ipl-logo

Images Of Horror From Fallujah Summary

1107 Words5 Pages

Photojournalism, to most people, is the main way to visually keep updated and explore what is happening around the world. Compared to written words, a photograph taken on site can contain greater amounts of information and context about the event/subject. The efficiency and effectiveness of communication is dramatically improved by using photographs. Journalists claim the responsibility to acknowledge and portray reality of wars to the public because it is difficult for bystanders - people other than victims - to grasp the horrors and suffers during such tragic events. However, tragedies like 911 or 2004 Fallujah ambush brings another side of photojournalism that some photos published by several major media seems too realistic and gruesome …show more content…

It is a delicate boundary between a photo that is a great news cover or inappropriate to be the front page of a newsletter. Like many other professions, there are many guides and general standards on how to evaluate whether a photo is appropriate to be the cover of a news to attract people’s attention. Nonetheless, photojournalism professionals still constantly get themselves involved in a controversial situation for using wrong photos. Does revealing the truth mean to display raw photography of tragedies without any modification? People’s emotions towards photography matters, the intention of provoking more people to learn and understand a significant tragic events comprehensively is equally important. In the article “Images of Horror From Fallujah”, David Perlmutter and Lesa Major show their support to medias that were blamed by the public for showing , to some people, disturbing images in their reports on the 2004 Fallujah ambush. Perlmutter and Major further explain that among these major television networks, on their front pages, none of them chose to displayed any raw photos without modification …show more content…

Ethical concerns play a major role when it comes to assessing photographs. Lester lists six philosophies that drive journalists’ decision in using specific photos in most cases, which include categorical imperative, utilitarianism, hedonism, the golden mean, the golden rule, and the veil of ignorance. Hedonism , “... often denied as the motive for a visual journalist’s actions”, “ … is also probably the most widely applied philosophy” (Lester). Some papers, whether be past or future, put away their moral standards when economical benefits demands them to put an irritating image on their cover because “... violence and tragedy are staples of American journalism” (Lester). But if fair punishment will be charged and permanent record of their behavior will remain effective, journalism professions will ultimately filter out those with priorities other than ethical

Show More
Related

Summary Of Raising The Flag On Iwo Jima By Joe Rosenthal

910 Words | 4 Pages

Joe Rosenthal is a photographer whose photo, Raising the Flag on Iwo Jima, has become one of the most recognizable photos in American history. It became so famous that it won a Pulitzer Prize the same year it was taken, used to create the Marine Corps War Memorial, and used as the photo for a war-bond poster in 1945 which raised $26 billion (Pulitizer). As such, I argue that this photo illustrates the brutality of the fighting that occurred on not only Iwo Jima, but throughout World War II, and also makes a strong argument for the theory of liberalism. However, first it is important to identify what exactly makes this photo so revered and why it was selected.

Read More

Summary: All Quiet On The Western Front

170 Words | 1 Pages

if i were a reporter, i'm going to a town where soldiers are passing by carrying wounded, ill-treated, sick, malnourished men. from one camp to another. and that these soldiers are speaking normal with women when they take chained slaves. all people look at them and no ones takes an interest. i was going to buy a camera.

Read More

Pros And Cons Of Photojournalism

1074 Words | 5 Pages

There are instances where these photographs cross an ethical boundary. Instances in which it becomes unclear whether they should tell the story. Sometimes described as disaster pornography, these photographs depict brutal moments of human suffering. Often with a level of objectivity that may seem callous or exploitative. These moments prompt the question: is this necessary to tell the story?

Read More

The War Photo No One Would Publish Summary

1503 Words | 7 Pages

Sometimes though, omitting an image means shielding the public from the messy, imprecise consequences of war- making the coverage incomplete and even deceptive.” (Daghett 2) This reflection shows that Daghett does not want graphic imagery to be shown merely for shock value, but rather that she believes it has an instrumental role in keeping the public informed and aware. While a noble thought, there are many questions that can be raised from this sentiment. For example, what would factor into determining what photos are necessary or unnecessary for the public to see?

Read More

The War Photo No One Would Publish Summary

521 Words | 3 Pages

In DeGhett’s essay, The War Photo No One Would Publish, DeGhett constructs an argument around the censorship of wartime media. DeGhett does so by illustrating an image of the horrifying consequences of war specifically in the Gulf War through a chilling photo of a burned Iranian solider. The argument evolves from the possible impact of a single photo to the moral problems of over censorship in media. This argument is in opposition to the argument that censorship is for the protection of the audience. Instead DeGhett’s essay makes the overall argument that the truth of war was being hidden from the American people.

Read More

Dbq Essay On The Armenian Genocide

514 Words | 3 Pages

These photos tell the gruesome truth of the Armenian genocide, they demonstrate the suffering the Armenians went through, the starvation clear by the malnourished bodies and also show the significant number of the dead, as proof of the genocide. The photos also show the innocence of children during the genocide, as they watch on horrible scenes of the dead or other dying children. This furthermore proves of the attempt at genocide, as there is no discriminating or reluctance; men, women and children were all

Read More

Historical Consciousness In The Selma-Montgomery March

763 Words | 4 Pages

The creative freedom the news has allows it to conceive a new historical consciousness. As proposed by Fukenstein, historical consciousness is essentially determined by “the degree of creative freedom in the use and interpretation of the contents of collective memory.” Audiences have unbiased memories as they are not present during the events the news captures. Their memories are mainly derived from the news’ interpretation of events, turning the news into a medium for the shaping of public memory. For example, images of protestors being gassed at Edmund Pettus Bridge conjured emotions of horror and anger in the American public.

Read More

Rhetorical Analysis Of The Man With The Muck Rake

596 Words | 3 Pages

In the speech “The Man with the Muck-rake” presented by Theodore Roosevelt the topics of investigative journalism, and speaking the truth are discussed. His point was made through a variety of rhetorical techniques including the use of analogy, anaphora, and ethos. The use of these three devices allowed him to convince the audience that investigative journalism, if done by lying, is one of the worst possible evils. When starting the speech Roosevelt compared the present (1906) to the time of George Washington in the late 18th century. His use of analogy illustrates the similarities and differences between the two times, this allows the audience to understand that the problems that exist now have been overcome before.

Read More

Ugliness And Beauty In Tim O Brien's The Things They Carried

1290 Words | 6 Pages

In war, there is no clarity, no sense of definite, everything swirls and mixes together. In Tim O’Brien’s novel named “The Things They Carried”, the author blurs the lines between the concepts like ugliness and beauty to show how the war has the potential to blend even the most contrary concepts into one another. “How to Tell a True War Story” is a chapter where the reader encounters one of the most horrible images and the beautiful descriptions of the nature at the same time. This juxtaposition helps to heighten the blurry lines between concepts during war. War photography has the power to imprint a strong image in the reader’s mind as it captures images from an unimaginable world full of violence, fear and sometimes beauty.

Read More

Matthew Brady's Photography During The Civil War

929 Words | 4 Pages

A reporter once said that as people looked at photos they would sometimes see their son, husband, wife or loved one dead in the battle field ("Matthew Brady Photographer"). Seeing a deceased loved one is difficult, but seeing their lifeless body in a picture is even harder. Having photos taken showed the people that the war needed to end and that no one else needed to

Read More

What Is The Impact On The Trial Of The Chicago 7

1060 Words | 5 Pages

As the war raged on in Vietnam, controversy grew in America. In the years onward from 1950, technology advanced and enabled everyday citizens to be able to own, operate, and observe nationwide news (Kratz 1). Described as “graphic and upsetting,” photos and videos captured on the battlefield were displayed on public news (“American” 1). The government censored all news from the press, and anything the military did not want disclosed to the public was hidden (Kratz 2). As the trial began many Americans began to chant the iconic phrase, “The whole world is watching” (McDowell 2).

Read More

Military Censorship In The Usa Pros And Cons

1653 Words | 7 Pages

The reporters “concluded they had been lied to in reports of progress in the war”, that they had been “reporting those lies”, and that they had been “deceiving their readers and viewers” (Drew & Snow, 2006). Throughout the years, such tension had remained in the journalism-government relationship ever

Read More

Concealed Carry Argumentative Essay

951 Words | 4 Pages

"Would you rather just sit there and cower underneath a desk while someone executes you and your friends or would you rather have a chance to defend your life? That's what it really boils down to," says Michael Flitcraft, a 23-year-old sophomore at the University of Cincinnati. Flitcraft has become a leading advocate and organizer for Students for Concealed Carry on Campus (SCCC), a grass-roots organization that was formed after the 2007 Virginia Tech massacre that left 32 college students and professors dead (Arena). The organization now boasts a membership exceeding 42,000 college students, professors, college employees and parents who believe that holders of state-issued concealed handgun licenses should be allowed to extend those rights

Read More

Donald Murray The Stranger In The Photo Is Me Analysis

694 Words | 3 Pages

Professor, Pulitzer Prize-winning author, Donald M. Murray, in his article, “The Stranger in the Photo Is Me”, suggests that innocence cannot be regained once it is lost, and he supports this claim by first reflecting on who he was before the photograph. Then, he detaches himself from the photograph because of his personal development throughout the war he fought in, and finally concluding that one cannot regain innocence after something as traumatic as war. Murray’s purpose is to argue in order to prove that war changes a person, adopting a nostalgic tone for the elder, over sixty, generation that is his audience. Murray admits that he used to never care to look at photographs, an example of his past self, but now, he gives them “a second glance” even “a third” (8).

Read More

Visual Semiotic Analysis Examples

1277 Words | 6 Pages

4.b.2. Visual Semiotic Analysis Visual semiotic analysis is the second qualitative research method that will be deployed in this study for the purpose of understanding and exploring the hidden meaning and the underlying message or ideology the photojournalists or photo-editors want to deliver to the audiences through ethically debatable news photos and how they are attempting to do this. Evidence of manipulation and also evidence of influence (or non-influence) by digital imaging technology and the ethical aspects such manipulations imply will be sought through analyzing ethically debatable news photos, published in Egyptian print media, during random periods. According to Cottle (1998, cited in Hansen et al, 1998, p.205), semiotics is a science that studies the role

Read More

More about Images Of Horror From Fallujah Summary

Open Document