“Neither Wolf nor Dog: On Forgotten Roads with an Indian Elder,” the title of the novel says it all. Renowned author Kent Nerburn draws us deep into the world of a Lakota elder set in the majestic spaces of the western Dakotas. As the story unfolds, the elder known as only, Dan, speaks ardently about the power of silence and the difference between land and property. Dan speaks about the white people’s urge to claim the Indian heritage.
Adrian C. Louis’ novel, Skins, is a caricature of Native American Reservation life. In broad sweeping strokes, Louis paints a picture of impoverished, overweight, drunk Indians. His protagonist, Lt. Rudy Yellow Shirt, serves as a ‘could-be’ hero who falls into an increasingly criminal lifestyle as he tries to avenge his people. Through the life of Rudy, the plights of Native American people are detailed over and over again. Louis embraces stereotypes in his characterizations of both Native Americans and whites.
Over the course of the film, clips of many western movies play which show parts of Native Americans shown as the enemies of the Americans. The biggest perpetrator of the image upon Natives is Hollywood, which sought out to develop a characteristic on Native Americans. It obviously worked because all of America believes the films show the true character of the Natives. Hollywood’s job was to entertain so they created films that showed the braveness of these savage Natives and eventually moved onto silent films and caricatures to add more entertainment to the industry. They depict the Natives as
The films that I chose to explore in this paper are Do the Right Thing by Spike Lee and Lone Star by John Sayles. Each film offers examples of counter narratives in my opinion. There are many examples of characters vying for both power and respect from characters of the other race. Spike Lee, however, has an undeniably unique style that offers a counter on many levels.
Even today, movies and cartoons that depict Native Americans in any way are most often being portrayed in the same fashion as they have been for hundreds of years: through the eyes of the earliest white settlers. When Disney’s Pocahontas came out, the brutal song “Savages!” devastated Native American children.
Another, even though he was raised in a Pomo - Indian family, because of his blonde hair and blue eyes, and unidentified background he was unable to say / be truly apart of the Indian roots that molded him. Being a stereotype. Within emptiness he was able search and find more about himself than he expected. Learning about his lost Spanish Father, his
Native American portrayal cinema typically portray many stereotypes, such as being one with the Earth, alcoholic and dressed in headdresses. However, not all movies and their portrayal of Native American are the same, for instance the movie The Outlaw Jonesy Wales portrays Native American in a different context. In the movie one of the main character is a Native American chief who is not bound by these common stereotypes. Instead he acts just like any person would act and does not put emphasis on what race he comes from. Although it is still very obvious what race he is, but it is not over the top trying to make the audience believe what race he is by portraying as the Hollywood Indian.
Indigenous texts challenge misrepresentations in mainstream media by exposing harmful stereotypes displayed in movies and TV. The documentary "Reel Indian" is an excellent example of this as it shows how Indigenous characters are reduced to one-dimensional archetypes, erasing the complexity and diversity of Indigenous identities. Similarly, the poem "I lost my talk" by Rita Joe conveys the
Extended essay response Jonathan Scriva Hollywood films have influenced our values and beliefs of socio-cultural groups within a film. In the context of race and gender the films Cowboys and Aliens (2011) and the searchers (1956) both share similarities. These two successful films are 55 years apart the both convey the perspectives of race and gender through the reflection of American Indians in these films. The films The Searchers and Cowboys and Aliens show that Hollywood has changed the way we see the status of Indians. In the earlier film the Indians are represented as killers and mongrels as in this current day and age we have grown to accept them and appreciate their culture.
Writer Sherman Alexie has a knack of intertwining his own problematic biographical experience with his unique stories and no more than “The Lone Ranger and Tonto Fistfight in Heaven” demonstrates that. Alexie laced a story about an Indian man living in Spokane who reflects back on his struggles in life from a previous relationship, alcoholism, racism and even the isolation he’s dealt with by living off the reservation. Alexie has the ability to use symbolism throughout his tale by associating the title’s infamy of two different ethnic characters and interlinking it with the narrator experience between trying to fit into a more society apart from his own cultural background. However, within the words themselves, Alexie has created themes that surround despair around his character however he illuminates on resilience and alcoholism throughout this tale.
The Lone Ranger and Tonto Fistfight in Heaven is a book written by Sherman Alexie depicting many stories regarding life on the Spokane Indian Reservation. These stories tell of many serious problems the modern Native Americans are faced with today. Problems like poverty, racism, limited education opportunities, and alcoholism just to name a few. The book incorporates many different characters, including Victor Joseph, Thomas Builds-the-Fire, and Norma Many-Horses. These characters along with many other characters show what life was and still is like on some Indian Reservations.
While many Asian, Hispanic, and Black people tried hard to make their dream of acting become true, racial stereotypes always are the barriers that inhibit their future in the movie industry. Thus, directors are the only ones who can make that change. Some directors said that they just do their job which follows the audience interest. However, according to the documentary film "Yellow Face”, producers did a survey on a lot of American audiences about casting Asian actors to the movie that based on other cultures. The majority prefers using Asian cast because they can perform the original culture realistically.
Even though America has become quite the diverse place with diverse cultures, the cultural appropriation found within the American society contributes to the loss of multiple minority culture’s identity. Native Americans are one of the minority groups most heavily impacted by cultural appropriation. From offensive sports, many American Indians feel as though their cultural identities are lost in the mass of stereotypes and false representations of them in popular culture. In literature and film, Indians are too often portrayed as some variation of “the Noble or Ignoble Savage” (Gordon, 30), violent and uneducated, and it is easy to imagine how this negative representation inspires resentment in the Native American community, who have no interest in having their cultures and peoples being reduced to mere savages,
Throughout this semester, we have watched many films and discussed them in depth during class. Many of the films were unique, entertaining and fast paced, boring and slow, but nevertheless, each film reflected cultural and social influence of its country. There are many films that have a social cultural influence, but for this essay I will be talking specifically about: Tampopo, Spirited Away, Pather Panchali, and Raise the Red Lantern. Through this film selection I will encompass important social contexts from Japan, China, and India.
Science journalist, Charles C. Mann, had successfully achieved his argumentative purpose about the “Coming of Age in the Dawnland.” Mann’s overall purpose of writing this argumentative was to show readers that there’s more to than just being called or being stereotyped as a savage- a cynical being. These beings are stereotyped into being called Indians, or Native Americans (as they are shorthand names), but they would rather be identified by their own tribe name. Charles Mann had talked about only one person in general but others as well without naming them. Mann had talked about an Indian named Tisquantum, but he, himself, does not want to be recognized as one; to be more recognized as the “first and foremost as a citizen of Patuxet,”(Mann 24).
