Although the humor and irony is greatly exaggerated in this situation, the author’s style assists the reader in relating to the narrator and becoming more involved in the challenges that are presented within the text. Both in this essay and in Putting Daddy On, I was able to relate to the purpose of each narrative although they used different styles. While this essay focuses more on the effect that humor has on its readers, it is still presented in such a way that the argument becomes relatable to anyone who has encountered a situation similar to this
Gatsby hosts extravagant parties in an effort not only to boost his social status, but also to look for Daisy. Many wealthy, and often wild people attend these large social events held by Mr. Gatsby. Some of the guests even come lacking an invitation, “Sometimes they came and went without having met Gatsby at all, came for the party with a simplicity of heart that was its own ticket of admission.” (41)
The 1920s was a time of flamboyance and wealth in the upper class. Jay Gatsby, a man of old money, threw over the top parties, in which he would spend his money very nonchalantly. The ambiance of his parties greatly illustrated the upper class of the time. The author uses symbolism and characterization to support the central idea that the upper class was very careless, wealthy, and extravagant. Gatsby’s parties are luxurious, glamorous, and over the top.
This incredibly humorous idea, of the stag and hen night before the wedding, gives the audience a clear and simple over view of the lifestyles present in the 1980s, as characters throughout the play give out continuous hints regarding: sexual references, alcohol and sexism, which could have been a personal choice by Rourke to present
The Silent Killer Explication: “Alzheimer’s” by Kelly Cherry was published in 1997 during a time of personal struggle for Cherry and her dad. This short, free verse poem consists of twenty nine perplexing lines. The poet’s nontraditional placement of line breaks cause some ideas to fall off in mid-sentence, while others never complete the thought. This creates enjambments which mimic the disease’s confusing nature.
F. Scott Fitzgerald's The Great Gatsby and "The Roaring '20s" by Kenn Allan both utilize imagery, symbolism, and foreshadowing to depict what living in 1920's America was like. All of these devices are used to set mood, tone, pace, and setting within their stories. The Roaring '20s is always less wordy than the Great Gatsby, but gets the point across just as well. Imagery is a literary device that is used in both the Great Gatsby and the Roaring '20s to portray mood and setting, as well as create an idea of what living in the '20s was like. In The Great Gatsby's case, the imagery creates an elaborate description of the scene, so the reader knows exactly what they are to be imagining.
Within the excerpt Life on the Mississippi, the author Mark Twain, applies imagery in order to portray how his perspective towards his surrounding environment gradually altered as he began to truly contemplate and identify the Mississippi River. By first scrutinizing his surroundings the author emphasizes the magnificence of the river as this was his initial outlook towards the river. This perspective ultimately diminishes as a result of the speaker comprehending the true connotation of the Mississippi River. Nonetheless, the author questions whether acquiring knowledge can truly benefit an individual or impede one from being open-minded to their surroundings. Twains initial depiction of the Mississippi River is quite positive as conveys
In the story “A Christmas Memory” by Truman Capote, imagery is used to create an image in your mind by appealing to your five senses. Imagery is often used to describe the setting of the story and to give you an idea of what is going on. Capote shows many examples of imagery throughout the story to make you understand the importance of his memory. The use of imagery helps create the mood by making the story real and bringing you in what Capote saw.
As soon as Isabel notices her parents are attending the same show as her and her new boyfriend, she intricately details their current state and, in turn, this detail-orientation creates amusement. Isabel begins her description by comparing her mother’s outfit to a “willow tree”. De Botton uses this simile disguised as an insult to portray Isabel’s mother’s character as one of whom Isabel does not approve; it additionally implies her old age from which Isabel wishes to distance herself. Furthermore, de Botton foreshadows family crisis and turmoil in his introduction suggesting that Isabel’s mother has multiple “gentleman friends” as Isabel hopes “she didn’t come with one” of them. Not only is her mother unfaithful to her father, but, “with any luck, they’ll be too busy arguing to glance up” at Isabel and her date indicating an unhappy marriage.
The 1920’s expressed great wealth and luxuriousness through excessive and lavish parties with dazzling effects and no apparent purpose other than to simply entertain. In Francis Scott Fitzgerald’s novel The Great Gatsby, Jay Gatsby’s displays of affluence demonstrate that in the 1920’s, opulence was represented in forms of materialistic objects. Hieronymus Bosch's painting “The Garden of Earthly Delights,” suggests that sensuous temptations and the need for grandeur can lead to the corruption of purity. In Philippa Hawker’s article “The subtle art of staging Gatsby's lavish parties,” she describes the effective use of overindulgence and chaos in Gatsby’s parties to represent the shift in societal norms of conservative and refined parties to a more vulgarized form. In John F. Carter, Jr.’s article “‘These Wild Young People,’ by One of Them,” he exposes the changing perspective of his generation from the stringent realistic outlook of the older generation to his looser and more
In “Birthday Party,” Katharine Brush’s purpose for writing the short story was to reveal how something that is good can go so wrong. She also demonstrates how some things are not what they seem. Especially in the situation that she wrote. Her purpose from the beginning to end is demonstrated by the use of literary devices. Brush begins by describing the scenario, she states, “They sat on the banquette opposite us.”
Irony may appear in difference ways within literature. Irony changes our expectations of what might happen. It can create the unexpected twist at the end of a story or anecdote that gets people laughing or crying. Verbal irony is intended to be a humorous type of irony. Situational irony can be either funny or tragic.
Sometimes the things we do for others don’t always go as planned. That was the case for the innocent wife in “Birthday Party” by Katharine Brush, as what was thought to be a nice gesture by the wife, was viewed as a crime by her husband. This small event can be an indicator of a crumbling relationship, and through literary devices such as diction and shifts to portray this deeper meaning. The harsh adjectives used throughout this piece paint a story much darker than simple botched celebration.
In ¨The Chase¨ from the memoir An American Childhood, Annie Dillard recalls a memorable incident from her childhood, which remained throughout her life, even till the present day. She narrates the adventurous incident where she had voluntarily instigated a strange man -thinking he wouldn’t react- into chasing after her on one particular day. It persisted with Dillard still to this existent, in spite of occurring eons ago, because the pursuit presented her the sheer thrill she later valued and a life-changing experience. Annie Dillard begins the narrative by presenting herself as a tomboy, as she states how she only prefers to hang out with boys for girls are no match for her hobbies. Annie, who was notably different than most girls
In the short story “Birthday Party” by Katharine Brush, may literary devices are used to achieve a purpose. Brush uses devices such as imagery, diction, oxymoron, and repetition to convey a birthday surprise gone wrong. In addition to the birthday surprise, Brush also uses these devices to convey feelings. First, the short story begins with a third person point of view.
