ipl-logo

How Does Shakespeare Present Caliban In Act 1

698 Words3 Pages

Act III starts by showing the life of Ferdinand back at the cell of Prospero. He has to jobs like Caliban would do; jobs that are tiring and requires hard work. However, it seems that Ferdinand doesn’t really mind the hard work and that he is fine to do so. As long if he’s able to serve his true love, Miranda. She comes towards Ferdinand to tell him not to work hard and that she can do some of his jobs for him. She too is in love with Ferdinand. That is why we see such concern and love from both sides. Prospero is clearly observing both of them, and he realizes that there’s true love between them. Afterwards, Ferdinand asks Miranda if she loves him and the same question goes towards Ferdinand too. Both of them say yes, and then asks for each other’s hand for marriage. As Miranda asks Ferdinand for his acceptance towards her proposal, he says, “Ay, with a heart as willing As bondage e'er of freedom. Here’s my hand” (3.1.88-89). Prospero prays for both of them …show more content…

Each of them wandering along the island, where Stephano declares himself as the lord of the island and tells Trinculo that if he disobeys Caliban, he will hang him. Stephano still drinking and ordering Caliban to drink the wine, to which Caliban is happy to obey. Each of them start to quarrel in drunkenness and Caliban starts telling Stephano and Trinculo about his wretched master and that they should kill him. Afterwards, Ariel enters and says, “Thou leist” (3.2.48) and then Caliban mocks Trinculo for saying that. Stephano warns him, but Trinculo claims that he said nothing. The servant monster continues his plot against his Master, but Ariel keeps repeating the same words. Eventually, that resulted in a beating for Trinculo. However, they still plan to kill the King and kidnap his daughter. Thus, they agree on a plan and set forth to kill Caliban’s master and followed a tune played by Ariel, which is fading

Show More
Related
433 Words | 2 Pages

Being a native of his land, he was prone to showing Prospero and Miranda around, only to be then taught a new culture and being

Read More
457 Words | 2 Pages

Caliban argues that weakness is man’s flaw and cowardice keeps man from making a list of such flaws (Cesaire 28). As Ariel attempts to impact Prospero’s conscience by obeying his orders, Caliban is quick to reject him with a lot of rage stating “We must change Prospero” (Cesaire 28). He adds that they must put an end to his serenity so that he will be obliged to acknowledge his personal injustice (Cesaire 28). Caliban insists that Ariel is a credulous person who believes in everything that Prospero has told him, he makes fake promises that he does not fulfill. Additionally, Caliban tells Ariel that he should no longer trust Ariel because he is close to Prospero and carries out his orders.

Read More
290 Words | 2 Pages

1. What was “the biological old regime” and how did it arise from the intention of agricultural? The biological old regime was a period in Europe that lasted until the middle of the nineteenth century. During the biological old regime, the death rates were high and the birth rates were low.

Read More
1292 Words | 6 Pages

To Don Pedro’s dismay, Beatrice declines his proposal. Instead of reacting resentfully, Don Pedro responds with, “Your silence most offends me, and to be merry best becomes you, for out o' question you were born in a merry hour” (II, i, 280-283). Responding in a civil manner to her rejection shows that Don Pedro respects Beatrice and wants her to be happy even if that’s not with him. Reacting this way also shows Don Pedro’s sacrificial love. Don Pedro is characterized as a very sensible man and would never make rash decisions without careful consideration.

Read More
987 Words | 4 Pages

In addition to Caliban, Prospero's yearning for vengeance also creates internal issues for himself. After Ferdinand and Miranda announce their marriage, Prospero claims his "rejoicing / At nothing can be more," because he must "perform / Much business appertaining," (Shakespeare, 95-99). Usually, a father focuses more on his daughter getting married, however Prospero can only focus on his plans for vengeance. Some believe that the characters internal struggles were caused by the wrongdoers, and not a lack of forgiveness; however, at the end of the play, after Prospero becomes a more virtuous character, his conflicts with his brother and Caliban are resolved, clearly showing that their focus on vengeance is what caused the internal struggles.

Read More
278 Words | 2 Pages

Ariel’s obedience to Prospero commands and wishes makes Ariel a great asset to Prospero throughout the play. After almost every command, Ariel addresses Prospero as superior and does the commands Prospero wishes. Examples of Ariel’s obedience can be seen when Ariel says “I will be correspondent to command” (Shakespeare I.ii.12), “My lord, it shall be done” (Shakespeare I.ii.13), “Ay, my commander” (Shakespeare IV.i.54), and “I’ll fetch them sir” (Shakespeare V.i.59). Ariel addresses Prospero in a way that puts Prospero on a pedestal. Ariel addressing Prosper as master, lord, and commander allows Prospero believe that Ariel knows his place.

Read More
1124 Words | 5 Pages

Through The Tempest, the author tells the story of Prospero’s revenge on the men who took his dukedom away and left him and his daughter to die. Throughout the book Prospero tortures and manipulates them until he has complete control over them. In Act 5, Prospero’s chooses to forgive them and in the meantime abandons his art which can be a sign of change in character. However, through triumph, not change, the author uses Prospero’s choices to reveal that his desires are for power and superiority.

Read More
887 Words | 4 Pages

Their names are; Prospera (Helen Mirren): a sorceress and Miranda 's mother, Miranda (Felicity Jones): Prospera 's daughter who falls in love with Ferdinand, Ferdinand (Reeve Carney): king Alonso 's son, Antonio (Chris Cooper): Prospera 's brother, and stole her dukedom, Ariel (Ben Whishaw): a spirit who aids Prospera, and Caliban (Djimon Hounsou): Prospera 's slave, and who along Alonso’s servant to the plot The main plot of the film has quite followed the original plot of play. Prospera, who was deported to the island with her daughter due to the usurpation from Antonio and

Read More
942 Words | 4 Pages

This is viewed in the scene where Prospero finds Miranda and Ferdinand playing chess. This scene brings the two rivals together through a marriage of deep love. Prospero’s forgiveness to Alonso brings the two together and creates a bright future for Miranda and her lover Ferdinand. This is developed when Alonso agrees to Ferdinand’s marriage to Miranda and Prospero pardons him. Alonso, “I am hers.

Read More
881 Words | 4 Pages

When Prospero came to the island he taught Caliban his language and mannerisms. At the beginning Caliban welcomed Prospero, delighting in the attention he would receive: "Thou strok’st me, and made much of me". In return, Caliban showed Prospero "all the qualities o’ th’ isle". But Caliban, in an expression of his natural instincts, tried to rape Miranda. It is an atrocious deed, but, to Caliban, it is a basic biological urge.

Read More
2448 Words | 10 Pages

When we first meet Prospero we are also introduced to his 15 year old daughter Miranda. In Act 1 Scene II we are presented with aspects of violence as Prospero retells his past to Miranda and in doing so he explains how they got to this current situation and how “that situation involves treason and murder” (Nostbakken, 3) In doing so he retells Miranda how “his Brother Antonio persuaded Alonso the king of Naples, to assist him in overthrowing Prospero and taking his dukedom of Milan” (3). It is clear that Prospero, although throughout the play is the one causing the psychological violence, in this case he is the victim. In this scene it is evident that Prospero suffered from both psychological and physical violence bestowed upon him by his brother Antonio.

Read More
484 Words | 2 Pages

This is very helpful especially because he is talking to the man whose daughter he loves. The earnest tone will make Propero want to trust him and as a result of this, Prospero would be content with giving up Miranda to Ferdinand. The tone also implies Ferdinand’s respect towards

Read More
1822 Words | 8 Pages

In the play, nature will be predetermined as either good or bad and depending on which, the characters will reflect their nature accordingly through their actions and dialogue. Miranda, Prospero’s daughter, was predetermined as naturally good by Prospero when he says “Thy mother was a piece of virtue, and she said thou wast

Read More
1470 Words | 6 Pages

He’s but a sot as I am, nor hath / One spirit to command…”(3.2.85-88). All of these occurrences are empowered by Prospero’s collection of books, which enable him to speak the language of sorcery unlike any of the other character and endow him with otherworldly abilities. He uses these powers solely to carry out his plan of escape from the island by bringing Ferdinand and Miranda together. After his plans are successful, he renounces magic and becomes the same as any of the other members of the nobility, showing that magic was the defining characteristic of his might.

Read More
1123 Words | 5 Pages

In comparison, the inconsistency between diction depicts the power dynamics observed in the play. Shakespeare often uses Prospero’s servant, Ariel and slave, Caliban to portray the differences in the hierarchy of the play. As observed by the audience Prospero often uses threats and insults to communicate and assign task to Caliban, hence “...tonight thou shalt have cramps, side stitches that shall pen thy breath up. ”(I.ii.325-326) Prospero threatens Caliban with pain after his refusal to do work, because he feels as if the isle belongs to him due to the fact that it was inhabited by his mother first.

Read More

More about How Does Shakespeare Present Caliban In Act 1

Related Topics

Open Document