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Identify The Relationship Between Mythos And Logos

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In order to identify the relationship between Mythos and Logos, we must first identify what each of the terms, individually, represent. While mythos and logos are two distinct terms, they are, at the same time, synonymous with the pre-Socratic ancient Greeks. In their simplest, broken down definitions we can label mythos as “knowledge which is believed may be true or real” and logos as a “higher realm of knowledge because it has been interrogated”. When analyzing social science with these terms in mind, we are constantly forced to beg the question whether the content we are observing is more uncertain, mythos, or more rational and well-evidenced, logos. In Jason and the Argonauts we see Jason constantly struggle with mythos and logos as his
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The Odyssey is an epic poem about the struggles of a Greek warrior. The Odyssey is about Odysseus' 10 year long journey home from the Trojan War. Logos, Ethos, and Pathos are considered the rhetorical triangle. Logos means your reason and intellect, Pathos means your feelings and emotions, and Ethos means your moral character. Although Odysseus shows many different heroic actions as a leader, nevertheless Odysseus demonstrates Ethos because Odysseus protects his men from the lotus eaters, sirens, and he returns Elpanor to Circe’s island.

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Bruce Lincoln’s perspectives on myth serve to uphold the status quo and reinforce societal norms. This is apparent in “The Golden Ass” where the narrative is intertwined with social constructs and challenges the ancient notions of morality, society, and the divine. Lincoln’s perspectives in “What Was Myth” state how ancient myths were treated differently than how we use the word today. Lincoln explains ‘mythos’ and ‘logos’ as highly gendered terms. He states that mythos resembles that which is spoken in combat or by “the assertions of men who believe their strength.

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Ethos is an appeal to ethics, it is a means of convincing the character or credibility of the reader. Pathos is the appeal to emotion, a way to convince their audience of their argument, trying to get an emotional response. Logos is an appeal to logic, it's a way of persuading the reader by reason. It is important to recognize these within text to get a better understanding of how to use the appeals to their audience, in a effective way. I believe the article on ADHD on the CDC website does portray all three of the appeals effectively; but mainly the logos appeal.

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Polytheistic myths, such as the tale of Romulus and Remus in Livy’s History, fail to act as legitimate founding stories due to their use of human sacrifice and violence as a means for obtaining social order. Contrary to Schwartz’s claims, monotheistic myths, such as the tale of

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Philosophy in general relies on rational inquiry, logic, the theory of deductive and inductive arguments and aims to distinguish good from bad reasoning and speculations; opinions or reasoning based on incomplete information, it is also concerned with the blending of two disciplines; Science that which is provable and rational, and mystical, having a divine meaning that is beyond human understanding. Distinguishing between these two has been somewhat of a challenge, today we live in a society reason (science), and logos (reason) is the pragmatic mode ( a state of dealing with the problems that exist in a specific situation in a reasonable and logical way instead of depending on ideas and theories), of thought that enables one to function effectively in the world. People have and will always need logos to make sense of life.

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Nilsson first makes a distinction between the myths dealing with heroes and those concerned with divinity and cosmogony, stressing that it is erroneous to surmise that "the hero myths were derived from the same source as the myths concerning the gods. " Nilsson contends that while divinity myths may indeed have "pre-Greek" inceptions, the heroic myth cycles as found in Greek epics can be dated back to the epoch kenned as the Mycenaean Age (1950 to 1100 B.C.) in Greece. Such upbraiders as Richard Caldwell and Robert Mondi are more concerned with the Near Eastern inchoations of Greek engenderment myths. Mondi examines this issue by focussing not on the textual transmission of myths, but on the diffusion of "mythic conceptions" or motifs. Such conceptions include the "cosmic disunion of earth and firmament," the hierarchical organization of the cosmos, and the "cosmic struggle" by which divine kingship is procured.

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The cruelty of the world can seem too much to bear, however, myths helps us face our morality by providing a sense of control, hope and

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A myth is a false belief or idea. It is usually held within an old traditional story or it is a way to explain a natural or social phenomenon, typically involving supernatural creatures or events. Myths are stories of transformation. Many people are surprised to learn that ancient myth was often at least as violent, if not more so, than the mayhem of our modern fantasies. For example, The Godfather, and its companion, Godfather II, have been justly praised for excellence in such technical matters as acting and direction; their popularity is enhanced by less pleasant preoccupations: a lust for violence accentuated in recent years; an obsession with the details of organized crime; a cynical belief that only small distinctions separate lawless behavior from ordinary business practice.

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Mythology is the basis of culture and religion in early civilizations. These stories can tell people what places like Greece, Rome, and other early civilizations were like. Mythology has revealed the society of the Greeks, the infallible Romans, and the superstitious Norse, but do these cultures have a darker side? It appears not. In Mythology the author, Edith Hamilton, illustrates the theme of good more than evil.

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Similarly, when the characters in Bernard Evslin’s novel Heroes, Gods and Monsters of the Greek Myths demonstrate pride, it leads to deposition. The myths in this anthology suggest pride is more a force of destruction than for good. The curse of hubris

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Myths are a narrative projection of the sense of cultures’ sacred past and there significant relationship with the deeper powers of the surrounding world and universe. A myth is a projection of an aspect of a culture’s soul. A creation myth is a cosmogony, a narrative that describes the original ordering of the universe. Cosmogony is a term that derives from the Greek word kosmos (order), and genesis (birth); hence, a culture’s cosmogony or creation story describes how its cosmos (order and existence) was established.

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Kylie Durio Professor Allbritton PHIL 1301 February 16, 2018 Exam 1 Essay Plato, one of the most revered philosophers in history, gave us many philosophical works. From the Theory of the Forms to his Myth of the Charioteer, Plato liked to use a combination of truth and myth to get his teachings across. Although he was big on myths, Plato valued knowledge, and “knowledge involves truth” (Melchert, 96). This was a principle that helped when it came to believing you know something, or actually knowing the truth. Believing you that know something, or opinion, is ever changing, can be true or false, not backed up by reasons, and was the result of persuasion (Melchert, 97).

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Artists and patrons of the fifteenth and sixteenth century saw these figures as having potential to act as symbols with deeper meaning. Although there were continuities in literature, language and custom from the ancient world, the religion that bound these things together had been obliterated by Christianity (Bull, 2005: 7). Greco-Roman culture valued the place of man and how he spent his life on this earth, the direct opposite to the Catholic Church, who believed the afterlife was more important that time on earth (Hancock, 2005: 12). Christianity had for centuries strongly overshadowed the study of the ancient, but by the fifteenth century, the idea of the pagan past as its own culture and civilization with its own values and beliefs became recognized (Halls, 1983: 227). Studying mythology consequently offered Christians access to a world previously removed from them. By the fifteenth century there was no longer the ‘active threat’ that Church had previously feared and this fictitious world had no true reality.

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After overcoming many monsters and a difficult journey with the help of the goddess Hera and Phineas, Jason, the Argonauts, and Medea finally find the golden fleece. The epic Jason and the Argonauts display the characteristics national hero as an exemplar, vast setting, a quest, supernatural, fate, culture specific, conflicts, epic foil, and its functions are to explain laws, origins, destiny, and values. All throughout the epic, Jason is regarded as a national hero as of exemplar. For example, Jason saved Phineas from the harpies’ torments even though he knew it was against Zeus’s wishes. This shows that

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Greek Mythology and its Influences on Modern Society By Jenna Marie A. Macalawa, Lyceum of the Philippines University – Cavite Campus 2014 Myths are not dissimilar to fairy tales, legends, and sagas, but its period is distinctly different from usual existential time. It is considered as an expression of childhood experiences, and it also explains the origin and meaning of the world. According to Long (1994), “The term mythology may describe a certain body of myths, for example, Greek, African, or Scandinavian, or it may refer to the study of myths” (p.694). These collections of narratives are superior when it comes to influencing different areas of knowledge. There are numerous types of mythology, but Ancient Greece is the one that has given an immense influence on modern society.

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