Tim O’Brien and Brian Turner are both war veterans, who published books based on their war experience. Both of their books expresses their feelings and both have a unique way of telling war stories. However, Tim O’Brien’s The Things They Carried book captures the reality of war better than Brian Turner’s Here Bullet book. Tim O’Brien is very descriptive with his story, He is very direct and very good at telling a war story to make it more interesting.
In “How to Tell a True War Story”, the main theme is how to tell whether a war story is true or made-up. The author explores the conflict within reality and fiction by arguing that true war stories are hard to believe. In O’Brien’s view, he points out that “A thing may happen and be a total lie; another thing may not happen and be truer than the truth. ”(p.80). Moreover, to make his point, the author spins between facts and fiction causing difficulty for the readers to believe if those stories actually happened or
O’Brien says that a true war story is something you believe with your stomach and has no moral. For O’Brien, something isn’t true unless it feels true. A true war story should leave you with a deeper emotional connection. For example, the death of Rat Kiley’s best friend is a true war story because it has no moral.
“War stories”, aren't really war stories. Tim O'Brien also believes that Kiley's story isnt true because thats what soldiers always do. They change the story to make it seem more realistic and to give more
This chapter “The Ghost Soldiers”, showed us how Tim O’Brien and the other soldiers were dealing with the war both physically and psychologically. It also shows us how the Tim O'Brien behaved and felt when he was shot, wounded and had a bacteria infection on his butt and how the war changed the way he thought, and viewed the other soldiers around him. This chapter also contain a lot of psychological lens. From the way Tim O’Brien felt when he was shot and separated from his unit to a new unit to when he wanted revenge on Bobby Jorgenson for almost “killing” him.
For example in the chapter, O’Brien announces that “A true war story is never moral”(O’Brien 65), but, later on in the chapter he contradicts himself conveying that “ In a true war story, if there's a moral at all, it’s like the thread that makes the cloth ”(O’Brien 74). He starts off saying a true war story has no morals, but then he explains that the moral means everything to a war story, which contradicts his earlier statement. This contradictory excerpt from the chapter parallels the idea of the Vietnam war in the fact that to make peace, there had to be war and bloodshed to solve the problem that the United States and North Vietnam had with one another. War is contradictory in itself ,and O’Brien’s contradictory motif illustrates it well. In fact, the idea of war is a reoccurring topic in “How to Tell a True War Story,” and O’Brien illustrates this idea of war with many other devices as
This story is a success because it features components of what O’Brien says is a true war story. This certain short story includes, embarrassment, love, memory, and, shame. This story perfectly depicts the theme of one's conscience versus the society around them. It portrays this theme because it is the perfect example of the fight between what he believe is right and what society believes is wrong and is “unpatriotic” while what he believes is wrong and unworthy of such violence, yet society believes is right. According to O’Brien, in order for war stories to be true they must possess at least some of the elements from his specific definition.
(page 68). This is why Tim O’Brien writes the way he does. He wants the reader to believe his story and get a sense of what war is truly
This forewarns the reader that they could be reading something that is real or something that is completely made up. O’Brien is a masterful writer who has created an unique story about the experience of war through his style of writing.
True war stories are hard to tell, because of the guilt from things seen and those not seen. True stories do not allow the author to see things he never saw, so creating new images are necessary to create the story. True war stories are too subjective; even if it is true to someone it may not be true to the other. O’Brien says the only thing a true war story needs is to be asked if it is true, “and if it matters you got your answer” (O’Brien 79). It does not need to be factually true to make it a true war story.
O’Briens intended audience is people who have an interest in war, and uses mortality and death, along with morality to help the audience get a deeper understanding of what could possibly occur at war. First, O’Brien discusses how mortality and death greatly affected many of the men around him. In the chapter ” In the Field” Kiowa is gone and there is nothing they could do to save him. The
Firstly, both of the authors’ stories end with the protagonists surviving the war, but making them feel regretful and unworthy of living. O’Brien survives after being a soldier during the
In The Things They Carried, O’Brien’s story-telling method is an attempt to show that the lines between fiction and reality are often not that far. Even though the names or details may not be fully accurate, this does not change the fact that they are a reality for many. Additionally, he challenges the importance that we place on war and links it to a storytelling aspect because he’s pointing out that not every story has a moral to it. With tragic events, we typically want some sort of meaning behind them, some sort of assurance that the incident was not for nothing. However, this is not always true, as a character “Yeah, well…I don’t see no moral”…
Tim O’Brien informs the readers’ stories that expose the reality of the war and the fear of soldiers. Tim O’Brien along with many other soldiers covered up their fear and embarrassment in order to not see the truth of war. Jimmy Cross
Why Is Telling A True War Story Hard Lots of stories are hard to comprehend because they’re more brutal and traumatic for listeners, even the story-teller. In three stories: “The Man I Killed”, “How To Tell A True War Story”, and “Speaking of Courage”, Tim O’Brien showed how changing certain parts of a story and making them graceful, can make them easier to comprehend. However sometimes telling the story the way it was makes it brutal and gruesome, though some listeners prefer that over gracefulness.
