The crime scene at the beginning of the film, for example, used a low angle view to show the body floating from underwater. Low key lighting is often represented when scenes are shot inside Norma’s home. The interior shots are also tightly framed shots with extreme camera angles it gives off a depressed, claustrophobic environment. In the exterior shot, the scenes are in high key lighting and use realistic lighting to give off a lively atmosphere that Joe does not experience while inside the home.
The novel Double Exposure written by Brian Caswell revolves around the lives of twins who have an abusive father; the older brother Chris being artistic and a genius whereas the younger brother Cain just being the average guy. It also focuses on their love interests; Abby and TJ, both who are dealing with their own traumatic pasts. Caswell uses various techniques like dreams, flashbacks and characterization in order to convey the theme of trauma and the effects the past has on the lives of the characters, hence inspire the audience through it. Caswell use of dreams highlights a deeper meaning of life since it implies that dreams will keep haunting an individual until they have the power to overcome their past.
These chilling visual details contribute to a pervasive sense of fear and isolation, transporting us deep into the eerie heart of Count Dracula's foreboding castle.
These different lighting techniques are applied in the movie to help set the tone and mood for the film scene. The
In this sense, Double Indemnity is a classic Film Noir film. It is a story of two ill-fated lovers lured by lust and greed to commit a heinous act: murder. The main focus of the film (and of this essay) is on Walter Neff and Phyllis Dietrichson and how Phyllis uses Neff. Phyllis is painted in a sympathetic light at the beginning of the film but, by the end, her true natures of corruption are revealed to all. The things that tell the most about Neff and Phyllis are their performances, specifically how they react to either dialogue or sound, and their character blocking.
In both films, a lot of the actions were taking place outside, so mostly sunlight was used and for the interviews the light was adjusted
A good way of creating a suspenseful mood for the reader is to through the setting. And, looking at how Richard Connell described the
The contrasting elements in his films exaggerate the difference between the settings and characters. In Edward Scissorhands, the castle appears in dark colors along with low lighting. Towering over the neighborhood, it looks menacing and evil. Lightning flashes and eerie music is played when the castle
In the beginning of the movie they used suspenseful music and imagery to keep the viewer more interested and make the viewer want to know what the “Secret” is and this is part of the logical chain of reasoning known as Pathos. Pathos is
Both of Alfred Hitchcock’s films, North by Northwest and Rear Window, were great movies with lots of suspense. The suspense, however, would not have been created without the entire mise-en-scene of the movies. Hitchcock was a master at using the elements of lighting, sound, and cinematography to heighten the suspense in his movies. The first key element of mise-en-scene that played a significant role in both movies was lighting.
These are both key features alongside the fabulous cinematography by Bradford Young with his amazing visual style and low key lighting that really helps tell the story further with the dark claustrophobic entrance of the hallway to the dark but well
The use of background light was an important focus in this picture, there was less attention to lighting the actors faces but in almost every frame there is well placed background light often combined with a moving light source. Repetition was also evident within the visual composition of the frame, the actors were rarely positioned within the center of the frame but always to the left or the right with a light source covering them from behind. Ridley Scott perfectly matches colorful high key light with low key lights creating impeccable contrast, this lighting used could be described as a modern Citizen Kane style. Although this is overall a very dark and low light film, the motif of shadows and darkness allows the beauty of light to truly be
Have you ever watched a movie or a tv show, or even read a book, in which any character has two different sides? It was probably..., the good one and the evil one? And those sides are always opposites… Right? If this plot is not a strange thing to you, have you ever thought why is this idea/theme so present in many ways inside the pop culture?
Duality is an instance of opposition or contrast between two concepts or two aspects of something. The author, Charles Dickens, uses duality throughout the fictional novel, A Tale of Two Cities, to bring characters who would be thought of as polar opposites together. Dickens begins the novel by says, "it was the best of times, it was the worst of times"(3). The author begins the book with the quote to show the duality straight away because best and worst are opposite of eachother. Such as when the discovery of the main characters in England and France are all somehow tied together.
The Auteur Theory-Intro Part Considering the collaborative process of filmmaking, especially nowadays in most film production, the concept of there being a singular creative supervisor is debatable. Nonetheless one cannot deny the existence of directional motifs and instances of thematic and stylistic elements within the work of filmmakers like Tim Burton and Alfred Hitchcock. These directors indicate that within traditions and genres lies the overall definition of an auteur: a director whose inventive traits are listed throughout his/her work like a signature. Auteurism rose to the surface in the 1950s French New Wave criticism as an appraisal of Hollywood directors who were ready to avoid the rules of the studio system and create films that were distinctively their own.
