How Does Mozhnevsky Illustrate Symmetrical Balance?

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1. “Silence” by Serge Mozhnevsky demonstrates symmetrical balance. Although the two sides are reversed, they are identical, thus giving the sculpture a sense of balance. Each half is curved on one side and flat on the other, since the two sides are flipped this equal distributes weight throughout the piece. 2. Although the sculpture “Wings” by Felix Velez does not have any symmetry (it is asymmetrical), the piece still has a sense of balance. This balance comes from how the angel is standing on the round ball or globe on only one foot. Even though one foot is in the air, the way the angel is standing and leaning towards the viewer with an outstretched hand gives the sculpture balance. 3. “Stalking Fox” by David Turner has emphasis toward the front right side (looking at it from the right side of the title plate). My eyes are drawn to this section of the sculpture because the fox is leaning forward it seems as if more weight is being place at the front of the sculpture. This emphasis gives the sculpture a sense of motion. It almost feels like the sculpture is a part of the surrounding and could literally jump off of the stand. 4. The sculpture “St. Ben” by Sondra Jonson has an implied line which added directional force to the piece. The implied line is St. Ben’s …show more content…

Rik Beuselinck’s sculpture “Dreamer,” demonstrates an effective use of scale. The sculpture itself is fairly simple, a tall silver man, with his hands on his hips, gazing into the distance. Looking closely at his face, it is almost as if he is thinking deeply or very concerned about something. There are also details in his clothing (you can clearly see creases in his jacket and pants) which gives the statue a more life-like feel. The use of scale (making the statue so tall) drawers the viewer in. If the statue were smaller I don’t think it would have the same feeling or be as interesting. Making the sculpture as tall as it is, also makes the sculpture look more realistic (comparable to a real

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