Next, Okonkwo is warned that he will be told to kill Ikemefuna, a boy who has become like a son to him. When the time comes, Okonkwo, Ikemefuna, and a few other men set out on their journey. When the men move to kill Ikemefuna, Okonkwo trails behind them so he will not have to be a part of
Okonkwo never showed any emotion openly, unless it be the emotion of anger. To show affection was a sign of weakness, the only thing worth demonstrating was strength. He therefore treated Ikemefuna as he treated everybody else--with a heavy hand. But there was no doubt he liked the boy. Sometimes when he went to big village meetings or communal ancestral feasts he allowed Ikemefuna to accompany him, like a son, carrying his stool and his goatskin bag.
In the beginning of the story, Okonkwo was a very vigorous man who everyone loves. One day a killing happened leaving Okonkwo with a wife and a son, Ikemefuna. He grew to like the young boy, where he is different from his other children, On a fateful day, Okonkwo murders Ikemefuna. Okonkwo had a load of guilt for killing his adoptive son, Ikemefuna.
Okonkwo constantly struggled to create the same masculine character in Nwoye that he made for himself and constantly found a reflection of his effeminate father, Unoka, in Nwoye. Chapter two describes the relationship between Okonkwo and Nwoye in Nwoye’s youth. “Okonkwo’s first son, Nwoye, was then twelve years old but was already causing his father great anxiety for his incipient laziness... He sought to correct him by constant nagging and beating” (13-14). Okonkwo’s efforts to change Nwoye’s resemblance of Unoka were causing their relationship to be pushed apart because of Okonkwo’s violence and Nwoye’s resistance.
Okonkwo never truly like laziness so he’d always beat Nwoye or nagg at him due to his laziness in hopes he wouldn’t be lazy anymore. He took a liking to Ikemefuna because he was a hardworking kid,later on Nwoye started to not be lazy and actually like hardwork due to Ikemefuna being an older brother to him. Okonkwo saw this and was inwardly pleased with both boys but very pleased due to his son’s development. I feel Okonkwo is a good man at heart, he just has a very, very tough shell, beating is bad yes, but he just doesn’t want his kid to be a lazy non-hardworking man, so i could get the understanding of that from
Marc Anthony a Latin singer was asked to sing the star spangled banner in the game at Shea Stadium on September 21, 2001 after the horrible attack of 9/11. This sparked a bit of a controversy. But later Marc sang “God Bless America” which to no surprise lead to a big controversy on why a -quoted from the article God Bless Marc Anthony’s America- “spic” sang the song God Bless America. Marc Anthony was criticized for singing God Bless America even though the song was written by a Russian and he is an American, which I find astoundingly sad. Marc Anthony as written in the article God Bless Marc Anthony’s America said “I was born and raised in New York.”
However, Unoka the grown-up was a failure. He was very poor and was constantly in debt, which means that his wife and children (including Okonkwo) didn’t have much to eat. Unoka was very feminine, having a love for music and a hate for wars and blood. He died ten years ago, still a failure who had no titles and was still in debt. Ashamed of his deceased father, Okonkwo has become the complete opposite of his father.
Okonkwo’s values are restricted to physical strength, power, and prosperity, and when the Europeans suddenly arrive, the cultural convergence prompts Okonkwo to respond with even more violence. While the majority of his tribe, including his son Nwoye, is open to considering
EA 3.2 Literary Analysis: character analysis Angie valdivia P.7 Okonkwo! A man like no other, father figure and Umofian leader. Okonkwo is an influential leader in umofia, since early childhood , okonkwo’s embarrassment about his lazy squandering father, Unoka has driven to success! Okonkwo has 3 wives and many kids, crazy right?!
Ikemefuna, an adopted boy of Okonkwo, was cherished by Okonkwo because he exemplified manly traits that Okonkwo wanted in a weaker Nwoye, his real son. Eventually, Ikemefuna needed to be killed as ordered by the Oracle of the Hills without the assistance of his father, Okonkwo. But as we see on page 61, this did not transpire. “As the man who had cleared his throat drew up and raised his machete, Okonkwo looked away. He heard the blow.
As a child, Nwoye is the frequent object of his father's criticism and remains emotionally unfulfilled. Okonkwo, “wanted Nwoye to grow into a tough man capable of ruling his father’s household when he was dead and gone to join the ancestors”(38). When Nwoye finds out that it is Okonkwo who killed a “brother” who he is extremely fond of, and grows very close with, he loses all appreciation for Okonkwo and decides to go against his father and his cultures.
Fear is the core cause of the dramatic shift of lifestyle for both Okonkwo and Nwoye. Through the management of reputation and the avoidance of their father’s likeness, Okonkwo and Nwoye built new lives for themselves. Okonkwo sought power and authority to prove his masculinity and make up for Unoka’s reputation as a weak man. He did this to the point where manliness became his character. Fearlessness and violence were masculine qualities that in Igbo culture signifies strength and influence.
At his early age, Nwoye is an effeminate boy who prefers a mild and easy lifestyle; however, with the influence of Ikemefuna, Nwoye gradually behaves like a man. When Okonkwo reads masculine and violent stories to Nwoye, “Nwoye knew that it was right to be masculine and to be violent, but somehow he still preferred the stories that his mother used to tell.” Spending
His fear of weakness and failure is derived from his father, Unoka’s failures, which ignite Okonkwo’s misogynistic views. Throughout his lifetime, Okonkwo associates femininity with weakness because of Unoka, who was called an “agbala” or woman by the people of Umuofia. Since women have this reputation for weakness, Okonkwo lives with constant fear that he will be given the same title as his father. Okonkwo’s first son, Nwoye’s effeminacy reminds Okonkwo of his own father. He says, "I have done my best to make Nwoye grow into a man, but there is much of his mother in him ."(Achebe, 66).
These sudden behaviors against his son nwoye completely make him to adapt opposite ideals from his father Okonkwo just like okonkwo and his