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How Does Bronte Use Imagery In Jane Eyre

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In this passage, Bronte uses forewarning imagery to compare Jane’s internal conflict to her sense of obligation to stay due to her loyalty and affection toward Mr. Rochester. Jane illustrates that “the shadows darken, grow black, and quiver strangely” which conveys the uncertainty and impending danger she feels as she is locked in this room. This reveals an ominous sense of the house and also could be foreshadowing what could occur in this disturbing place in the future. Adding to this unsettling feeling, the images of this room as “mystic cells” depict something similar to a jail. The illustration of a jail emphasizes that Jane is confined physically and mentally, restricted only to the orders and thoughts of Mr. Rochester. Continuing with …show more content…

Rochester, it makes it easy for Jane to conform to what he says. Jane’s loyalty and obedience to Mr. Rochester is apparent when he “put the now bloody sponge into my hand, and I proceeded to use it as he had done.” This act symbolizes how Jane is forced to soak up her own internal thoughts, to hold back her curiosity and questions, and oblige to what Mr. Rochester says. The blood represents her thoughts and the sponge represents herself. It is evident that Jane does and will conform to the orders and thoughts of Mr. Rochester, but the repetitive diction of “I must…” illustrates the lingering hesitation and discomfort that Jane has. The fact that she has to remind and order herself to stay in the room and obey the wishes of Mr. Rochester alludes to the fact that she has an inner voice. Finally, Bronte highlights Jane’s inner voice with the imagery of a candle and how “the shifting obscurity and flickering gleam covered here or glanced there.” This quote illustrates the internal conflicts Jane is facing as she chooses to obey Mr. Rochester’s orders or follow her own instincts. Concluding this passage with rhetorical questions such as “What crime…?” and “What mystery…?” highlights Jane’s growing uncertainty of the situation and of Mr.

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Jane requests to return to the Reed house, after learning about her cousin’s suicide and her aunt, Mrs. Reed’s, illness; however Rochester questions, “And what good can you do her… you say she cast you off,” Jane replies, “Yes, sir, but that is long ago; and when her circumstances were very different: I could not be easy to neglect her wishes now” (Brontë 227). Jane looks beyond that Mrs. Reed “cast[ed] her off,” implying that she has grown to let go of grudges and developed a mature mentality. The irony of Jane’s inability to “neglect her wishes,” infers how the injustice treatment of Mrs. Reed unaffectedly brings Jane to look past the situation by visiting the Reeds in a time of sorrow. In addition, Rochester attempts to convince his wedded Jane to stay with him, after learning about his mad wife; Rochester claims that his father had “sent [him] out to Jamaica, to espouse a bride already courted for” him but only so his brother and father to get “thirty thousand pounds,” Rochester further admits to Jane that “you know now that I had but a hideous demon. I was wrong to attempt to deceive you…

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“The Jungle” written by Upton Sinclair shares with readers the journey of the life of an immigrant Jurgis Rudkos who works in the meat packing industry. This historic novel greatly affected the food industry in America, Sinclair exposed the true evils of the food industry. Sinclair showed us how the meat packing industries worked, in humane conditions employees worked in, and the horrific products being produced from the plants. In the early 1900’s the meat packing factories were places where immigrants came to work so they could have jobs and provide for their families. They were set to one job and got paid low wages for what they did.

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While Rochester plays the role as the passionate, fiery man, St. John conveys the complete opposite, a cold and hard-hearted man. When St. John demands that marriage is the only ticket Jane has to India to serve the greater good, Jane is taken aback from the cruel demeanor he conveys. Jane then begins to confide in the reader, “Reader, do

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Finally, the details about society show that Jane recognizes the standards of her victorian society and needs to abide by them. After Jane had thought awhile, she no longer “felt justified in judging” Mr. Rochester and Blanche for “acting in conformity to ideas and principles instilled into them.” Though Jane wishes to be loved by Mr. Rochester, she comes to the realization that rich men do not marry lower-class women in her

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In her impassioned speech to Mr Rochester, Jane confronts his inherently misogynistic attitudes and emphasises her resolute belief that she and Rochester are equal, but morally she is superior. Despite Jane’s intense desire to be emotionally gratified, she refuses to compromise her own dignity to achieve this. Within this passage, Brontë exemplifies her own feminist values which criticise the current lifestyle of the Victorian marriage. In one of the rare instances where Jane openly conveys her view on gender roles and Victorian social hierarchies, she concurrently challenges Mr Rochester’s misogynistic beliefs.

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Rochester’s ongoing deception towards Jane is a result of him wanting to redeem himself for the failure of his marriage with Bertha. Beginning with Mr. Rochester and Jane’s first encounter, Mr. Rochester has not been honest about who he is. Although Jane had been working for him for a while, she never met him until an accident that forced them to unexpectedly meet. Jane right away says who she is, but Rochester does not reciprocate this action.

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In Chapter 1, Bronte introduces the idea of Jane’s isolation to help the reader understand where she is coming from; it’s almost as if she is trying to gain sympathy from the reader, as life has not dealt Jane a fair hand. For example, Bronte describes all of the unfortunate events that have occurred in Jane’s life in the beginning of the story. We learn that she is a poor orphan who is reliant on the Reed Family, who treats her poorly. She is secluded behind the curtains of a window seat and reading “History of British Birds”. The window seat is a place of self-imposed seclusion; the red-room is a place of enforced seclusion.

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Bronte explores anxiety through the extract as suppressed, due to the way Jane conceals her feelings when Mr. Rochester is in a hurry. Jane perceives that "There were no groomsmen, no bridesmaids, no relatives to wait for or marshal". Firstly, the anxiety is demonstrated through the use of a list of isolation. This technique could link to the fact that isolation, in most cases, can cause anxiety, thus Bronte presents Jane's anxiety through the technique used, creating the effect of apprehension towards the reader as they are reading from Jane's perspective.

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Jane's unwavering determination to stand up for what she believes she deserves is quite apparent, especially given the societal expectations of her time. During those times, women were expected to keep their opinions to themselves and go with the flow of what they were offered, however, Jane would rather leave Rochester and become impoverished than compromise her values. If she were to agree to become Rochester's mistress, she would be betraying her beliefs, but fortunately, she was raised to be much stronger than that. Her upbringing and life events have turned her into an empathetic person who has a clear understanding of right and wrong and upholds strong moral values. [M] John G. Peters disputes the idea that Bront's novel is subversive by pointing out how Jane's religious journey is ahead of her time.

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“I served both for his prop and guide” This represents a reversal in the roles of Jane and Mr. Rochester’s marriage that rebels against the typical relationship in the Victorian era where the man would typically be the “prop” for a woman. This theme of rebellion is constant and seen as positive throughout Charlotte Bronte’s Jane Eyre. One way that Jane’s rebellion is positive is that she leaves her abusive household and goes to Lowood. In chapter IV Jane explodes after her mother calls her a deceitful child.

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Bronte 's Jane Eyre transcends the genres of literature to depict the emotional and character development of its protagonist. Although no overall genre dominates the novel exclusively, the vivid use of setting contributes towards the portrayal of Bronte’s bildungsroman (Realisms, 92) and defines the protagonist’s struggles as she grapples with her inner-self, and the social expectations of her gender. The novel incorporates Jane’s frequent conflicts, oppression, isolation and self-examination as she defends her identity and independence. Set amongst five separate locations, Bronte’s skilful use of literal and metaphorical landscapes, nature, and imagery, skilfully intertwines with the plot and denotes each phrase of her maturity.

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At this point of the novel, Jane is becoming more of an adult, and adapting her opinions and values into real world situations, especially in those where Jane’s social status is questioned. While in conversation with Rochester, her shyness starts to dissipate and her opinions start to be heard and valued. “Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong! - I have as much soul as you-and full as much heart!

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Thornfield was a completely different world for Jane. It was a major change physically and socially, as a governess she had more opportunities and duties to fulfill. Jane was not intimidated by what was expected of her, yet she was excited to see what the future at Thornfield had in store for her. The power of love was unavoidable for Jane, “The claims of her former love prove stronger than her sense of duty to that honorable but emotionally shallow Rivers” (Moss 3).

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Before Rochester, and his influence, Jane had been accustomed to men in power such as John Reed and Mr. Brocklehurst. Their influences on Jane were more negative as they tore Jane down instead of putting her up. These figures allowed the arrival of a seemingly encouraging, kind, and adoring man such as Rochester to be a shock to Jane when she was first employed at Thornfeild. This stems Janes biggest growth from Rochester, the bettering of her self-esteem. Due to Rochester’s exaggerative language he constantly teaches her the value of her self-worth and her beauty.

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Charlotte Bronte takes us on a journey from the point which Jane Eyre, the protagonist lives with her aunt and cousins whom very much dislikes her in Gateshead to her going to a boarding school in Lowood, after which she becomes a governess in Thornfield where she falls in love with Mr. Rochester her employer whom she later finds out is married to a mad woman by the name of Bertha Mason, upon her discovery of this she picks up and leaves Thornfield, she then ends up at Marsh End where he meets her relatives. The novel carries us through ever important event in her life, which introduces us to new aspects of her personality, up until her eventual marriage to Mr. Rochester. The novel fits this theme as its protagonist chooses individualism as she refuses to take the role subservience as that of a traditional female of the Victorian era society, she stands up for her rights and want she believes in, she ventures in her own unique thoughts, and stands by her views even if it means disagreeing with those superior to her. Jane comments on the role of women in society and the greater constraint imposed on them. V.S Naipaul’s

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