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In Cold Blood Quotes And Analysis

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Recommended: Rhetorical analysis for In the Cold Blood

Although Capote seems to be explaining the progression of the ongoing investigation regarding Clutter family murder, his words delve deeper to explain the resounding effects that a senseless crime has had on the residents of Holcomb. Therefore, Capote depicts the shattering loss of innocence that these murders have caused to interrupt this small, tranquil community. Through structure, the author transforms the simple town of Holcomb into a dreary community. Capote introduces the second section of the book with a depiction of the leisurely activities of days past; “...Andy Erhart had spent long pheasant-hunting afternoons at River Valley Farm, the home of his good friend Herb Clutter, and often, on these sporting expeditions, he’d been accompanied …show more content…

When the men are looking through the Clutter house in search of objects to burn, it was described that “...they acquired additional fuel for the impending fire - blood-soiled bedclothes, mattresses, a bedside rug, a Teddy-bear doll” (Capote 78). Not only does the absence of conjunctions create a flow, but it also lists the objects in a meaningful order. It starts with the blood-soiled bedclothes, something very difficult for the reader to digest. Then, he moves on to something more universal, mattresses. Then, Capote lists a bedside rug, something more specific to the Clutters. Finally, it ends with the Teddy-bear doll. The progression of this list leaves the reader with a realization that this murder was a loss of human lives, lives that have done things everyone else has done. The tragedy is that these young lives will never be able to experience the future like everyone else. A Teddy-bear doll is something a young, innocent child clings to for comfort. The same doll is sentenced to be burned, destroyed, much like the Clutters were. The doll represents lives lost too soon, children who never got to grow up. In this way, the reader knows that the town of Holcomb has lost the virtue they didn’t realize they had before. With the innocence of the Clutters taken from them and murderers on the loose, how would they ever return to

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In Cold Blood Rhetorical Analysis Typically upon hearing about a murder, especially a brutal and unwarranted one, we find ourselves feeling a great sense of disgust for the murderer or murderers who committed these crimes; however, in Truman Capote’s novel In Cold Blood, the lives and experiences of the murderers, particularly Perry Smith, are displayed in a way the makes you feel pity for him as well as the victims. When comparing Capote’s Novel to a typical news article on a similar topic it is easy to see the that Capote's style varies from typical journalism. An article written by Frances Robles and Nikita Stewart titled “Dylan Roof’s Past Reveals Trouble at Home and School,” discusses the childhood and background of Dylann Roof, a twenty-one

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The novel, In Cold Blood, is an anomaly in the literary paradigm. The author, Truman Capote, designed his novel in a way that made it unique when compared to others. His fundamental purpose was to present the problem of American violence and the fragility of the American Dream and how it can be so easily shattered. In order to portray his purpose, he used many rhetorical devices including syntax, diction, tone, ethos, logos and pathos. These devices allowed Capote’s novel to be different from the spectrum of other non-fiction novels and to support his purpose.

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“He did not smoke, and of course he did not drink; indeed, he had never tasted spirits, and was inclined to avoid people who had—a circumstance that did not shrink his social circle as much as might be supposed, for the center of that circle was supplied by the members of Garden City's First Methodist Church,a congregation totaling seventeen hundred ,most of whom were as abstemious as Mr. Clutter could desire.’’ (10) ( Culture and Community ) Capote used this quote to illustrate the culture of the village of Holcomb, where Mr.Clutter lived and how the social life of a religious family is rooted in their church. This quote represents culture, because is trying to tell us that people in Holcomb should live a life according to their religion ,because their actions affect their social circle and their community.

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Truman Capote’s novel, In Cold Blood epitomizes the shifting sentiments related to the murder of the Clutter family which range from terror, to sorrow, to pride, and all mixed emotions in between. Yet through Capote’s particular descriptions about each character, the connection between their feelings and their actions become further clarified. In effect, the readers experience feelings of sympathy for the victims, their friends and family, the investigators, and even the brutal murders of the innocent family. In order to craft this association, Capote employs a pathos appeal to amplify the audience’s ability to sympathize with each and every character.

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Although, Holcomb is written as a picture-esque mid-west utopia in the first chapter of In Cold Blood, Capote uses personification, parallelism, and the inclusion of first hand accounts, to describe its shift from a neighborly society to one of locked doors in order to comment on how one event can completely alter a locations image. Through the use of personification, Capote describes the disillusion in the townspeople of Holcomb, product of the murder of the Clutter family. Capote writes that locks and bolts are the most popular item in a Garden City hardware store, and that the people disregarded brand identity just to have the security of the ownership of a lock. Capote latter writes, “Imagination, of course, can open any door - turn the key and let terror walk right in” (Capote 88), to show how paranoia has consumed the townsfolk are by expressing the false sense of security that a door lock provides. The use of “imagination can open any door”, implies that if someone needed to get through a locked door,

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Although Capote conveys Holcomb as an even-tempered place, his true intent is to take advantage of its shift to insecurity; therefore he affirms evil corrupts the most perfect of places. Capote uses asyndeton to exemplify the new wicked found in Holcomb. Truman becomes personal with asyndeton, “where Nancy and her mother had been murdered in their beds, they acquired additional fuel for the impending fire --blood-soiled bed clothes, mattresses, a bedside rug, a Teddy-bear doll” (Capote 78). Relating to the Clutters as the elements listed is more personal. The town loses their innocence with the burning of personal items.

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How crazy would it be to interview criminals who murdered 4 people in cold blood? Well that’s exactly what Truman Capote did in this chilling book. In the novel In Cold Blood, Truman Capote used different rhetorical strategies to create sympathy and influence the idea that there are always two sides to every story. Some of the mainly used rhetorical strategies throughout the novel were imagery, diction, tone, and pathos. Furthermore, Capote also illustrated sympathetical emotion towards both types of characters, the protagonists and antagonists.

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In the book, “In Cold Blood,” Truman Capote takes us through the lives of the murderers and the murdered in the 1959 Clutter family homicide, which transpires in the small town of Holcomb, Kansas. The first chapter, “The Last to See Them Alive,” vividly illustrates the daily activities of the Clutter family—Herbert, Bonnie, Nancy, and Kenyon—and the scheming plot of Dick Hickock and Perry Smith up to point where the family is found tied up, and brutally murdered. In doing so, he depicts the picture-perfect town of Holcomb with “blue skies and desert clear air”(3) whose safety is threatened when “four shotgun blasts that, all told, ended six human lives”(5). Through the eyes of a picture perfect family and criminals with social aspirations, Capote describes the American Dream and introduces his audience to the idea that this ideal was no more than an illusion. Herbert Clutter: the character Capote describes as the epitome of the American Dream.

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Facts and Fiction: A Manipulation of Language in Truman Capote’s In Cold Blood English is a fascinating and riveting language. Subtle nuances and adjustments can easily change the understanding of a literary work—a technique many authors employ in order to evoke a desired response from their readers. This method is used especially in In Cold Blood by Truman Capote, a literary work which details a true event about the murders of four members of the Clutter family in the small community of Holcomb, Kansas, in 1959. Although Capote’s 1966 book was a bestseller nonfiction and had successfully garnered acclaim for its author, there is still a great deal of confusion about the distinction between the factual and fictional aspects in the book.

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