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Hughe Hughes Poetry During The Harlem Renaissance

529 Words3 Pages

Not only was literature rising during the Harlem Renaissance, but so was music. Jazz and blues had peaked in the 1920’s. Hughes was devoted to black music and based a lot of his writings off blues and jazz allowed him to experiment in rhythmic free verse. He attracted a lot of attention after publishing his two books The Weary Blues, 1926, and Fine Clothes to the Jew, 1927. Both of these novels emphasized on the lower class black life that ultimately angered a lot of people, saying that it put out a bad image of blacks during this time. But Hughes wasn’t using this to bash the blacks, he was using it to make people aware. He used black dialect, mixed with his rhythm of the blues in a way to present the emotional scenery of the urban black community. He loved the street life of the Harlem neighborhoods, and often he wrote people he met into his works. He wasn’t just speaking as himself anymore, he was speaking as his mother, as the weary man who lived on Lenox Avenue, he spoke as the house servant, he spoke as a brother, and he spoke as the Negro community. …show more content…

In his 1926 novel titled The Negro Artist and the Racial Mountain, he wrote “We younger Negro artist who create now intend to express our individual dark-skinned selves without fear or shame. If white people are pleased we are glad, if they are not, it doesn’t matter. We know we are beautiful. And ugly too…We stand on top of the mountain, free within ourselves.” He embraced the black community and tried to empower them by celebrating all tones of black. Not only was it not ok for whites to break down blacks, but it was also not ok for the blacks to break down other blacks. By celebrating all tones he resurrected the word ‘black’ as a beautiful word as opposed to a dark, deceptive, and negative word. His use of color imagery was able to show the ethnic differences of all black

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He had seen firsthand how African Americans experienced brutality growing up. He had seen this when Jess Alexander Helms a police officer brutalized a black woman, and dragged her to the jail house. He had explained it as “the way a caveman would club and drag his sexual prey”. This shows how little rights African Americans had in these days because he was unable to do anything. All of this happened while other African American individuals walked away hurriedly.

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How Did Langston Hughes Influence The Harlem Renaissance

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Hughes helped inspire other Black artists to publish their works and develop their culture, by having the guts to publish his own background, thoughts, and opinions on racism. Most African Americans were too scared to publish their pieces, because they feared for the consequences. In Harlem, many Blacks were able to broadcast their artwork, which they never had the opportunity to do before. Unfortunately, “Harlem (and, one can just as well add, the world of the American Negro) is a walled-in reality where dreams are deferred” (Presley). Dreams seemed unattainable because everyone knew that outside of Harlem, the world was still against African

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How Did Langston Hughes Contribute To Harlem Renaissance

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1.Langston Hughes was an African-American author, poet, playwright and a social activist in the era of the Harlem Renaissance. Langston lived in New York's Harlem and went through various experiences in the artistic period which heavily influenced his vivid works. Hughes took after the intellectual, social, and artistic atmosphere of the Harlem Renaissance and incorporated it into many of his works like “The Weary Blues”. 2.Langston Hughes is regarded as one of the most notorious and influential figures in the Harlem Renaissance. His contributions to the lively era included him writing about the world around him which brought about a familiar and relatable feeling to his African American readers and a vivid imagery to his White readers.

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How Did Langston Hughes Contribute To The Harlem Renaissance

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The Harlem Renaissance, an age of musical and artistic rebirth. During the the 1920’s artist, poets, and musicians brought on a new light to the arts. Many writers and thinkers called New York City home. African-Americans wrote and sang about their culture and spiritualism. Among these poets and artists, Langston Hughes was the most influential, his works promoted equality and celebrated African-American culture.

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Hughes was different when writing his poetry, he addressed to the people specifically, the black people(“Langston). Meaning he didn’t write his poems for fun, they had a purpose and he wanted that purpose to spread within people. He always spread the message humorously

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How Did Langston Hughes Contribute To The Harlem Renaissance

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Hughes's poetry, mainly about "The Weary Blues," exemplified the Harlem Renaissance's spirit of resilience and creativity. He easily became one of the era's most influential voices. Through his literary contributions, Hughes challenged the stereotypes and fought

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Whenever a group of like-minded people are allowed to congregate, it tends to be that the result of their collective minds leaves the world forever changed. Examples of this widespread of ideas can be found in the renaissance, the age of enlightenment, and most recently, the Harlem Renaissance. This marvellous movement was a time of great appreciation for African-American culture and heritage, which began in the slums of Harlem, New York, around 1920. This specific change in cultural tempo came about as less of a re-birth, and more of a first light for the brilliance of black poets who had been, and to some extent still were being, buried under the immense cover of the white majority in America. Each poet of this time contributed something unique and incredible to the rising movement, starting with a man named Langston Hughes.

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The culture of most blacks was unwanted during this time. For this reason Hughes desired to make a change and illustrate such cultural identities in his poems. In doing this he caused a shift in ideas among all people. Although the change didn’t happen immediately it did eventually occur. With that said the African American people were given less of an opportunity at jobs, schooling, and most importantly culture.

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He uses literary devices to explain his tone and feelings toward the black

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He played an important role in the movement of African Americans in the Harlem Renaissance period. He was one of those who brought the African American culture and an entirely new level of development and acceptance by other races. Hughes was a man with deep sense of racial pride. Through his works he tried to glorify the African American culture, traditions and customs, he tried to show its creativity

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Harlem Renaissance When Langston Hughes left his native Midwest to attend Columbia University in 1921, he was excited about his new school's location in the Harlem community. Hughes had already heard about a place that was the "Negro capital of the world," and he knew that if ever he wanted to be a writer, his career would have to begin in Harlem. Hughes would become one of the major figures in the New Negro Renaissance—or Harlem Renaissance, as it is familiarly known. After his arrival, he would never call anyplace else home, and in many ways Hughes typifies what the Renaissance meant and what it allowed. Today his residence at 20 East 127th Street continues to attract young writers committed to producing the kind of art that made Hughes famous.

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Susan Belasco and Linck Johnson, literary authors and experts, claimed that when Hughes published “The Negro Speaks of Rivers,” his literary career took off and only increased from there. Hughes worked hard continuously, doing a great deal of work and advocating for the NAACP. He is associated with authors like Hurston, Cullen, and Douglas, others who represented African-Americans as a united whole. Later in his career Hughes expanded to novels, drama, short stories, plays, and children’s books; emphasizing political positions and advocating for the equal rights of African-Americans. Hughes’s poetry could be described as contemporary in its forms and subjects according to literature during the early 20th century.

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