From the very beginning of Othello, he was plotting and formulating every conversation and sabotage so it would execute perfectly. He lives his life for revenge and to get at people and bring them down, even people that he knows trust him. He has already formulated a plan and starts putting it into motion within the first three acts of the book (Zender and Omer). Iago is so invested in destroying people that he even takes notice to everyone’s weaknesses and uses them against the individual. This falls into the category of emotional shallowness and glibness, more psychopath
Iago contributes to the tragic downfall of Othello, playing him like a fiddle. The human nature of Iago manipulates the trust
When it comes to Iago, he is constantly using others in the story as “pieces” in his larger game. He knows how to trick others into thinking that ideas that are completely absurd and very unrealistic are true. The only thing is that nobody realizes his intentions until it is too
He was able to pervert all of Othello’s positive attributes simply by playing to his insecurities. At the same time, Iago was able to manipulate Roderigo in a similar fashion by baiting him with false
In the play Othello, Iago manipulates the others by creating a scene within a scene. He sets up characters, by controlling what they see and feeding them lies. In the opening scene, while Iago is talking to Rodrigo, he reveals it would be weak to allow his external actions show what he is thinking inside. As he describes; "When my outward action doth demonstrate/ the native act and figure of my heart/
Othello’s confidence for a loyal man to maintain honesty and morals are contradicted through Iago’s actions: “in a man that’s just / They are close dilations, working from the heart, / That passion cannot rule” (3.3.123). Iago, due to the understatement to his name, is not perceivable as hateful. Othello’s willingness to sense Iago’s distress, and to believe his accusations, is because of the lack of awareness Othello has for his vengeance. Iago is of such little power and relevance within societal ranking that if he were to have intentions to sabotage anyone, which he does, are not considered, thus making him easily trustworthy to those of greater dominance. Society’s view of an individual determines how others consider and surmise their persona, though these conclusions may be false.
He feels and thinks that he has been cheated, betrayed, made a fool of by others—but he has no proof. His arguments for revenge are built on suspicion, feeling, emotion, and impulse.” (Warnken) In this quote it proves that Iago wants power as a reward rather than to make himself stronger he wants the characters to feel what they made him feel. When Othello gave the ranking as Lieutenant to Cassio, Iago felt that he had been betrayed by Othello.
In the book Othello, Iago is a very manipulating man, throughout the book he manages to manipulate three main people, Roderigo, Cassio, and Othello. He uses all their weaknesses to bring them down. Iago wants revenge on Othello, because Othello overlooks Iago and his abilities, so Iago manipulates these three characters to get back at Othello in the long run. He comes up with a very good plan to get each other to turn against one another. So in the end he ends up getting what he wanted, revenge.
Iago embodies dishonesty using lies and deceit to entangle everyone in his trap. In Act 1, Roderigo questions Iago’s faithfulness to Othello. Iago answers by saying, “Whip me such honest knaves,” meaning he only pretends to be faithful and loyal to Othello, fooling him into trusting Iago (1.1.49). As the play progresses, people describe Iago as honest; however, Iago decieves everyone into believing his word. Othello frequently describes Iago as “A man he is of honesty and trust” (1.3.284) as well as “most honest” (2.3.6).
Othello falls for Iago’s lies because he sees Othello as a trustworthy man. The reason Othello’s trust in Iago is high, it is because of his honesty, giving him the name “Honest Iago,” and Othello has also known him for years. Throughout the whole story, Othello is lead to believe Iago’s lies and would trust him more than anyone else even his wife Desdemona. With Iago trying manipulate Othello, it works well causing him to do things leading to disbelieve the close people around him.
He is manipulative and tells Othello to “observe her [Desdemona] well with Cassio” (Shakespeare, 3.3:197). Iago feeds Othello with countless lies and makes him miserable with something that is not factual. He is determined to get revenge and he does not realize Iago stands insincere. Furthermore, Iago is selfish when he tells Othello, “I am yours for ever” (3.3:479). He betrays Othello yet still let’s him depend on him for his own
When he does not get the position he wants and also heard that Othello has been sleeping with his wife Emilia, Iago’s manipulation increases. Iago plans his scheme based on, “[Othello] has done my office, I know not if’t be true/ But I, for mere suspicion in that kind/ Will do as if for surety” (I. III. 431-433). This use of manipulation is all based on an assumption that Othello has slept with Iago’s wife, and this assumption leads to even more horrible events.
Iago is a unique and complicated character. He is intelligent in that he is able to manipulate people and events in his favour, which he thrives on throughout the play, classifying him as the antagonist of the play. Driven by jealousy and hatred, Iago plots against Othello to destroy his character and reputation. Knowing that if he foolishly attacked such a respected man directly, he would be sentenced to death. As a result, he devises to use other people to obtain what he desires by influencing the characters in the play to suit his plan.
Iago’s powerfully disruptive insinuations torment Othello to fall precipitously into his intricate trap, believing in the prospect of Cassio and Desdemona’s fictitious affair. Through the use of linguistic techniques such as elliptical speech, subservient vocative choices and a hesitant tone, Iago is able to construct artful innuendoes to deceive and manipulate Othello. Supplementary to linguistic techniques, dramatic techniques such as dramatic irony reinforces Iago’s role as a two-faced villain, who is making a pretence of being Othello’s loyal ensign. Eventually, Iago’s villainy nature sows a seed of doubt in Othello that germinates into the murder of Desdemona. Through the characterisation of Iago as a notorious villain, Shakespeare is able to hold Iago’s actions accountable for the play’s tragic downfall, establishing a sense of powerlessness amongst the
Iago demonstrates this type of activity on multiple different occasions throughout the play. For instance, when Iago was dejected from the job he truly desired by Othello, we see his puppeteering tactics begin to set into place by insinuating that he will “poison his delight, Proclaim him in the streets; incense her kinsmen, And, though he in a fertile climate dwell, Plague him with flies: though that his joy be joy, Yet throw such changes of vexation on’t, As it may lose some color. ” (Shakespeare 1.1.68-73). To make this successful for him, he resulted in abusing his ‘friendship’ with multiple characters, such as Roderigo and Cassio, which ended up with the two of them either dead or injured. Not including the fact that he also abused his power over Emilia and benefited from the fact that she was Desdemona’s lady-in-waiting.