decades, the Dark Knight Trilogy reveals contemporary attitudes of mainstream Hollywood film to issues revolving around sexuality and gender as two of the core facets of identity. In particular, the representation of masculinity,

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Batman has a higher level intellect which makes him out think his enemies. He does not trust others

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