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Essay on film form in the godfather
The godfather part 1 critique
The godfather part 1 critique
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More handpicked essays just for you.
Essay on film form in the godfather
The godfather part 1 critique
The godfather part 1 critique
Don’t take our word for it - see why 10 million students trust us with their essay needs.
The shadowy lighting adds to the realism of the crime drama genre, emphasizing difficult and dangerous situations that the characters face. For example, when Rico (the main character) is planning the murder of a rival gang leader, the scene is shot in a dimly lit room, with only a single light source casting deep, uneven shadows. Additionally, the lighting is used to convey the emotions and characteristics of the characters in the film. For instance, Rico's nefarious character is emphasized by the use of harsh, contrasty lighting that highlights his angular facial features and sharp, piercing expressions.
The lighting in Donnie Darko movie is a key component of composition which creates our sense of illuminating for people and things. This movie uses two sources of lighting; natural light, such as daylight, when the scene is in an outdoor area for example, walking from school, at home, waiting at bus stop, or playing outside of the school on sunny days. Another source of light is artificial spotlight which is used in the movie indoors to cut and shape the light at the dining table, in the classroom or in the psychotherapist's house. Also, distinct shadows are used as an essentially smooth surface that reflects hard light in the Halloween party to feature deep shadows and scary areas in function of the plot. Three-points of lighting create ominous shadows in the horror genre for all the actors at Donnie and Elizabeth's Halloween party with lighting from below the cast to create monstrous objects in real life.
Mobsters were a group of men with real character, and real morals. Al Capone just happened to be the most respected, and notorious mobster of all time. Some people chose to walk on the opposite side of the street when they seen him, on the other hand he would help old women cross the street. Although Capone's family had no ties to the mob, the neighborhood they lived in was mob central. Childhood struggles and young life influences led to his criminal behavior as an adult, which started out as a success but slowly demolished.
In the film Charlie and the Chocolate Factory. After leaving Wonka’s factory, one of the employees walks out of the gate, and off to the side. He then hands over the secret recipe to a rival chocolate maker. The lighting in this scene was dark and lit up by a few street lamps. This makes the scene look mysterious because not only does he use lighting to set the tone of mystery in this film but he also uses it in Edward Scissorhands.
Throughout the course of cinematic history one of the most popular genres of film has been “gangster” or “crime”, in particular a focus on the Mafia. A couple of the most popular films have been The Godfather, The Godfather Part ii, and Goodfellas. Some of the similar characteristics that the audience notices after watching these movies are: violence, power, family, etc. Of course those examples of films come from the perspective of the American directors who made them. Films like La Siciliana Ribelle (The Sicilian Girl) and I Cento Passi (One Hundred Steps) offer a perspective from Italian filmmakers.
Lighting is used to show when things are dark and mysterious, or bright and joyful, Burton uses lots of dark lighting but throws in scenes with brighter lights as well. In Edward Scissorhands the mansion where Edward was created is dark with very little sunlight coming in through the few windows. They way the lighting is used makes the place feel creepy and lonely, unlike the town not so far way which is very bright and colorful with pinks, greens, oranges, and blues. The town is happier looking with lots of sun, making the dark mansion stick out. Also in Charlie and the Chocolate Factory, Burton made Charlie’s home like Edwards mansion, dark.
Carlo Gambino also known as the “boss of bosses,” was the head of an organized crime family in New York. Macbeth was a Scottish general that turned into a murder after letting his ambitions rule him. While Macbeth’s terrible deeds were limited by the imagination of Shakespeare, Carlo Gambino’s actions troubled many in real life. If we look at the life of both characters we see different and similar characteristics, from their early dominions to their lasts.
Lighting is used rather traditionally for the majority of the movie and helps to distinguish the “good” from the “bad”. For instance, the original Maria is shown in soft-key, angelic lighting that casts a halo around her to emphasize her purity and beauty. The fake Maria, on the other hand, is shot in harsh lighting that creates a dark, unsettling vignette around her. This lighting style creates a contrast between protagonists and antagonists and is used frequently in Hollywood cinema.
In the momma’s death scene as momma is climbing the stairs, the director uses this technique of lighting along with a close up shot to keep the audience's attention focused on momma, which acts in a foreboding manner as if to suggest or hint at her death. This was done by having the camera angled upward with momma facing downward, so that the darkened lighting of the pale coloured roof above momma could be used to implore the audience to focus more on the brightly coloured face of momma, which draws in our eyes to concentrate on mommas facial expressions to gain a sense of how momma is feeling, rather than to look elsewhere. This shows the director wanted to subtly induce the audience into looking at the centre of attention of this scene, Momma, to give the foreboding effect of her
The use of background light was an important focus in this picture, there was less attention to lighting the actors faces but in almost every frame there is well placed background light often combined with a moving light source. Repetition was also evident within the visual composition of the frame, the actors were rarely positioned within the center of the frame but always to the left or the right with a light source covering them from behind. Ridley Scott perfectly matches colorful high key light with low key lights creating impeccable contrast, this lighting used could be described as a modern Citizen Kane style. Although this is overall a very dark and low light film, the motif of shadows and darkness allows the beauty of light to truly be
In addition, there is also an example of bottom lighting in this movie. When Pastor Galswells gets frustrated with Victor failing to present his vows there is bottom lighting on the Pastor. This portrays him as evil or dangerous in that
This creates a contrast with the darker and lighter parts of the scene, and creates the subject of the scene to be hidden in the shadows. This lighting technique is perfect for a gangster film such as the Godfather. Francis Ford Coppola’s has made apt use of lighting in this scene. In this scene, almost all the frames are low lit, especially the scenes where Don Corleone’s eyes are darkened.
The story and play of the Monkey’s Paw were both alike and different in many ways. Both the play and the short story showed the stories excellent ways of literature. They both included the main theme of do not mess with fate. They also showed me many other things. To begin with, the play was different in many small details.
The elements lighting; sound; camera movement; framing devices and colour are important in creating impact, atmosphere and emotion in a film. These elements are clearly depicted in the film The Lord of the Rings: The Fellowship of the Ring directed by Peter Jackson. Lighting used in film is lit in certain ways in order to enhance mood, atmosphere and drama. This lighting suggests depth, illuminates and enriches the story.
This gives the audience an ominous feeling whenever there is a scene in the industrial area. The lighting in Romeo and Juliet is used to create a more direct tension for specific events. When Mercuito dies the weather immediately picks up and turns into a storm. The lighting is dark and direful and this heightens the tension at this point in the film as well as indicates to the audience how serious the consequences of this death will be. Because the lighting is used to add to the dramatics of the movie is makes it easier for the audience to feel the