ipl-logo

How Does Dubus Use Editing Techniques In Killings

1360 Words6 Pages

In Andre Dubus’s short story “Killings”, Matt Fowler would surely agree with Taylor Swift’s lyrics, “there is nothing I do better than revenge”. Ironically due to the many forms of killings, whether murder or love, every character impacted feels the need to seek revenge on the situation. However, connecting Dubus’s story with Todd Field’s film, In the Bedroom, which was produced to match the book, the audience is opened up to stronger symbols as well as the cinematography utilized. In Dubus’s story, the reader just reads about how Frank’s parents and Mary Ann feel, but through film, the viewer is able to notice symbols and the use of cinematography terms through various shots, angles, and editing techniques. Although Dubus’s short story, “Killings” …show more content…

Ruth becomes extremely depressed, and can not do very much after the death of her son, which did not benefit her and Matt’s relationship. Matt’s coping mechanism is to just blow situations off and go back to how things used to be, while Ruth can not escape the problem because it takes her over. For example, in the film, Field uses an overhead shot to convey that Ruth is reading the newspaper with reports about Richard’s bail in multiple different articles (In the Bedroom). While he could have used a tilted angle or moved the camera around to show this, the significance of the overhead angle makes a crucial statement for itself. This angle shows her weakness in this news, and how much she dreads reading this heartbreaking news about the man who murdered her son. Richard’s name is taking over Ruth’s mind because she is the one who sees him everywhere and is constantly reading about the case, however, Matt admits that he does not ever see him anywhere (Dubus line 24). Since Matt does not run into him on the streets or the store, or really anywhere he may just take it as an out of site out of mind situation. Even though Ruth and Matt have different coping mechanisms of how to handle the death of their son, their surroundings make it drastically different to even attempt to understand where the other one is coming

Show More
Related

A Raisin In The Sun Quotes With Page Numbers

2524 Words | 11 Pages

Page 28). He also seems restless and impatient, but still respecting to his parents (he obeys his mother). To me it seems that Ruth and Walter are both stressed (they argue a lot and Ruth already has “disappointment hanging in her face” page 24), due to the family’s financial state. Their relationship seems rocky, yet you can tell they both love each other. Ruth seems to be tired and restless, having worked too much and doing housework.

Read More

Symbolic Imagery In Spike Jonze's Film 'Adaption'

659 Words | 3 Pages

Spike Jonze’s film Adaption (2002), a meta-narrative about the real-life screenwriter Charlie Kaufman (Nicholas Cage), uses symbolic imagery to provide insight into the intricate psychology of Charlie’s mind. During the course of the film, Charlie is often seen hunched over his typewriter, his self-loathing evident through a voice-over—and a bathroom visible behind him. Jonze’s use mise-en-scene, particularly lighting, costuming, and props, transforms the bathroom into a symbol of Charlie’s journey from being trapped in his own mind to being psychologically and artistically liberated. As Charlie sits at his desk, signs of his mental captivity become apparent.

Read More

Killings By Andre Dubus Analysis

1813 Words | 8 Pages

The significance of this memory is that it shows the reader that Ruth is fully aware of the fact that Matt is preparing to kill Richard that night and that she is also alright with letting him go and commit murder, and likely the only possible reason why a sweet woman like Ruth would be willing to let her husband murder another human being would be because of her grieving, and the belief this loss gave her and her husband that it was morally acceptable to kill Richard because he murdered their son. Overall, that is how Ruth appears to be suffering from loss as seen through her thoughts and

Read More

Voyeurism In Woolrich's Rear Window

166 Words | 1 Pages

The practice of voyeurism is a debatable subject often criticized negatively for its perverted motives. Yet, through both Woolrich’s “It had to be murder” and its film adaptation Rear Window, the reader can be led to see a celebration of voyeurism rather than a critique. Jeffries is indeed given the most reasonable excuses to stalk his neighbours as his cast takes away his freedom of movement and the murder he tries to solve also gives him more reasons to spy on his neighbours. However, Jeff is greatly saved from being entitled as a Peeping Tom by the coincidence of Thorwald’s wife’s murder. As a matter of a fact, the timing in which Jeff is stuck in a cast and the woman is murder is nothing but a coincidence, neither Hitchcock nor Woolrich

Read More

Revenge, Morality, And Justice In Killings By Andre Dubus

834 Words | 4 Pages

Andre Dubus, short stories contain a common theme of revenge, morality, and justice. In “Killings” published in 1979, Andre displays the theme of revenge and justice through the development of characters, the title of the story, and the thrill of the suspense. Dubus neglects to take sides with the characters in the “Killings”, which leaves it upon the readers to make assumption whether the killings were justifiable. Dubus has a very unique style of writing, the main characters in “Killings” were given a choice that could’ve led them to a completely different outcome. Dubus keeps the readers on their toes because the opposite usually ends up happening.

Read More

Summary Of Walter's Farewell To Water

107 Words | 1 Pages

As we read the story, we can feel that Ruth was not in the good mood that morning. She was not happy about Walter’s friend staying late sitting on the couch where her son Travis supposed to sleep. Then, Walter feels that Ruth is mad, so to ease her temper he tells her on his way out to work that she looks young and call her baby to have her attention and make her feel good before he lives. They are both need attentions in other to subsist and that will never be enough. The plant symbolizes to Mama her wish for the family to live together.

Read More

Cinematic Techniques In Anthony Burgess A Clockwork Orange

1712 Words | 7 Pages

“The screen is a magic medium. It has such power that it can convey emotions and moods that no other art form can hope to tackle.” The written word and the moving image have always had their entwining roots deeply entrenched in similar narrative codes, both functioning at the level of implication, connotation and referentiality. But ever since the advent of cinema, they have been pitted against each other over formal and cultural peculiarities – hence engaging in a relationship deemed “overtly compatible, secretly hostile” (Bluestone 2).

Read More

The Coen Brothers: The Literary Genre

1831 Words | 8 Pages

While Blood Simple does not directly adapt a specific literary work, it reflects the Coen Brothers' deep connection to literary influences, particularly the noir genre. Through their meticulous attention to detail and atmospheric storytelling, the Coen Brothers effectively channeled the spirit and essence of the noir genre onto the screen. This demonstrates their ability to infuse their own original work with the tropes and atmosphere of renowned literary genres. By examining their filmography, including Blood Simple, and analyzing the interplay between Literary Genre and Film Genre, it becomes clear that both genres hold significant importance in their works. Thus displaying their cinematic storytelling that shapes their artistic vision, transcending strict adherence to literary conventions and creating their distinct blend of visual aesthetics, narrative structure, and thematic exploration.

Read More

It Had To Be Murder By Cornell Woolrich

577 Words | 3 Pages

Alfred Hitchcock's cinematic adaptation of Rear Window maintains this psychological tension by visually presenting the protagonist, L.B. Jefferies' intense observation of his neighbors. The montage of different apartment windows weaves together a tapestry of urban lives unfolding simultaneously, enticing viewers to join Jefferies in scrutinizing and forming judgments. Hitchcock ingeniously uses the camera to simulate Jefferies' perspective, inviting the audience to participate in the act of close observation. We become complicit in his watching, our own curiosity piqued by the tantalizing snippets we glimpse. Yet, Hitchcock deftly subverts our assumptions with instances of dramatic irony—like the provocative dancer revealed to be a

Read More

How Does Macbeth Create Objectivity

516 Words | 3 Pages

Both of these productions have been acclaimed for the presence of violence throughout the production thus making them highly suitable for the comparison. Although these productions have violence present throughout them, the question that must be addressed is why is violence so fascinating to

Read More

Emotion In Alfred Hitchcock's 1958 Film Vertigo

972 Words | 4 Pages

The purpose of art is to evoke emotion, although that emotion may disgust or dismay, and Alfred Hitchcock’s 1958 film Vertigo is no exception. While many critics adore it, naming it one of their top movies of all time, many audience members may leave feeling uncomfortable or even angry at some of the characters’ actions. From the obsessive, borderline stalker to the man who goes to great lengths to trick an old friend and murder his wife, this is not a feel-good movie. But the aspects of this film that tend to give audience such a negative emotional response are exactly what cause critics to praise it. The film turns the table on the audience, showing them how disturbing it is for someone to watch someone else while the audience does just that,

Read More

Hitchcock's Use Of Escapism In The Birds By Alfred Hitchcock

1934 Words | 8 Pages

As a society we are constantly turning to television and film as a form of escapism from daily life, be it mundane, stressful or relaxed. However, many directors and creators choose to use their platform as a social and humanitarian commentary which, more so than simply making their work teachable and moral, they expose an uncomfortable side of human nature which is often avoided as a discussion point in wider society. One such director is Alfred Hitchcock who remains one of the most well-resected film directors even today. During his career Alfred Hitchcock proved himself as a competent master of tantalising his audiences and became renowned for using such themes of voyeurism and madness in his work. Whilst primarily used to feed the ‘horror’

Read More

Shutter Island Analysis

877 Words | 4 Pages

Shutter Island, a psychological thriller, directed by Martin Scorsese incorporates techniques throughout to reveal the truth in Shutter Island. The film, based on a missing patient investigation, turns out as a cover up psychological experiment designed to bring Edward (Teddy) Daniels back to sanity concludes to be the truth. This essay discusses that by analysing certain scenes, including the opening scene, Teddy and Chuck addresses Dr Cawley, and whislt Teddy and Chuck interview the patients. These three scenes assist to expose Shutter Island through film techniques such as camera angle and mise en scene.

Read More

A Man With A Movie Camera Analysis

2638 Words | 11 Pages

This essay will discuss how the film uses these two techniques, in reference to the film, and to what ideological and political ends are the techniques used in the films with specific references from the film to support the argument. A Man with a Movie Camera is based around one man who travels around the city to capture various moments and everyday

Read More

Baz Luhrmann's Red Curtain Trilogy Film Analysis

976 Words | 4 Pages

Baz Luhrmann is widely acknowledged for his Red Curtain Trilogy which are films aimed at heightening an artificial nature and for engaging the audience. Through an examination of the films Romeo + Juliet, Moulin Rouge and The Great Gatsby, the evolution and adaptation of his techniques become evident. Luhrmann’s belief in a ‘theatrical cinema’ can be observed to varying degrees through the three films and his choice to employ cinematic techniques such as self-reflexivity, pastiche and hyperbolic hyperbole. The cinematic technique of self-reflexivity allows a film to draw attention to itself as ‘not about naturalism’ and asks the audience to suspend their disbelief and believe in the fictional construct of the film.

Read More

More about How Does Dubus Use Editing Techniques In Killings

Related Topics

Open Document