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Maya angelou poem about being black
Maya angelou poem about being black
Racism in maya angelou's autobiography
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Maya Angelou’s excerpt from “I Know Why the Caged Bird Sings” will imaginatively take a reader away from their deskbound position to envisioning the stage of a play ornamented with fashioned rabbits, buttercups, and daisies, hearing children as they actively perfect their performance, and stimulate the readers’ appetite with the expressive words she uses to describe sweet whiffs of cinnamon and chocolate from the food samples being prepared. From Angelou’s portrayal of the play an individual will be capable of picturing white rabbits crafted from construction paper and cotton balls modelling puffy tails, together with, yellow and pink card board cut outs resembling buttercups and daisies decking a stage. The person who reads this excerpt
Maya Angelou published her novel I Know Why the Caged Bird Sings in the late 1960s to shed light on her personal experiences as a girl growing up in the segregated South. She writes unfiltered depictions of rape and sexual abuse, along with topics such as racism and teenage pregnancy. Her novel, I Know Why the Caged Bird Sings became censored in America in 2002 due to these topics. Regardless of this novel being censored, it holds significant value in the lessons it teaches.
III. a. Maya Angelou was an avid writer, speaker, activist and teacher. As a result of the many hardships that she suffered while growing up as a poor black woman in the south she has used her own experiences as the subject matter of her written work. In doing this she effectively shows how she was able to overcome her personal obstacles. Her autobiography “I Know Why the Caged Bird Sings (1970) tells the story of her life and how she overcame and moved forward triumphantly in spite of her circumstances.
Maya Angelou recalls the first seventeen years of her life, discussing her unsettling childhood in her autobiography, I Know Why the Caged Bird Sings. Maya and Bailey were sent from California to the segregated South to live with their grandmother, Momma. At the age of eight, Maya went to stay with her mother in St. Louis, where she was sexually abused and raped by her mother’s boyfriend, Mr. Freeman. Maya confronts these traumatic events of her childhood and explores the evolution of her own strong identity. Her individual and cultural feelings of displacement, caused by these incidents of sexual abuse, are mediated through her love for literature.
Starting at a young age, people are very impressionable and willing to believe anything they are told. The common tale of the Tooth Fairy is one of the most common examples of childhood misconception. At a young age, we are told that when we lose a tooth and put it underneath our pillow at night, a magical fairy will come claim it and give a cash prize in return for the tooth. Eventually, the belief in this story fades as children mature and learn that the supposed “tooth fairy” is actually the child’s parents. Likewise, when children are told stories by their family members or teachers about American history, they have no reason to doubt such stories, automatically assuming they came from credible sources.
She shows us that despite the injustices that may occur, there will always be victory for those who truly deserve it. Maya Angelou's perspective as a young African American girl is described in Chapter 19 of I Know Why the Caged Bird Sings, titled Champion of the World. Her community is gathered to support Joe Louis, the former champion, in a boxing match that determines if he'll continue being champion or not. As the story progresses in her grandmother's and uncle’s store, the tone transforms from hopeful to defeated, to triumphant.
The book I Know Why the Caged Bird Sings teaches people about situations that have happened in our society and are still happening currently. I Know Why the Caged Bird Sings talks about the topics of racism, teen pregnancy, and rape. This book also talks about how these unsettling and traumatizing situations affect a person. After Maya was raped she refused to speak showing us something that can happen to people after going through something as horrible as being raped. Situations like these aren't exactly talked about as often and when they are most of the time people are always looking down on the people that it has happened to not the person who did it.
Roughly ten years after it was published, Maya Angelou’s I Know Why the Caged Bird Sings was included in American high school curricula and libraries in the early 1980’s for its “insight into the personal development of a young African-American girl, its appeal to adolescent readers, its multicultural characters, and its historical significance”. That very same decade, the book was challenged in several states for “promoting premarital sex, lesbianism, cohabitation, and pornography” and for “[preaching] hatred and bitterness against whites” (Henry, 2002). Thirty years and scores of inclusions in the American Library Association’s top banned books lists later, Caged Bird still remains one of the most banned books in America, challenged by
Angelou’s contribution to the Civil Rights Movement and her achievements as an activist were remarkable. While these achievements seem to be enough to last a lifetime, the Civil Rights Movement was only the beginning for Angelou. Angelou worked as an outspoken Civil Rights activist during the movement. But even after the Civil Rights Movement had ended, she continued to be a voice of humanity, speaking out against anything that harmed the human spirit. Angelou moved on to influence American society as a whole, from the 1970’s to the day she died, May 28, 2014.
People throughout their lives are constantly discovering who they are and who they want to grow into. The same statement accurately describes Maya Johnson, a strong woman who wrote about her life in her autobiography, I Know Why the Caged Bird Sings. As a little girl, her mother’s ex-boyfriend raped and she had to rediscover herself whilst navigating through the grim veil of trauma - a process that burdened her for many years. Throughout her life, she encountered many different people, some good, others bad, but they each helped her eventually discover her identity. ‘Identity’ is how people define themselves as a human being, and, therefore, nobody else can dictate it.
Context/Purpose/Audience Still I Rise, written in 1978 by African American poet and civil-rights activist Maya Angelou, is a resoundingly courageous and unearthing poem with an inspiring invited reading directly related to the time period it was written in: during the declaration for Equal Rights Amendment (ERA). The poem discusses an African American woman’s struggles against racism and hatred from the society. It consists of nine-stanzas, offering words of inspiration to those who have been oppressed. It sends a message of hope that even in the midst of adversity it is possible to overcome obstacles and find the inner strength and confidence to rise above them. This poem is very straightforward making the message more meaningful and affective.
In two poems “Sympathy” written by Paul Laurence Dunbar and “Caged Bird” written by Maya Angelou talk about a poor bird that is trapped in a cage and wants to be free. It longs for everything that the free bird has but it cannot achieve it. In both of the poems, there is a use of comparisons between freedom and nature. It is also interpreted from the poems that the use of a song is a form of coping for the birds. Both of the birds sing for their freedom and sing through their pain.
“Caged Bird” written by Maya Angelou in 1968 announces to the world her frustration of racial inequality and the longing for freedom. She seeks to create sentiment in the reader toward the caged bird plight, and draw compassion for the imprisoned creature. (Davis) Angelou was born as “Marguerite Annie Johnson on April 4, 1928 in St Louis, Missouri”. “Caged Bird” was first published in the collection Shaker, Why Don’t You Sing? 1983.
In a way, Angelou sets her own tone, with a unique style. She captivates a historical period, that is turned in to a story of its own. Angelou uses a metaphoric way to compare a free bird to the “white race” while the encaged one is “African American”. There is also some assonance where she states, “But a caged bird stands on the grave of dreams.” Another poetic device is alliteration, she explains “A bird in a narrow cage, can see through his bars of rage”.
In the poems “Sympathy” by Paul Laurence Dunbar and “Caged Bird” by Maya Angelou, both portray captive birds that sing. However in “Sympathy”, the bird pleads with god for freedom, whereas in “Caged Bird” the captive bird calls for help from a free bird. In “Sympathy” the bird knows what freedom feels like since there was a time where the bird was once free, but now is trapped. In the first stanza the use of imagery revealed how freedom felt before the bird was caged.
