The whole army squad that Henry was fighting with were all rookies they had never seen a dead man or ever killed anyone, none of them had experience. Him seeing his first dead man was kind of a little wake up call, so he could be prepared and that maybe could be him in the future. I believe it also showed him he's going to have to fight back because people are coming for him , not just one , many. This “meeting” with the man laying the ground without movement affect henry in a positive way because it warned him and made him ready for anything. As he says in chapter 3 “His curiosity was quite easily satisfied.
Henry 's character changes dramatically from the relationships he forms with his father, son, and Keiko. To start off with, Henry does not communicate much with his mother or father because of the language barrier. His father is very caught up in is own life, and does not pay much attention to Henry. " He and his father had settled into a pattern of noncommunication months ago (166). This makes Henry independent and reserved.
For moments he had been scrutizing his person in a dazed way as if he had never seen himself.” (Crane ch6 pg.1) This was at the end of the battle. Henry woke up and nothing was going on. He was looking at himself like he didn’t know or remember anything.
He quickly said to fire back. There gunshots going back and forth both armies were losing men. Henry finally thought of something he said to one of the section of the army to go around the hill and attack from behind. Another section of the army were covering for the other section. Finally Henry heard gunshots from behind
Once ready, he wanted to elude his former relations and acquaintances, hence born the new identity, Henry Howard Holmes. This rebirth enabled him to separate himself from his past and leave it behind, a past he loathes. Along with being devoutly religious, his parents were strict disciplinarians and demanded absolute obedience from him or otherwise he would be harshly punished. This authoritarian parenting approach was perhaps the root of his desire for manipulation and conning. As an adult, he now wants an inordinate amount of power and control in his life after lacking them from growing up with severely strict parents.
One of Freud’s theories is that the “Id – Ego combination dominates a person’s behavior until social awareness leads to the emergence of the superego, which recognizes that
His superego is extremely underdeveloped because of its ability to revert back to the Id with no hesitation, and his ego barely mediates between both the Id and superego, favoring one or the other depending on the situation. This hostility within the unconscious mind creates conscious and unconscious conflicts within the narrator, especially when he questions individual trust. When deciding whether or not to obey certain antagonists such as Dr. Bledsoe or Brother Jack, he begins to analyze the situation drastically, viewing his past experiences as a major factor into his final decision. This train of thought provokes disputes within the narrator's unconscious and conscious mind. In a situation where Bledsoe made the narrator leave the college, the narrator's unconscious mind chose to obey him and leave.
And we applaud its failure because it comforts us with the paradox that the life is desirable, untenable, and unattainable‖ (214), and Nicholls sees Henry as a tourist in the mafia world, since he never completely fit in that world (123). Henry Hill could also represent us, the viewers directly, and our need to experience that world for a short period without any of the risks of the mafia world. This could be seen as the pure example of scopophilia, where the viewer is „taking other people
Henry has both triumphs and defeats which serves to add layers to his complex character. Conflict plagues him throughout every moment in the story, and it follows him through his progression as a soldier in the Civil War and as a person. Quite possibly the most glaring demonstration of conflict from the very beginning of the novel is Man versus Man conflict. It’s difficult to place a story in one of the most famous wars fought in American history without the violence and brutality that comes along with it. The type of conflict used in this novel to add depth and complexity to the story as well as the character of Henry Fleming is Man versus Self.
In the story “Dr. Jekyll and Mr. Hyde” by R.L.S three characters represent Freud’s psychoanalysis of the id, ego, and superego. Freud describes id as the devil sitting on your shoulder or the evil side. In addition, the superego is a human moral conscience. Finally, the ego is a good balance between good and evil. The characters in Dr. Jekyll and Mr. Hyde represent Freud’s psychoanalysis by each other's character have a different personality as Utterson happens to be good is he is the superego, Jekyll is the ego because he is most like a human and is both good and bad, and Hyde is like a devil and bad so he represents the Id.
The monster learns to survive, speak, and adapt. Vowing vengeance towards Victor, the monster continues to eliminate Victor 's family to heal the loss of happiness inside his heart. In the story Frankenstein by Mary Shelley, the Id is represented by the monster while the superego is represented by Victor Frankenstein. Through the continuous thirst for instant gratification, and the everlasting use of instinct, the monster best embodies the ID personality.
We see various freeze frames, each marking a significant moment in Henry’s life. Whether it be a young Henry being exalted by members of the mob in the courthouse for adhering to Jimmy’s words “Never rat on your friends and always keep your mouth shut” or watching his postman threatened by means of violence, a valuable lesson is learned. The fact that Henry learns from these lessons proves his character has grown and developed, thus justifiably casting Henry as a round character. For the sake of the word count restriction I will only analyze the scene I believe to be most significant to the story. It actually comes in the opening scene where Tommy stabs the still alive, Billy Batts (Frank Vincent), in the trunk of the car.
In the Style of Documentary Reportage Cranes let us in on how Henry felt after a battle and the change of thought that he had developed he refers to his spirit and religion-mad. He tells us that he was capable of profound sacrifices even causing a tremendous death. He now referred bullets as things that could prevent him from getting to his destiny. He thinks of this with a flash of joy within him. (Crane,
Williams seems to have taken the ideals of Freud to build his characters in Freudian molds. Psychoanalytic ideas are revealed through the actions of the three main characters as Stanley is the Id, Stella as the Ego, and Blanche as the Superego. Creating an understanding of each individual as they pertain to a psychological approach, reveals the reasons they had for acting the way they did throughout the play. The first of the three psyche components are the id, or someone 's instincts to their personality.
The Id, Ego and Superego make complete sense to any person who might be interests in learning about the Psyche. Freud’s use of the psychoanalytic theory is relevant when explaining my current behaviour in regards to my past experiences that have occurred throughout my lifetime. Freud’s theory does apply to my own life as he made his theory a way to help understand and focus on the behavioural problems of the human being, and to resolve them in a way that forces me to accept my own destructive
